Posts Tagged ‘theslantedlens’

Walkthrough: How to Create a DIY Studio On a Budget

In a perfect world, we’d all have the studio of our dreams, and it would be filled with all of the best of gear. Unfortunately, we don’t live in such a world, and more often than not we’re constrained by a (sometimes very tight) budget.

Here to help overcome that challenge is Jay P. Morgan of The Slanted Lens, who has put together a video that shows just how easy it can be to build a very viable studio out of fairly cheap materials/products in a spare bedroom. Read more…

Breaking Down How Tilt-Shift Works and How To Use It for Focus Control

From Jay P. Morgan of The Slanted Lens comes an educational and behind the scenes video out of Yanks Air Museum in Chino, California. Throughout the video, Morgan gives insight into the process of using a tilt-shift lens and shares some nice background information on how a tilt-shift lens actually works. Read more…

The Slanted Lens Explores Why Pulling Stills From Video is a Zero-Sum Game

In game theory, a zero-sum game is one in which one side’s gain is exactly balanced out by the other side’s loss. Regarding photography, the term works well to describe one problem with the ever-more-popular art of motion image photography, or pulling stills from very high-definition video. And in the video above, The Slanted Lens makes this point very well by testing the concept in a photo shoot using Canon’s 1D C. Read more…

A Ring Flash Lighting Tutorial Complete With Zombies and Soda

If you’ve ever wondered when, or how, or why you might use a ring light or ring flash, this short lighting tutorial from The Slanted Lens should help you answer all of those questions. In this case, Jay P. Morgan was shooting for Zombie Juice soda and he took the opportunity to explain why he chose to use a ring flash, some of the disadvantages of ring flashes, and how he supplemented it to get the perfect shot.

Understanding Ring Lights / Ring Flashes: A Lighting Tutorial (via ISO1200)

How to Turn Sunlight into Moonlight with Camera Trickery

This short video tutorial shows how you can shift the color balance of sunlight to create a blue background that looks like moonlight.

I wanted a night time look to this 20′s scene. Shooting later was not an option. This was a way to give a night time look to the sunlight streaming in the window. This technique can be applied to all types of photography. I saw a wedding photographer using this technique by putting a small amount of warm gel on his strobe which allowed him to let the background behind the bride and groom go slightly blue. This adds depth and interest. I have used it in corporate portraiture to create a cool background out of what was a boring scene. The blue becomes a unifying layer that pulls a background together into one element.

(via The Slanted Lens via NSOP)

How to Balance Strobes with Daylight

Here’s a helpful tutorial by Jay P. Morgan of The Slanted Lens on how to mix strobe light with sunlight to make photographs more interesting.

How a Composite Sports Photo is Made

In this video, commercial photographer Jay P. Morgan walks through how he went about shooting a composite sports photograph of Mexican soccer player Rafael Márquez.

We were going to shoot several shots that would need to freeze him in mid air as he kicked the ball. We had limited time with him so it was necessary that things were planed out and ready to go when he arrived. We took two Hensel speed max heads that have the fastest flash duration of any mono block head available. The goal was to use them as our key lights and freeze his action in mid air. We shot background plates the day before at the ruins outside of Mexico City for him to be retouched into. The idea being famous soccer players in action shots at different iconic sites of Mexico. [#]

A video walkthrough of the post-production can be found over on Facebook.

(via Fstoppers)