A decade into the E-mount camera system and Sony has become well-versed at making 50mm lenses for mirrorless bodies. The company's latest effort, the 50mm f/1.2 G Master, is the most ambitious as well as the most satisfying.
When taking a look at Sigma's newest zoom in its Contemporary lineup, one can't help but draw comparisons to the myriad of other standard-range zoom lenses available. Let's be honest -- it doesn't break any new ground.
Sony has quietly released a new video that shows its forthcoming Airpeak drone over the remote Iromote Island in Okinawa. The video features the drone outfitted with both a Sony Alpha 7S Mark III and new FX3 as well as the 14mm f/1.8 G-Master.
Russian camera manufacturer Zenit has announced the release of four new manual full-frame prime lenses that they first revealed last year: the Zenitar 35mm f/2, 50mm f/1.5, 58mm f/1.9, and 60mm f/2.8 Macro.
Sony appears to have discontinued the a6500 camera as it has been removed from the company's official website while distributors have also marked the camera as "no longer available."
Sony appears to have finally and quietly discontinued the last of its DSLRs. The a99 II, a77 II, and a68 cameras show as "no longer available" through dealers and have been removed from the company's official website.
Sony appears to have underestimated the demand for one of its new products again, as the company has announced a shipping delay out of Japan due to a number of orders that "greatly exceeded" expectations despite initial statements to the contrary.
EarthCam recently unveiled the GigapixelCam X80, which is a robotic camera that can produce more than 80,000-megapixel panoramas. To prove it, the company used the X80 to make the highest resolution photo of New York ever captured: 120,000-megapixels.
Sigma has announced the 35mm f/1.4 DG DN Art lens for E-Mount and L-Mount. The company says that the original 35mm f/1.4 DG HSM that was announced in 2012 -- the first of all the Art lenses that set the standard for the line -- has been redesigned from the ground up specifically for mirrorless cameras.
Samyang, which is distributed in the United States under the name Rokinon, has announced a new autofocus ultra-wide prime for Sony E-Mount APS-C cameras. The 12mm f/2 AF is a compact, lightweight, and "rugged" lens that promises fast and accurate autofocus thanks to a stepping motor.
Tamron has announced the 150-500mm f/5-6.7 Di III VC VXD, the company’s first full-frame super-telephoto zoom lens for Sony mirrorless cameras. Where the Tamron 150-600mm has proven popular for DSLRs, the new 150-500mm is sure to entice Sony sports and wildlife photographers as well as other long-lens shooters with its focal length, compactness, and price.
Tamron has announced the 11-20mm f/2.8 Di III-A RXD variable wide-angle zoom lens for Sony E-Mount APS-C mirrorless cameras. Tamron says that it is the world's first ultra-wide-angle zoom lens in its class to feature a consistent f/2.8 aperture.
Super-wide-angle lenses made for full-frame cameras are usually some combination of big, heavy, slow, or riddled with image quality problems. Usually.
The Sigma 28-70mm f/2.8 DG DN is a compacted take on the popular "desert island" 24-70mm f/2.8 lens that makes a slight concession in focal range at the wide end in order to make itself smaller, lighter, and cheaper: just $900.
For years now, industrial super-fast lenses have been on the back of my mind. But one thing always held me back, and that was the fact that most images I could find were frankly uninspiring, boring, fuzzy macro shots at best. So I couldn’t justify spending hundreds of dollars on unpractical medical equipment.
Rokinon has announced the AF 24mm f/1.8 Compact, a wide-angle, fast prime that has a specific astrophotography mode to assist with star photography. This is Rokinon's eleventh autofocus lens specifically engineered for Sony cameras.
Last year, Apple brought back the MagSafe by integrating a magnetic attachment to the back of its iPhone 12 phones. While to this point it has only been used to charge the device and hold accessories, what if it could be leveraged to attach a full-frame sensor to the iPhone?
Sony has quietly launched new versions of its a7R III and a7R IV cameras that feature some small cosmetic changes along with noticeable improvements to specific hardware. The new cameras have a new "a" added to the official product name that differentiates them from the originals.
After my testing of the new Sony compact primes, I was able to spend some time with the competing set of primes from Sigma that were arguably the reason Sony created its lenses in the first place. Both sets are fun, compact, and extremely portable optics... but which should you buy?
In response to Sigma's push into compact mirrorless prime lenses, Sony has launched a new trio of compact prime G-lenses. The 24mm f/2.8 G, 40mm f/2.5 G, and 50mm f/2.5 G together are smaller and lighter than an average 24-70mm f/2.8.
Sony has announced three compact and fast prime lenses -- 24mm f/2.8 G, 40mm f/2.5 G, and 50mm f/2.5 G -- designed to balance high-quality with small size. These lenses look to be clearly designed in response to Sigma's recent push in this direction with its I-Series lenses.
Sony has announced its 60th E-mount lens -- the 50mm f/1.2 G-Master -- that it hopes will prove that not only can it continue to make compact, lightweight primes but also can also do so while competing with the fast aperture lenses of both Canon and Nikon.
Sigma has announced the 28-70mm f/2.8 DG DN zoom lens for Sony E-Mount and L-Mount. In contrast to what is commonly associated with Sigma lenses, the company says this new lens is the smallest and lightest full-frame f/2.8 standard zoom for mirrorless systems currently available.
One of the attractions of Sony mirrorless cameras is the availability of a wide assortment of lenses, from Sony and other manufacturers. But that can be hazardous to your wallet.
Photographer Jens who manages the YouTube Channel Another Perspective has published a hauntingly beautiful video that depicts melting snowflakes freezing back into their original form in extreme detail thanks to a macro lens.
Sony has been pretty tight-lipped when it has come to publishing images taken with the newly-announced Alpha 1. The image embargo for reviewers doesn't lift until later this week, but five full resolution promotional images have made their way online.
Earlier this month, Sigma announced three new lenses for Sony E and Panasonic/Leica L Mount cameras: The Sigma 35mm f/2, 65mm f/2, and 24mm f/3.5. These lenses, while bearing the “Contemporary” badge, are part of a new “I series” category.
Viltrox has added the 33mm f/1.4 and 56mm f/1.4 APS-C prime lenses for Sony E-Mount to its online store. The 56mm f/1.4 looks very similar to the Fujifilm X-Mount version that became available in September.
Tamron has announced a lens for E-Mount APS-C fans: the 17-70mm f/2.8 Di III-A VC RXD. It's the world's first APS-C zoom lens to feature a consistent f/2.8 aperture and a 4.1 times zoom ratio and is equivalent to 25.5-105mm on full-frame.
Sigma has included a new all-metal magnetic lens cap (in addition to the normal plastic cap) with its three latest lenses, and the company seems to admit that the meticulously crafted, tested, and machined pieces of metal are a bit over-engineered.