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Are you sometimes annoyed by having too many easy and convenient ways to take perfect photos? Don’t despair…

There is no denying that shooting on film is expensive. It is among the many reasons major studios have all shifted to using digital cameras for their movie-making. But even with the shift in technology and cost, there is just something appealing about the way these old analog cameras work. This is why engineer and designer Yuta Ikeya decided to make his own analog movie camera with 3D printing.

I occasionally like to do some light painting with strobes. To make that easier, I ripped off the legs of an old light stand so that it is just a handheld pole with a light. I also wanted to be able to control my camera with a remote when holding the light so that I can operate my camera on a tripod and do everything without an assistant.

I purchased some of the new compact and foldable Godox softboxes (e.g. AD-S60S, AD-S65W, AD-S85S, etc) for my Godox AD300 Pros. They work just fine but I wanted to use the magnetic color gels from my AK-R1 kit with them, so I decided to design my own gel holder compatible with the AD300 Pro.

Battery technology has provided a plethora of ways to take power away from traditional wall outlets, including relatively small packs that can power photography lights. A man in China took that idea to the extreme by building a colossal 27,000,000mAh "portable" power bank.

I do mainly large format photography, and I often take my own self-portrait by using my pneumatic cable release that has a long cable and air bulb release. However, I have long been thinking about how to make a more modern kind of remote cable release. In this article, I will show how I created a DIY remote cable release.

Almost anything can be used as a light modifier. As long as it interacts with light in one way or another, it can be considered a light modifier. In this article, I will show you how to build a do-it-yourself (DIY) softbox with things you likely already have around at home.

I recently began shooting with the new LomoGraflok 4×5 instant back from Lomography on my Chamonix 4×5 camera and found that I needed to use a spacer every time we compose a shot.

Photography enthusiast and camera tinkerer Nicholas Sherlock has created a new 3D-printed variable length extension tube for macro photography using wide and ultra-wide lenses.

I've got to admit that half of the reason I bought a film camera was to post cool-looking pictures on Instagram, so when I saw these things called "wigglegrams" on Instagram, I immediately wanted to make my own.

I have made many DIY backgrounds for my photography. Honestly, too many. It gets really addictive. If you have been thinking of creating some for yourself or how you can improve your photography collection for very little money, these tips on creating your own DIY background are going to be super helpful.

Recently I bought a film camera from the 1970s, the Canon A-1. Considering that the camera is almost three times older than me, it was no surprise that there are a few issues with it.

I have been shooting 4x5 color transparencies or commonly known as color slide film for many years but the best that I could enjoy them was to put them on the light table and viewing them through a loupe. Unlike my 35mm and 120 slides, I have never seen them projected big simply it is not easy to locate a 4×5 slide projector.

Iranian photographer and camera tinkerer Alireza Rostami has created a new homemade wrist camera that operates in a neat way: two 35mm film cassettes are attached to the strap under the wrist, and 35mm film travels through the camera inside the straps.

Camera accessory manufacturer Fotodiox has published a video that explains how to make a digital camera obscura that can be used for both video and photo capture made from a box, a magnifying glass, and frosted plastic.

Having a portable V-Flat in your photography kit can provide a unique tool when creating images for your clients. A V-Flat can be used as a background or a tool to bounce or absorb light on your subject.

A few years ago I built an ultra-large-format (ULF) camera that is 24 inches by 24 inches. While it was a pretty huge camera, it was a simple build it was just two square standards, one for the front and one from the back that were connected by a big bellow.