Brooklyn-based photographer Josh Katz made this 11-minute video of a social experiment he did on the streets of New York City to "turn street photography on its head." Instead of shooting photos of strangers and walking away with the images, Katz shot Polaroids of people, handed them the picture to keep, and then tried to strike up conversations as the prints developed.
During an interview at WIRED25 just two hours ago, Instagram CEO Adam Mosseri announced that the Facebook-owned photo sharing app is going to begin testing the hiding of "likes" in the USA next week.
Patrick Hall from Fstoppers and Pye Jirsa from SLR Lounge recently sat down for an in-depth conversation about how photography is changing in 2019. In a fascinating and insightful discussion that lasts almost 45 minutes, they ultimately try to tackle one question: is photography as we know it dying?
AMD has revealed its latest and greatest Threadripper desktop CPUs, promising "unmatched performance with no compromises," including a huge performance boosts for Adobe users.
VSCO has partnered with Snap Inc. to release its first ever Snapchat lens. Dubbed 'Analog,' the sponsored lens is free to use and "designed to celebrate the imperfections, mistakes, and happy accidents found when shooting with film."
Photographer and YouTuber Michael the Maven has put together a video about one of the worst-kept "secrets" in optics: sample variation. Or: why you should immediately test every lens you buy to make sure you have a good copy.
Fujifilm China "welcomed" Xiaomi into the 100MP club with a social media post that's almost certainly a tongue-in-cheek troll of the tiny 108MP image sensor found in the company's recent CC9 Pro/Mi Note 10 smartphone.
Kodak released its Q3 revenue report yesterday, and while the company is reporting a year-over-year loss of $5 million on total revenues of $315 million, there's a very interesting bright spot in the finances: revenues for Kodak's film business grew by 21 percent year-over-year for Q1 through Q3.
Adobe showed off a lot of intriguing Adobe Sensei-powered tools and tricks during their annual "Sneaks" presentation, but one feature that's a bit more official didn't get a preview: built-in livestreaming.
Portrait photographer Miguel Quiles is back with another useful video for aspiring portrait photographers. This time, he's put together a video outlining the five most common portrait photography mistakes that he's seen over the years, and how he suggests that beginners avoid or fix them.
Elle Germany has issued a public apology after the magazine's most recent issue declared that "Black is Back," a statement that has been widely interpreted as implying that black models are a "trend" to be capitalized on by the fashion industry.
Getty Images has announced that it will be transitioning all of its creative stock photography offerings to a Royalty Free licensing model and ditching Rights Managed licensing entirely—a move that will be more convenient for customers, but worse for photographers.
Photography can be an expensive pursuit, and the cost of things (and the pressure to buy them all, buy them new, and buy them now) can get in the way of putting that money in better places.
An onlooker at the Grand Canyon in Arizona captured the harrowing instant when a visitor almost fell into the canyon while taking a photo of her mom. The video of the incident has since gone viral: a perfect example of what not to do.
Zeiss has unveiled a new set of Supreme Prime Radiance cinema lenses, which feature a pretty interesting trick. Thanks to a new coating, they're able to create "controlled flares" without compromising contrast or light transmission.
The ocean is fascinating in every way. We know so little about its mysteries and tend to ignore its importance for all living life. What is it about the underwater world that draws people from all over the world to explore its depths? For me, the allure of marine life welcoming me into their natural habitat rather than the other way around is beautiful.
Wikimedia Commons has millions of public domain and freely-licensed photos available to the world, and now there's a powerful new tool that helps you dive into the ocean of imagery for exploring or locating exactly what you're looking for. It's called wikiview, and it's a graph-based visual image navigator.
For the last four or five years, I have tried to produce one annual workshop for aspiring architecture and interior photographers. While I hope that they are technically helpful and the students come away with new skills and knowledge, one thing that I’ve noticed is that every year each workshop inevitably transforms into a session of group therapy for all involved.
In this 12.5-minute video and article, I'll share 7 of the composition tricks that I use in the field all the time. First of all, let me say that composition is difficult. It is, without a doubt, the hardest part of photography. But there are some things that you can be doing in the field that can help.
Yesterday, I was at the Children's Hospital of Philadelphia shooting for Flashes of Hope, a wonderful non-profit organization that gets photographers like myself to volunteer their time and create portraits of kids who are literally fighting for their lives. These portraits are given to the families for free. Flashes of Hope is a truly wonderful group.
Our friend Roger Cicala over at LensRentals recently decided to take on a few optical "platitudes" that he's always hearing, and see if the data can back them up. So, are "all lenses the same at f/8"? And is it true that you "don’t need primes because I shoot everything stopped down"? Let's find out.
Adobe MAX 2019 ended last night with, perhaps, the most anticipated event of the whole show. No, it wasn't the reveal of Photoshop for iPad; we're talking about the "Adobe Sneaks" showcase, where the company demoed some of the most impressive early-stage technology being developed by Adobe employees.
Filmmaker Daniel DeArco is back with the promised Part 2 of his tutorial on creating cool and compelling "match cuts" to up your transition game. In Part 1, he showed you how he captured the three shots that he would be using to create the match cut; in Part 2, he takes us the rest of the way there in post.
Most outdoor photography tutorials are focused on getting the shot: what equipment to use, how to set up your camera, and how to edit your shots. But in his latest video, Danish photographer and former special forces soldier Morten Hilmer takes some time to address an even more important topic: how to stay alive.
At Adobe MAX 2019, Chief Product Officer Scott Belsky announced the Content Authenticity Initiative – a nascent and ambiguously defined way for attribution to travel with an image and allow consumers to know, in the words of Adobe VP Dana Rao, that “the content they’re seeing is authentic.”
The trinity is now complete. Since the release of the Canon EOS R about a year ago, the mirrorless camera is my go-to tool for shoots. Not least because of its size and weight, as well as the amazing lenses (RF 28-70mm f/2, RF 50mm f/1.2, and my RF 24-240mm f/4-6.3 expedition lens) the EOS R has benefits over its DSLR counterpart.
Panasonic has added two much-anticipated lenses to its "S Pro" lineup of L-Mount lenses for the full-frame mirrorless Lumix S1, S1R and S1H cameras: The Lumix S Pro 70-200mm f/2.8 O.I.S. and the Lumix S Pro 16-35mm f/4.
Up until a few weeks ago, I had never used a Leica. I don't think I'd ever even held one or knew much about them other than the occasional story of an outlandishly expensive iteration on a camera previously on the market. I had preconceived notions about the kind of company Leica was, about their goals, and about their strategy. I expected very little, regardless of what they were going to show me.
Sigma has announced the new 24-70mm f/2.8 DG DN Art lens for full-frame mirrorless cameras. It'll be available at launch for the E-mount by Sony and the L-mount by the Leica/Panasonic/Sigma L-Mount Alliance.
Leica has announced the SL2, a full-frame mirrorless camera that replaces the SL that was announced back in 2015. Leica says the new "all-purpose" camera "resets the tone for the mirrorless market."