Photographer Sheds a Beautiful New Light on Famous Landmarks with Gorgeous Infrared Images

Dunnottar Castle in Scotland

How do you put a fresh spin on landmarks that have been photographed ad nauseam? Well, great composition and an understanding of light certainly helps, but if you’re photographer Kaitlin Kelly, you also add infrared photography into the mix and take the photos to a whole new level. Read more…

external Looking for the Enduring Photo in Gaza —NY Times

Tyler Hicks, a New York Times staff photographer, covered Gaza during the first two weeks of the current conflict. He spoke about that experience in a phone interview with James Estrin.

Aug 05, 2014 · ∞ Permalink · No Comments »

external Marco del Pra’: Documenting a Village Before it Dissapears —Leica Camera Blog

A compassionate photographer creates a compelling scroll-documentary that captures the humanity of a small town and exposes the hypocrisy of Germany’s vaunted energy transformation.

Aug 02, 2014 · ↬ Via · ∞ Permalink · No Comments »

external Amy Toensing On Hunger In America: Iowa’s Breadbasket —National Geographic

In an interview, photographer Amy Toensing describes covering the cruel irony of food insecurity happening in the epicenter of agricultural surplus in America, and also the social issues associated with poverty.

Jul 24, 2014 · ∞ Permalink · No Comments »

external Photog David Fleetham On Capturing Sharks. With A Wide-Angle. —Digital Trends

sharkPhotographer David Fleetham brings us daring closeups of the terrifying sea creatures we know as sharks. He explains how in this interview.

Jul 22, 2014 · ∞ Permalink · No Comments »

How 4 Photo Editors Are Using Instagram

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Instagram is a powerful tool that professional photographers must take seriously if they want to be discovered via the platform – because just like every other person with a smart phone, photo editors from major publications are on there too. It’s a way to stay top of mind and connected with the photo-editors you’ve previously worked with, and to share work that can catch their eye and could inspire your next assignment.

We asked 4 photo editors 4 questions regarding the app and how they use it professionally to discover new talent, what they like to see from the photographers they’ve worked with, and what not to post. Read on for tips. Read more…

MIOPS: Smartphone Controllable High Speed Camera Trigger

MIOPS is a new smartphone-controlled camera trigger that combines all of the features photographers want in a high-speed camera trigger into one convenient device.

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Photographing the Nazca Geoglyphs in Peru: An Interview with Photographer Ed Ranney


Aroma Valley, Chile, 2006. © Ed Ranney

Edward Ranney has been photographing pre-Columbian sites in Peru for over fifty years. His book Monuments of the Incas was released in 1982, reprinted in paperback in 1990, and re-released in 2010 by Thames and Hudson in an expanded edition, with updated text.

His monograph The Lines, being released in August by Yale University Press, presents pictures of geoglyphs created by the Nazca culture in southern Peru, and other cultures in Chile’s Atacama desert. Read more…

external A Master Class in Space Photography —TIME

An interview with NASA astronaut and amateur photographer Donald Pettit reveals the mind-bending complexities and challenges of shooting from the International Space Station.

Jul 17, 2014 · ∞ Permalink · No Comments »

‘Racing Age’ Photo Series Smashes Frailty Stereotypes Surrounding Old Age

A documentary project, shot on medium format Hasselblad on black & white film, about the senior athletes competing in the masters track & field competition circuit in the United States and around the world.

Documentary and portrait photographer Angela Jimenez‘ series “Racing Age” is not your typical ‘photos of old people’ photo series. There is no frailty, no struggling with day-to-day tasks or close-ups of wrinkles. The subjects in Racing Age are competitive athletes that could probably out-run, out-jump and out-throw most people half their age. Read more…

external Ruddy Roye And Instagram Activism —Time LightBox

Before my resources or outlets were few and far between. I depended on a few exhibitions, a few magazine jobs here and there, but the one constant was that I photographed almost everyday. Instagram allows me to share my photos so I no longer have to wait for someone to be interested in my personal work.

Assignments are assignments but my personal work is not something I sit around hoping to get money for. If someone wants to buy a piece, of course I am willing to sell — but I won’t sit on the work because I am waiting for the monetizing of the platform. I am extremely happy that I can post an image that I feel burning in my veins for others to see and at the same time get a refill from seeing a friend’s post.

Jul 08, 2014 · ∞ Permalink · No Comments »