
Westcott’s New FlexiGels are Designed to Make Colored Lighting Easier
Westcott has announced FlexiGels, a new custom-made silicone color gel accessory for its FJ400 strobes.
Westcott has announced FlexiGels, a new custom-made silicone color gel accessory for its FJ400 strobes.
Westcott has announced the new L60-B 60W Bi-Color COB LED, an "ultra-portable" 60-wat bi-color light designed for video and photo content creators.
Westcott recently released its third version of the popular specialist tool, the Eyelighter. If you happen to be a working headshot or portrait photographer, there is no way you haven’t seen it, thought about buying it, or even had it in your shopping cart at some point.
It’s Cyber Week, and that means fantastic deals and a wonderful opportunity to stock up on photography equipment. Westcott is offering savings of up to $150 off some of its most impressive lighting gear and kits. These bargains are only available until December 3rd on the Westcott website, so you will need to get in quick.
Just about a year ago Westcott expanded on its new wireless flash lineup that started with the FJ400 by offering new sizes and power outputs. After listening to user feedback, it launched the FJ200 as a more compact and travel-friendly light system... and it's awesome.
Every Sunday, we bring together a collection of easy-reading articles from analytical to how-to to photo-features in no particular order that did not make our regular daily coverage. Enjoy!
Westcott has announced the new FJ200 wireless studio strobe and FJ 80 speedlight which join the FJ400 as part of the FJ Wireless Flash System. Both feature compatibility with Westcott's wireless trigger system.
Photographer Ashley Boring has teamed up with lighting company Westcott to create a helpful educational video that explains the difference between rear- and front-curtain flash sync, and shows you how to use this knowledge to create some interesting portraits.
Shooting with continuous lights can be the easiest thing in the world. Why? Because you can see exactly what the light is doing, where it’s placed, its intensity, and how it’s affecting your subject. In a way, I like to think of shooting with constant lights as a baby step to off-camera flash photography. They help you start to see how manipulating lights forms the image you’re creating, without the added element of calculating the flash burst with the ambient light exposure.
Westcott just announced an exciting new 400W/s monolight and universal wireless trigger that promise to provide a killer combination of portability, affordability, and compatibility for on-location photographers who have been relying on Godox/Flashpoint for their lighting needs.
This 12-minute tutorial from photographer Joel Grimes demonstrates two methods for creating dramatic portraits using a minimal amount of gear. Both techniques use a beauty dish; the first with a single light source and the second with the addition of 2 edge lights.
In this useful little tutorial, wedding photographer Bob Davis demonstrates how, with just a small amount of kit, you can combine speedlights with basic light modifiers to mimic two totally different natural light 'looks' in seconds.
But wait, there's more! They never actually say it, but Westcott's new Omega 360 Reflector is dripping with "But wait, there's more!" The versatile reflector kit from Westcott touts itself as the world's first 15-in-1 reflector.
The Flex is a new light solution that comes in the form of a bendable white mat covered with LED lights. It's designed to be a flexible (literally) light source for photographers and videographers that can illuminate spaces that traditional lights may be too clunky for.
Meet the Omega, the world's first 10-in-1 shoot through reflector. Designed by photographer Jerry Ghionis and manufactured by Westcott, the product has removable center panel that allows you to use it like you would a giant beauty dish or ring flash.
Westcott's lightsaber-style Ice Light is popular among photographers, but the $500 price tag is a bit prohibitory to some. Fortunately for those who either don't want or can't afford to spend the money on the real thing, photographer Simon Ellingworth has come up with a cheap DIY version that'll only run you about $30.