June 11, 2013

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How to Add Dynamic Clipping Warnings to Photoshop

There are two types of clipping you probably try to avoid introducing into your images during post-production: luminosity clipping (when the brightest areas of an image become white, or when the darkest areas become black), and channel clipping (when the data within an individual channel becomes compromised). Both forms – unless you've made a deliberate decision to clip your data – are something to avoid.

Hyperlapse Shows One of the Best Graffiti Artists in the World at Work

Many of the time-lapses and hyperlapses we run across follow natural events (like a massive rotating supercell) or capture the hustle and bustle of a city in a unique light. The video above does neither. Instead, photographer and videographer Selina Miles shot it while following one of the world's best graffiti artists around an abandoned warehouse as he tags it to kingdom come.

Attending My First Portfolio Review After Thirty Years as a Photographer

Having made it through over 30 years as a commercial photographer and photography teacher, I find it daunting, at this stage in my life and my career, to feel the need to seek advice and assurance from professional peers. But participating in the New England Portfolio Reviews this past weekend turned out to be one of the best things I’ve done for my creative self in a very long time.

The Tale of Pamela: A Nigerian Scamming Story Involving a Camera Sale

This little story started after I’d bought a Ricoh GRD IV and GV-2 viewfinder. Due to some unforeseen financial issues, I realized I had to sell it. I didn’t think this would be a problem since I’d only used it around three or four times. So optimistically, I went about advertising on eBay, Gumtree and Craigslist. The next day I received an email via the Craigslist ad from ‘Pamela Richard’ asking for me to reply “asap”. This is where it all began.

The Glory of Twixtor: Unorthodox Uses of Faux Slow-Mo

Have you ever wanted to make the video you shot on your DSLR look like it's playing at 1000fps, or make people warp in and out of your time lapse, on perhaps contort faces like putty? Then come explore the glory that is Twixtor. If you're not already familiar with the software plug-in created by RE:Vision Effects then I highly suggest you check out the information below, study up, and dive in.

Taking Pictures on an Offshore Oil Rig Is Serious Business

Taking pictures on an offshore oil rig is serious business. For starters, due to the risk of flammable gas coming up the oil well, normal electronics are banned outside the living quarters. Smartphones are strictly forbidden and regular cameras require "hot work permits" be opened prior to use.

Looking into the Future: Whose Camera Will I Buy in 2018?

I’m not really sure why, but if you want to watch the Fanboys go completely insane, the simplest thing to do it is throw out “your brand is probably going to be out of business in a few years.” But the simple reality is that’s what happens to most companies eventually, especially technology companies. Photography companies, since, oh, about 1850, have basically been technology companies.

Amazing Time-Lapse Captures a Massive Rotating Supercell Thunderstorm

Arizona-based photographer Mike Olbinski has been visiting the Central Plains of Texas for almost four years now in search of the perfect rotating supercell. A long-held goal of his, capturing one of these structures that look like massive, awe-inspiring "alien spacecraft" had always eluded him. That is, until his most recent trip.

Fuji and Panasonic’s New Organic Sensor Boasts Insane 29.2 Stop Dynamic Range

Fujifilm and Panasonic have joined forces and created an image sensor that blows everything currently on the market completely out of the water. By using Fuji's patented "organic photoelectric conversion material" to collect light instead of the traditional silicon photodiode, they've created a sensor that nearly doubles the dynamic range of the best sensor currently on the market.