Sigma has released lens firmware updates for three E-mount lenses, making them compatible with the Sony a9 III camera in its class-leading 120 frames-per-second shooting mode. This brings the total number of Sigma lenses compatible with the a9 III to 10.
The 7Artisans 85mm f/1.8 AF lens for full-frame E-mount cameras is available now for just $299, making it among the most affordable 85mm prime lenses for Sony mirrorless cameras.
Cosina announced that a new Voigtlander Nokton 75mm f/1.5 Aspherical -- of which versions are already available for Nikon Z, Canon RF, and Leica VM-mount -- will be released for Sony E-mount in July.
Tamron debuted a new 50-300mm f/4.5-6.3 zoom lens for full-frame Sony mirrorless cameras.
Cinema company Freefly Systems, best known for its Movi camera stabilization system and high-speed cameras, announced a new Ember S2.5K high-speed camera at NAB 2024. However, something somewhat surprising about the latest camera is that it ditches the E-mount that Freefly has previously used.
7Artisans announced the 50mm f/1.8 lens for full-frame Sony E-mount mirrorless cameras. It is the company's first-ever autofocus-equipped lens.
The CP+2024 show is slated to start later this week in Yokohama, Japan, and Cosina has announced the Voigtlander lenses it will showcase at the event.
Samyang is expanding its autofocus cinema lens line with a new 100mm T2.3 full-frame lens. While it is one of the new members of the L-Mount Alliance, the lens is only being made available for Sony E-mount for now.
Sirui has announced its new budget-friendly trio of autofocus f/1.2 prime lenses for APS-C systems. The new Sniper Series 23mm, 33mm, and 56mm prime lenses are available for $299 each or $849 for the whole set.
Sony is on its second version of a pro-level 70-200mm f/2.8 G Master lens. Tamron recently released its second 70-180 f/2.8 G2 lens. A professional 70-200mm f/2.8 was one of the first lenses released by Panasonic for its Lumix full-frame bodies. And in all this time, where has Sigma been? Well, the wait is over. Sigma has finally released the 70-200mm f/2.8 DG DN OS Sports series lens, but was it worth the wait?
Sigma's long requested and highly anticipated 70-200mm f/2.8 DG DN OS "Sports" lens will arrive for $1,499 on December 7 for Sony E and Leica L mount.
Alongside the Sigma 10-18mm f/2.8 DC DN Contemporary lens for APS-C mirrorless cameras, Sigma has announced the development of a new full-frame f/2.8 zoom lens, the Sigma 70-200mm f/2.8 DG DN OS Sports.
The first thing you notice about the Sigma 10-18mm f/2.8 DC DN Contemporary is just how compact and adorable it is. In fact, Sigma claims that it is the smallest and lightest ultra-wide APS-C zoom lens on the market. Having used it myself, I wouldn’t disagree with that statement.
TTArtisan has announced a 500mm f/6.3 telephoto lens for full-frame mirrorless cameras, including E, L, RF, and Z-mount.
Tamron has announced that it is developing a 70-180mm f/2.8 Di III VC VXD G2 (Model A065) for Sony E-mount cameras. This second generation version of the popular optic is expected to arrive this Fall.
Venus Optics will launch a crowdfunding campaign for a set of Laowa Nanomorph anamorphic lenses alongside a 1.33x anamorphic adapter at the end of August.
Viltrox has released the 75mm f/1.2 lens it originally launched for Fujifilm X-Mount in both Nikon Z and Sony E mount variants.
Sigma has been celebrating its 10th year in the Chinese market this July and is capping the festivities with a 35mm f/1.4 DG DN Classic that has the same optical construction as the original lens but without coated elements, which emphasizes flare and lightens contrast.
The Viltrox AF 16mm f/1.8 FE full-frame prime lens features an intriguing blend of a wide focal length, a fast aperture, and a low $550 price. Can it possibly be any good?
Sony has been working hard to re-release new iterations of its existing lenses because although many of the early lenses were decent, they still left much to be desired. The original G Master zooms, for example, were priced like high-grade professional lenses, but came up short optically.
Sony has announced the 70-200 f/4 Macro G OSS II, a follow-up to the original that was brought to market nine years ago. This new version improves basically every major aspect: it's smaller, lighter, focuses faster, adds macro, and takes sharper photos than the original.
Irix has reformatted two of its older DSLR lenses to be compatible with Sony E-mount cameras. The company promises these new versions maintain excellent image quality but bring improved design such as a new aperture ring and housing.
TTartisan has announced that its autofocus-equipped 27mm f/2.8 prime lens for APS-C cameras is now available for Nikon Z and Sony E-mount.
Samyang has announced a new 35-150mm f/2-2.8 lens for Sony E-mount which features a wide zoom range typically associated with "all-in-one" style kit lenses but with a fast variable aperture that is uncommon in that segment.
TTArtisan has announced that it is bringing its 27mm f/2.8 autofocus lens currently available for Fujifilm X-mount to both Sony E and Nikon Z-mount cameras.
Meike has that its autofocus-equipped 85mm f/1.8 lens that it launched last year for Sony E-mount is now available for Fujifilm X and Nikon Z-mount.
If there is one thing that can be said about DJI's cinema camera endeavors, it's that they are unique. The Ronin 4D was already a major shift from traditional systems, and now the Ronin 4D Flex is yet another play on the design.
Sony’s new Sony 50mm f/1.4 GM is a compact, fast, and high-resolution lens in Sony’s upper-echelon G Master lineup, and it joins Sony’s already flush 50mm focal length lineup.
Sony has announced the new Sony FE 50mm f/1.4 GM lens, a standard prime lens that Sony says is perfect for portraits, travel, street, and video.
Sigma’s 50mm f/1.4 DG DN Art takes its place as the latest lens in Sigma’s venerable high-end lens line and is a welcome addition thanks to excellent performance and a low cost of entry.