Techart has announced a redesigned M-Mount to E-Mount autofocus adapter that it says is more compact and quieter than its previous model, and the second-generation LM-EA9 uses four smaller stepper motors instead of the single large motor of the previous generation.
Meike has announced a super-affordable autofocus-equipped lens for Sony full-frame E-mount cameras: the 85mm f/1.8 STM. The company says the autofocus is fully supported by multiple Alpha cameras and even several APS-C E-mount cameras.
Camera gear manufacturer Meike continues to expand into the stills lens market with a new wide-angle 12mm f/2 APS-C manual focus lens.
Sony has announced three new lenses that have been designed with the hybrid photographer/videographer in mind: the 10-20mm f/4 PZ, 15mm f/1.4, and 11mm f/1.8.
Sigma has announced the 16-28mm f/2.8 DG DN, a wide-angle zoom lens designed for Sony E-Mount and Leica L-Mount and can be used on full-frame cameras.
Sony has announced that the production of the a6400 mirrorless camera has restarted. As a result of the worldwide computer chip shortage, the APS-C mirrorless camera was temporarily discontinued last December.
Meike has announced a manual focus 7.5mm f/2.8 fisheye lens designed for APS-C cameras and made available for Micro Four Thirds, Sony E, Fujifilm X, Nikon Z, and Canon EF-M mounts.
Tokina has announced the SZ 33mm f/1.2 lens for Fujifilm X and Sony APS-C E-mount. The manual-focus lens is designed to be affordable yet provide what the company calls "superb bokeh" to both photographers and videographers.
Venus Optics has announced a set of Laowa Nanomorph anamorphic lenses that are designed for Super35, APS-C, and Micro Four-Third cameras. They feature Laowa’s patented optical structure which makes them the smallest anamorphic lenses on the market.
Finally, six years after the original launched, Sony has updated its 24-70mm f/2.8 G Master lens. The original has lagged behind competitors for some time, but the long wait for a successor is finally over.
Sony doesn't appear to be out of the woods when it comes to supply chain struggles as the company has delayed the 16-35mm f/4 PZ G Series power zoom lens from its planned April release until an unspecified time later this summer.
TTArtisan's latest M-mount to E-mount adapter has a focal length dial that transmits focal length info to the camera for lenses with no electronic contacts.
Samyang has announced the second generation 35mm f/1.4 FE autofocus lens for both full-frame and crop sensor Sony E-mount cameras. With its launch, Samyang says that the major angles of 50mm and 35mm in its f/1.4 lineup have been updated.
Now 66 E-mount lenses in, Sony is reworking more of its popular focal lengths and modernizing them with the latest standards. The new Sony PZ 16-35mm f/4 G takes a classic and gives it new life.
Sony has announced the 16-35mm f/4 Power Zoom (PZ) lens, a G Series (not G Master) zoom that promises highly responsive and comfortable operability with the zoom ring and can be controlled by the lens, by the camera, or by a remote.
Lensbaby, a company known for making unconventional lenses that create unusual photos, has released a recreation of one of the company's most popular swappable lens optics: the $280 50mm f/2.5 Soft Focus II.
KamLan has announced a new 55mm f/1.4 full-frame lens for Sony E-mount, Nikon Z-mount, and Canon RF-mount. While pricing has not been made available, given KamLan's history it should be affordable.
Cosina has announced four new Voigtlander lenses, one for Fujifilm X-Mount and three for Nikon Z-mount. For Nikon, the company has launched the 50mm f/2, 35mm f/2, and 23mm f/1.2. That last lens is also being made available for Fujifilm X-mount.
Tokina has announced the SZ 8mm f/2.8 Fisheye lens for Fujifilm X and APS-C Sony E-mount cameras. This ultra-wide manual focus prime covers the full image area of crop sensors for what the company calls a "unique perspective."
Sony Japan has listed all of its A-Mount lenses as "discontinued" or "no longer available" through its store. While Sony removed its A-Mount DSLRs in a similar fashion nearly a year ago, this appears to be the final death knell for the format.