[Brett] Weston, on his 80th birthday and two years before his death in 1993, surrounded by friends and family, tossed every one of his negatives into a brightly burning fireplace in his home in California. He had been promising to destroy all his film for more than two decades in a bid to pass on ultimate control over the editioning of his work to his estate.
“Nobody can print [my work] the way I do,” he told the Associated Press. “The prints are posterity, not the negatives. … I don’t want students and teachers to print my work.”
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