A lot of the work I do is exploration or commentary on the relationship between people and their environment, but this is the first time I explored the natural world disrupting a people, and not the other way around. It made me more optimistic about people and find new love for them.
Q&A: Peter Hoffman’s Again And Again —National Geographic
Mitch Dobrowner is a fine art photographer based in Studio City, California. Born on Long Island (Bethpage) New York he as have a wife (Wendy), 3 kids, a dog… and in his words, a bratty cat.
His work has been published by National Geographic Magazine, ABC News, TIME Magazine, Newsweek, CNN, NPR, Audubon Society, LA Times and LensWork, among others. Google recently produced a 2 minute commercial revolving around his work for their Search Stories campaign. Read more…
recently asked a photographer how she came up with her pricing. She said, “Well… I researched my competition and found that they had similar services, so I charged what they were charging.”
Does that sound familiar? Or worse, do you know people who charge less to “undercut” the competition or “get more business?
Here’s the problem with using “me-too” pricing: You’re signaling to your potential clients that you’re the same as everyone else. Why would they choose you when they can always find someone else charging $10 less?
I think one has to be comfortable with taking one step back before taking two steps forward. I was definitely nervous early on in my freelancing career, not knowing whether taking a gamble on these photographic detours was the right path. I was essentially throwing out my existing photo career to create a new one.
Bill Yates is based in North Florida and travels extensively shooting personal projects. Primarily known for his stunning aerial photography, Bill recently discovered nearly 400 rolls of old film he shot in the 70′s & 80′s squirreled away in an old storage locker, which has led to his newest project called “Found Film Recently Developed.”
We sat down with Bill to talk about his history in this industry, how he got into aerial photography, and see if he had any advice for the up-and-comers. Read more…
Interview: Is Terry Richardson an Artist or a Predator? —New York Magazine
Lytro’s Light Field Camera and newer high-end Illum camera, for example, allow you to re-focus images after you’ve taken them. 3-D photography and the ability to edit and adjust photos after the fact isn’t exactly new, but Lytro CEO Jason Rosenthal tells us that this is just the beginning…
Lytro envisions a future where light field photography resides in every camera, not just its own — potenitially leading to more advanced smartphone cameras and virtual reality that’s even more accurate and interactive.
Aaron Schuman: What It Means To Be A Photographer —FK Magazine
People still often have a misunderstanding about photography — that it’s a technique, a practical skill and needs to be taught in that way. There is a lot of pressure for photography departments in universities to almost guarantee their students — you will have employable skills at the end of this, you will get a job, you will have expertise in the field.
I think it should be treated more like a literature or philosophy degree. Of people who study philosophy — one of them might become a philosopher, the others go off and do other things, but nobody questions a philosophy department and asks — how are you giving your students employability skills? It’s just respected as a field of study. It means that there are a lot of people in the world who are intelligent, engaged, informed and interested in that subject. That’s how I see it.