Canon announced the 35mm f/1.4L VCM prime lens which is designed to work equally well for both video production and photo capture. Canon says it is the first in a series of new primes that are meant to appeal to both types of content creators.
While preparing PetaPixel's coverage of Canon's impending Cinema EOS launch this week -- which included a corner of an unknown RF-mount cinema camera -- I realized just how little support the line has gotten since the launch of RF mount.
Thypoch, which debuted as a brand last September with the Simera 35mm f/1.4 and Simera 28mm f/1.4 lenses for Leica M-mount, is expanding its camera support to Nikon Z, Fujifilm X, Sony E, and Canon RF.
Cosina is further adding to its RF line of lenses by bringing its Voigtlander Nokton 75mm f/1.5 Aspherical lens to Canon's mirrorless mount in April.
For decades, professional photographers have been using the pairing of a 70-200mm f/2.8 and a 300mm f/2.8 to achieve their telephoto goals. Canon introduced the RF 100-300mm f/2.8 L IS USM recently and it just about covers the range of both those lenses. But is it as good?
Meike's promised 85mm f/1.4 autofocus lens that it announced in April is finally shipping for a very reasonable $470. But the promised RF support is, as most probably predicted, probably not coming.
7Artisans announced a new 9mm f/5.6 full-frame ultra-wide prime lens for the most popular mirrorless mounts that promises a relatively close focusing distance and a 132-degree viewing angle.
This past February, Cosina announced that it would release a Voigtlander Nokton 50mm f/1 lens for Canon RF-mount. Today, it shared more information on the lens, including price and release date.
Ahead of this week's International Broadcasting Convention (IBC) in Amsterdam, Canon has announced its first set of RF-Mount cinema prime lenses.
In Calgary, Alberta, there is a huge annual fair called the Calgary Stampede. A once-a-year celebration dubbed "The Greatest Outdoor Show on Earth". Full of rides, games, and lots of rodeo events, this show attracts 1.5 million visitors each year. One of these guests was the illustrious Ted Forbes and we thought, why not have a good old-fashioned showdown, wild west style?
The previously rumored Zhong Yi Optics (ZY Optics) APO 200mm f/4 Macro 1X Lens is official and available now for a wide range of lens mounts, including Sony E, Nikon Z, Canon RF, Leica L, and Fujifilm X.
Sirui's new Night Walker lenses are an affordable set of compact cinema-style lenses that cover APS-C and Super35 sensors and feature a bright T1.2 aperture.
One of our favorite types of video to make is buying guides, to help our viewers decide what products are best for them. It also presents an opportunity for me to share my personal preferences about what I would choose. Our latest episode is all about Canon RF mount lenses, and I give you my favorites in the following categories: ultra-wide, normal primes, standard zoom, telephoto zoom, portrait lenses, and macros.
In addition to the new R100 mirrorless camera, Canon today is also debuting a new pancake-style prime for the RF-mount, the 28mm f/2.8 STM.
Canon has announced the EOS R100, a compact APS-C mirrorless camera that is designed to appeal to first-time photographers or those who currently enjoy its Rebel DSLRs or EOS M cameras but want to move to the RF mount.
Canon's newly announced RF100-300mm f/2.8 L IS USM lens is going to be an exceedingly rare optic for a while: the company doesn't expect to be able to deliver lenses this year, even to those who already ordered.
TTArtisan has announced a full-frame 100mm f/2.8 tilt-shift 2x ultra macro lens for Sony E, Fujifilm X, Canon RF, and Nikon Z mounts.
When I reviewed the Laowa Argus 35mm f/0.95 I was struck by how bad it was, but also how good it could be. Normally, I rate a lens based on how well it handles flare, how sharp it is, and how well it controls chromatic aberrations. Going by the above criteria, the Argus should have failed spectacularly.
Canon has announced a new RF 100-300mm f/2.8 L IS USM lens which it says is designed to support professional users with a specific emphasis on photojournalists.
Meike has announced a new 85mm f/1.4 autofocus lens for Sony E, Nikon Z, Leica L, and -- surprisingly -- Canon RF mounts. If this stands, Meike will be the first third-party manufacturer to come to market with an autofocus-equipped lens for Canon's mirrorless mount.
Venus Optics has announced a new Laowa Argus 28mm f/1.2 prime lens for full-frame cameras. Billed as the fastest 28mm for full-frame on the market, the new lens is available for Leica L, Nikon Z, Sony E, and Canon RF mounts.
Canon says it intends to release seven or eight new RF lenses a year going forward as it works to build out its first-party library to match the more than 70 that were available for the EF mount before the launch of its mirrorless line.
Canon has an image problem and I'm not talking about photos. The company currently has a battle on three fronts when it comes to the perception of its brand: no third-party lens options, the actions of its printer division, and the company's stance on climate change.
Cosina is expanding to support Canon RF mount this year and will release a Voigtlander Nokton 50mm f/1 aspherical lens that, while manual focus, will communicate electronically with the camera.
Canon’s M50 APS-C camera was introduced in February of 2018 when Canon had yet to truly enter the mirrorless camera market, and its tiny new APS-C Canon EOS R50 is more than just a replacement for the M50.
With the introduction of the R50 and the R8, Canon further teeters on the edge of having too many cameras rather than too few.
Canon has released two new lenses for its RF full-frame and RF-S APS-C lineups: RF 24-50mm f/4.5-6.3 IS STM and RF-S 55-210mm f/5-7.1 IS STM.
Canon has announced the Canon EOS R8, a full-frame mirrorless camera the company says is aimed at amateur photographers and videographers.
TTArtisan recently announced a new standard-length prime lens for Sony, Fujifilm, Nikon, Canon, and Leica APS-C cameras: the 35mm f/0.95.
Venus Optics has announced the new Laowa 58mm f/2.8 2X Ultra Macro APO, a lens designed specifically for mirrorless full-frame cameras and available for Sony E, Canon RF, Nikon Z, and Leica L mounts.