The Voigtlander Nokton 75mm f/1.5 is Coming to Canon RF Mount
Cosina is further adding to its RF line of lenses by bringing its Voigtlander Nokton 75mm f/1.5 Aspherical lens to Canon's mirrorless mount in April.
Cosina is further adding to its RF line of lenses by bringing its Voigtlander Nokton 75mm f/1.5 Aspherical lens to Canon's mirrorless mount in April.
For decades, professional photographers have been using the pairing of a 70-200mm f/2.8 and a 300mm f/2.8 to achieve their telephoto goals. Canon introduced the RF 100-300mm f/2.8 L IS USM recently and it just about covers the range of both those lenses. But is it as good?
Meike's promised 85mm f/1.4 autofocus lens that it announced in April is finally shipping for a very reasonable $470. But the promised RF support is, as most probably predicted, probably not coming.
7Artisans announced a new 9mm f/5.6 full-frame ultra-wide prime lens for the most popular mirrorless mounts that promises a relatively close focusing distance and a 132-degree viewing angle.
This past February, Cosina announced that it would release a Voigtlander Nokton 50mm f/1 lens for Canon RF-mount. Today, it shared more information on the lens, including price and release date.
Ahead of this week's International Broadcasting Convention (IBC) in Amsterdam, Canon has announced its first set of RF-Mount cinema prime lenses.
In Calgary, Alberta, there is a huge annual fair called the Calgary Stampede. A once-a-year celebration dubbed "The Greatest Outdoor Show on Earth". Full of rides, games, and lots of rodeo events, this show attracts 1.5 million visitors each year. One of these guests was the illustrious Ted Forbes and we thought, why not have a good old-fashioned showdown, wild west style?
The previously rumored Zhong Yi Optics (ZY Optics) APO 200mm f/4 Macro 1X Lens is official and available now for a wide range of lens mounts, including Sony E, Nikon Z, Canon RF, Leica L, and Fujifilm X.
Sirui's new Night Walker lenses are an affordable set of compact cinema-style lenses that cover APS-C and Super35 sensors and feature a bright T1.2 aperture.
One of our favorite types of video to make is buying guides, to help our viewers decide what products are best for them. It also presents an opportunity for me to share my personal preferences about what I would choose. Our latest episode is all about Canon RF mount lenses, and I give you my favorites in the following categories: ultra-wide, normal primes, standard zoom, telephoto zoom, portrait lenses, and macros.
In addition to the new R100 mirrorless camera, Canon today is also debuting a new pancake-style prime for the RF-mount, the 28mm f/2.8 STM.
Canon has announced the EOS R100, a compact APS-C mirrorless camera that is designed to appeal to first-time photographers or those who currently enjoy its Rebel DSLRs or EOS M cameras but want to move to the RF mount.
Canon's newly announced RF100-300mm f/2.8 L IS USM lens is going to be an exceedingly rare optic for a while: the company doesn't expect to be able to deliver lenses this year, even to those who already ordered.
TTArtisan has announced a full-frame 100mm f/2.8 tilt-shift 2x ultra macro lens for Sony E, Fujifilm X, Canon RF, and Nikon Z mounts.
When I reviewed the Laowa Argus 35mm f/0.95 I was struck by how bad it was, but also how good it could be. Normally, I rate a lens based on how well it handles flare, how sharp it is, and how well it controls chromatic aberrations. Going by the above criteria, the Argus should have failed spectacularly.
Canon has announced a new RF 100-300mm f/2.8 L IS USM lens which it says is designed to support professional users with a specific emphasis on photojournalists.
Meike has announced a new 85mm f/1.4 autofocus lens for Sony E, Nikon Z, Leica L, and -- surprisingly -- Canon RF mounts. If this stands, Meike will be the first third-party manufacturer to come to market with an autofocus-equipped lens for Canon's mirrorless mount.
Venus Optics has announced a new Laowa Argus 28mm f/1.2 prime lens for full-frame cameras. Billed as the fastest 28mm for full-frame on the market, the new lens is available for Leica L, Nikon Z, Sony E, and Canon RF mounts.
Canon says it intends to release seven or eight new RF lenses a year going forward as it works to build out its first-party library to match the more than 70 that were available for the EF mount before the launch of its mirrorless line.
