doityourself

Photographer Corrine Gretton-West booked a wet plate workshop with me before the COVID-19 pandemic began. Two years later we were finally able to do it.

Are you sometimes annoyed by having too many easy and convenient ways to take perfect photos? Don’t despair…

There is no denying that shooting on film is expensive. It is among the many reasons major studios have all shifted to using digital cameras for their movie-making. But even with the shift in technology and cost, there is just something appealing about the way these old analog cameras work. This is why engineer and designer Yuta Ikeya decided to make his own analog movie camera with 3D printing.

My name is David Windestal, and in this video and article, I will share how you can hack and modify a Game Boy Camera to mount serious camera lenses in order to shoot amazing lo-fi photos.

I occasionally like to do some light painting with strobes. To make that easier, I ripped off the legs of an old light stand so that it is just a handheld pole with a light. I also wanted to be able to control my camera with a remote when holding the light so that I can operate my camera on a tripod and do everything without an assistant.

Photographer Ronaldo Carvalho took an old and broken fixed-lens Olympus film camera lens and adapted it to work on a new Canon EOS R6, breathing new life into retired gear.

I purchased some of the new compact and foldable Godox softboxes (e.g. AD-S60S, AD-S65W, AD-S85S, etc) for my Godox AD300 Pros. They work just fine but I wanted to use the magnetic color gels from my AK-R1 kit with them, so I decided to design my own gel holder compatible with the AD300 Pro.

A cheap adapter from Sintech allows industrious photographers to take inexpensive SSDs and build their own CFexpress memory cards at home, allowing them to possibly save hundreds of dollars over "official" cards.

Battery technology has provided a plethora of ways to take power away from traditional wall outlets, including relatively small packs that can power photography lights. A man in China took that idea to the extreme by building a colossal 27,000,000mAh "portable" power bank.

Light shaping tools are very expensive. What if you could take any object and turn it into a modifier? That would save you a lot of money as well as give some unique results. In this article, I will share some everyday objects that you can turn into light modifiers to get different looks.

I do mainly large format photography, and I often take my own self-portrait by using my pneumatic cable release that has a long cable and air bulb release. However, I have long been thinking about how to make a more modern kind of remote cable release. In this article, I will show how I created a DIY remote cable release.

Almost anything can be used as a light modifier. As long as it interacts with light in one way or another, it can be considered a light modifier. In this article, I will show you how to build a do-it-yourself (DIY) softbox with things you likely already have around at home.

In a new video from Fotodiox, photographer Sean Anderson shows how anyone can make a telephoto pinhole lens out of a few items like a soda can, tape, and an empty Pringles can.

I met Carlo a few months ago as I was looking for some honey. I discovered this passionate beekeeper lived only half a mile from my home.

If you're a photographer who often turns to Dollar Tree for cheap photo props or do-it-yourself materials, get ready to pay (a bit) more. After 35 years of selling most products for exactly $1, the retail chain announced today that it is hiking its price to $1.25.

I recently began shooting with the new LomoGraflok 4×5 instant back from Lomography on my Chamonix 4×5 camera and found that I needed to use a spacer every time we compose a shot.

In this six and a half minute video from Fotodiox, photographer Sean Anderson shows how he used over a thousand mini drinking straws to create a "straw camera" that can capture mosaic type images.

In 2014, I started my project Applied Metaphysics – Ground Truth on exemplary still life. The goal was to produce very large prints (2 to 9 square meters and more) at a high resolution so that people could look at them very closely.

I recently had a bad case of fungus in a Sony kit lens. The fungus was between the two outermost lenses that are assembled together in a glued plastic case.