JPEG XL is a new-generation image file format that recently got a big boost to awareness thanks to native support in the iPhone 16 series smartphones. So what is it, why does it matter, and why should you use it? Who better to ask than one of the people who helped make it a reality?
Peak Design is one of the most recognizable names in the photography industry and probably the most well-known accessory brand in the space. From the Capture Clip, to straps, to bags, tripods, and more, the company recently set its sights on the outdoor and adventure market after years in development.
It's been a busy week! Apple launched a new iPhone which started a lot of conversation about "fake" megapixels, Sigma finally showed its autofocus cine lens, Canon announced a new affordable zoom, and Nikon released RED LUTs for its Nikon Log profile -- and that's just the tip of the iceberg!
This week, Apple announced the new iPhone 16 series of smartphones, updated its headphones, and launched a new Apple Watch. Chris Niccolls, Jordan Drake, and I were on site and we share our opinions on what we saw on the second-ever PetaPixel Carcast.
Last week, former video producer at The Verge Becca Farsace published a video explaining why she left that job to pursue becoming an independent creator. Since her path is the opposite of the one Chris Niccolls and Jordan Drake chose, the three discuss the pros and cons of each direction on this week's PetaPixel Podcast.
Photographer Leah Hennel is an award-winning photojournalist who has been on the ground at Olympic events for the past 10 years. She just returned from Paris after covering the 2024 Summer Olympics and chats with The PetaPixel Podcast team about process, strategy, the day-to-day experience, and -- of course -- gear.
Last week's "Team Pixel" situation highlighted a widespread issue in the technology space that negatively impacts many reviewers and the people who watch their content.
Over the past few weeks, we've compiled the questions you want Adobe to answer related to its push into AI, recent controversies, and the state of photography in general. We had a chance to sit down with Maria Yap, Adobe's Vice President of Digital Imaging, to give the company a chance to respond.
Chris Niccolls and Jordan Drake have been trying to finish a review of the Kodak Super8 camera but have found one unassailable truth in doing so: shooting on film for YouTube is very, very hard.
This week, Chris Niccolls and Jordan Drake concluded their review of the Nikon Z6 III. It's a fantastic overall camera that has some interesting new technology, but the few limitations it has appear directly linked to the sensor.
During the R1 launch event in Arizona, Canon representatives told PetaPixel that the R3 line isn't going anywhere. But side-by-side with the new R1, there doesn't seem to be any reason for it anymore.
Today, Canon announced the EOS R1 and EOS R5 Mark II -- two highly anticipated cameras that say a lot about where the company stands on technology and, more importantly, how what it can provide photographers compares to its peers.
Even though we're only halfway through 2024, it has felt like a very busy year for the camera industry. This week, the PetaPixel Podcast team is joined by Camera Labs' Gordon Laing to give a midterm grade to every camera maker.
In a topic spurred by an opinion piece I wrote last week, Chris Niccolls, Jordan Drake, and I discuss what we think the future of the Nikon Z7 III is -- if it has one at all.
The iPad is quickly becoming a more viable tool for creators to use as their main workflow solution. The recent introduction of Final Cut Pro for iPad has been a big part of the improvement to making the iPad more useful for my own work. Now, Apple released a new version, along with Final Cut Camera for iPhone, which brings some thoughtful enhancements to the table.
Not only did we get a new enthusiast-level digital camera this week in the Z6 III, Pentax and Fujifilm both released new film cameras that very same day. The PetaPixel Podcast team is joined by Ted Forbes to discuss!
Adobe is having a hard time getting out of its own way. Last week, the company pushed an update to its terms of service that was widely viewed as an over-reach. The company plans to change them again, but is it too late? The PetaPixel Podcast team discusses.
Yesterday, Panasonic announced the GH7, a video-packed powerhouse of a camera that looks to be almost perfect. The only compromise? The Micro Four Thirds sensor. So we knew there would be a lot of folks asking: why would you spend $2,000 for the GH7 when the S5IIX exists?
This week on The PetaPixel Podcast, Chris Niccolls and Jordan Drake give their insight into camera press trips and whether or not they believe they allow for ethical evaluation of equipment.
It's been a crazy week of news in the photography world with the biggest drop likely being Canon finally coming out and saying that the R1 is indeed a real camera and will be coming soon.
Leading up to mid-week, it felt like the industry was holding its breath -- and for good reason. Fujifilm and Sigma came out swinging with some major releases. So what's worth getting excited about? The PetaPixel Podcast team breaks it down.
30 years ago, Apple launched the QuickTake 100 that was, until yesterday, its last "real" camera. But with the announcement of the Final Cut Camera app yesterday, Apple is once again a full-fledged camera company.
A year ago, PetaPixel brought long-time camera experts Chris Niccolls and Jordan Drake on to lead a new YouTube initiative. Looking back, it's the best decision we've ever made.
I've used a lot of different microphones over the past few years, but recent experience with Shure on The PetaPixel Podcast put its SM7db at the top of my tier list. Shure's new MV7+ doesn't quite unseat my number one favorite mic, but it comes darn close.
Photographers or filmmakers who get their start working alone can very easily find it overwhelming when they are suddenly thrust into working with larger teams. So how can they prepare? The PetaPixel Podcast team digs into it.
Almost every camera manufacturer makes its own photo editing software, but we aren't super enthused to use any of them -- especially if camera features are locked behind them.
This week, Chris, Jordan, and Jaron are joined by filmmaker Levi Holwell to discuss documentary filmmaking and all of the details that go into a successful production.
As many of you may have read, last week my father passed away. He left behind a lot of things, but those items that were most valuable to us were his photos -- and not the ones on his computer, but the ones on the walls.
As if getting your hands on a Fujifilm X100VI wasn't hard enough, this past week was even more challenging for those who tried to nab one of just 300 available Limited Edition cameras.
When a listener asked Chris, Jordan, and Jaron to share how their careers (all the highs and lows) have gone over the years, the team decided it was worthy of a main story segment to itself.