Canon has an image problem and I'm not talking about photos. The company currently has a battle on three fronts when it comes to the perception of its brand: no third-party lens options, the actions of its printer division, and the company's stance on climate change.
Cosina is expanding to support Canon RF mount this year and will release a Voigtlander Nokton 50mm f/1 aspherical lens that, while manual focus, will communicate electronically with the camera.
Canon’s M50 APS-C camera was introduced in February of 2018 when Canon had yet to truly enter the mirrorless camera market, and its tiny new APS-C Canon EOS R50 is more than just a replacement for the M50.
With the introduction of the R50 and the R8, Canon further teeters on the edge of having too many cameras rather than too few.
Canon has released two new lenses for its RF full-frame and RF-S APS-C lineups: RF 24-50mm f/4.5-6.3 IS STM and RF-S 55-210mm f/5-7.1 IS STM.
Canon has announced the Canon EOS R8, a full-frame mirrorless camera the company says is aimed at amateur photographers and videographers.
TTArtisan recently announced a new standard-length prime lens for Sony, Fujifilm, Nikon, Canon, and Leica APS-C cameras: the 35mm f/0.95.
Venus Optics has announced the new Laowa 58mm f/2.8 2X Ultra Macro APO, a lens designed specifically for mirrorless full-frame cameras and available for Sony E, Canon RF, Nikon Z, and Leica L mounts.
Meyer Optik Görlitz has added native Nikon Z and Canon RF mounts to the six lenses it has released to date including the Primoplan 58mm f/1.9 II, Primoplan 75mm f/1.9 II, Lydith 30mm f/3.5 II, and Trioplan 50mm f/2.8 II.
As part of Canon's annual financial results presentation, the company's Chairman and CEO Fujio Mitarai has explained some strategies going forward, including the plan to release lenses at pace with current production for the next several years.
KamLan has announced a new 55mm f/1.4 full-frame lens for Sony E-mount, Nikon Z-mount, and Canon RF-mount. While pricing has not been made available, given KamLan's history it should be affordable.
Canon has announced two new super-telephoto lenses for the RF mount: the RF800mm f/5.6L IS USM and RF1200mm f/8L IS USM. Unlike what was the case with the 400mm f/2.8L and 600mm f/4L primes launched last year, these two new lenses are unique.
Canon’s latest mirrorless camera takes on a new shape and reaches all new heights in performance. With its stacked 24-megapixel sensor, blackout-free silent shooting, eye-control autofocus, and improved subject detection, the EOS R3 might just be the new camera to beat.
Meike has announced the MK-EFTR-C Drop-in Filter Mount Adapter which allows for Canon EF and EF-S lenses to work with RF-mount cameras with aperture control and autofocus and image stabilization support along with the ability to use drop-in filters.
Viltrox has announced a new 85mm f/1.8 autofocus lens for Canon RF mount, making it the first lens the company has produced for Canon's mirrorless cameras that features autofocus.
Photographers really love wide-angle lenses. Photographers also really love fast apertures. What happens when you combine these two together? You get the Laowa Argus 35mm f/0.95 FF.
Venus Optics has announced the Laowa Argus 35mm f/0.95, a lens it claims is the fastest ever designed for full-frame cameras. It is available for Sony E, Nikon Z, and Canon RF mounts.
The RF 14-35mm f/4L IS USM is a brand new ultra-wide-angle zoom lens from Canon. Its impressive range of 14mm all the way to 35mm with a constant f/4 aperture in an L-series full-frame lens is a big deal, and we haven’t even gotten started.
Those waiting to see the final details of Canon's EOS R3 camera will reportedly get their wish on September 14, as a new launch page for a Canon camera has gone live in Japan.
The Digital Picture has published an in-depth in-body image stabilization (IBIS) test that compared the performance of the Canon EOS R5 and the Sony Alpha 1. In many cases, Canon's EOS R5 showed a 1/3 to 2/3 stop advantage over Sony's flagship.
Wondering which oc Canon's new mirrorless cameras is right for you? Photographer Kevin Raposo breaks down twenty of the major features and deciding factors between the Canon EOS R5 and the Canon EOS R6.