Whereas the Z6 II felt like a rather incremental upgrade of the original version that launched two years earlier, the new Mark III is much more the true successor to the 2018 debutant, taking Nikon's mid-range mirrorless camera forwards in veritable leaps and bounds.
[T]he ZV-E10 II offers better auto-focusing, video performance and battery life than the original, but removes the mechanical shutter, costs significantly more at launch and mystifyingly doesn't include subject-detection, making it somewhat less appealing [...]
Sigma have taken one of our favourite standard zooms for E-mount and L-Mount cameras and made an already excellent lens even better.
If you're prepared to trade some telephoto reach in exchange for a fast F2.8 aperture in a compact and lightweight design and you don't mind the amount of in-camera processing, then the new FE 16-25mm F2.8 G (SEL2450G) is worth considering.
The Panasonic Lumix S9 produced still images of excellent quality during the review period.
Sigma have clearly hit another home-run with the launch of the new 50mm F1.2 DG DN Art, a compelling standard prime lens that ticks all of the boxes and more.
The new Lumix S 28-200 mm F4-7.1 MACRO O.I.S. is the king of convenience - this is a compellingly small, light yet incredibly versatile lens that is perfect for vacations and holidays.
Thirteen years have passed since the debut of the original X100, and here we are with the launch of the 6th generation, which looks remarkably similar to all of its predecessors.
If you're prepared to trade some telephoto reach in exchange for a fast F2.8 aperture in a compact and lightweight design, then the new FE 24-50mm F2.8 G is well worth considering.
The Nikon Z 135mm f/1.8 S Plena is undeniably an outstanding prime lens which creates breath-takingly beautiful bokeh whilst also being tack-sharp across the frame at every available aperture.
For most people who crave the 85mm focal length, the already excellent f/1.8 version will most likely suffice for most scenarios. However, if you want the best of the best, the sharpest results and most beautiful bokeh, then the Nikon Z 85mm f/1.2 S lens is simply superb.
The Lumix S 100mm F2.8 Macro is the lightest and most compact macro lens currently available for L-mount cameras, delivering great image quality with the minimum of fuss.
It's been a long time coming, but thankfully the new Sigma 70-200mm zoom for mirrorless has been well worth the wait - this is one of the best 70-200mm lenses that we've ever tested, and is especially appealing for L-mount camera owners.
For many people the marriage of a full-frame sensor with an entirely dial-driven interface will be music to their ears and the only reason necessary to purchase the Zf.
It might not offer the greatest range or fastest apertures, but the RF 24-50mm F4.5-6.3 IS STM is a solid if rather unexciting first lens for Canon's full-frame system that is both light on weight and light on your wallet.
[I]f you can buy into the amount of digital correction that Canon is automatically applying in-camera, then we can highly recommend the RF 28mm F2.8 STM as a classic prime for your wide-angle needs.
The tiny Sigma 10-18mm F2.8 DC DN Contemporary is the new holder of "best ultra-wide-angle zoom lens" for Sony E-Mount APS-C cameras, offering a winning balance of size, weight, image quality, performance and crucially price.
The TG-7 is a very modest, OM System branded upgrade of a long-standing series of tough cameras that really will withstand almost everything that you throw at it.
The EOS R100 is currently the cheapest way to buy into Canon's R-series mirrorless system, but for most users it's not going to be the best way to do so.
By far the biggest headline news is that the Lumix G9 II introduces phase-detection auto-focus for the first time on any Panasonic G-series Micro Four Thirds camera.
The GFX 100 II is also the most capable medium-format camera for video ever released, offering 8K/30p, 4K/60p/30p, FHD 120p recorded at 4:2:2 10-bit video internally plus Apple ProRes recording to a compatible ATOMOS HDMI external device.
The new GF 55mm F1.7 R WR joins the GF 80mm as the holder of the "fastest lens for the GFX camera system" title.
The new A7C II greatly refines the blueprint of the original A7C from 2020, namely a super-compact full-frame camera that is smaller and lighter than all of its main rivals.
The new A7C R takes the blueprint of the original A7C from 2020 and runs away with it, creating a super-compact, super-high-resolution full-frame camera that is significantly smaller and lighter than all of its main rivals.
