If you value compactness over the greater bokehlicious qualities of a much larger f/1.4 alternative, but still want lots of features and excellent image quality, then the new Viltrox AF 35mm F1.8 EVO is an easy recommendation that's also easy on your wallet.
The new 2026 version of the X-T30 is a subtle refresh on the previous-generation model, principally offering improved video specs and auto-focus performance. [...] Most of the improvements in the new Mark III version of the X-T30 are courtesy of the generation 5 processor.
The new FE 100mm F2.8 Macro GM OSS is the best macro lens currently available for Sony Alpha full-frame cameras, and one of the best macro lenses that we've ever tested for any system.
The Viltrox AF 50mm F1.4 PRO is a compellingly affordable fast 50mm prime lens for Nikon full-frame mirrorless cameras that delivers excellent results with the minimum of fuss.
The new Sony A7 V is largely focused on speed, with the partially-stacked sensor and faster processor really boosting the continuous shooting speeds and video capabilities without sacrificing image quality or battery life.
If you only want one do-it-all lens for your Nikon Z-series full-frame mirrorless camera, then the super-versatile Z 28‑400mm f/4‑8 VR certainly fits the bill.
The ultra-wide-angle AF 16mm F1.8 L is the first ever lens that Viltrox have released for the L-mount camera system, after they joined the L-mount Alliance in September 2025.
Auto-focusing proved to be very quick and very quiet on the Z8 camera that we tested it with, making it ideal for both stills and video, and the configurable control ring and weather-resistance are great features to have at this price-point.
The Mini Evo Cinema successfully extends the winning Instax blueprint to include video as well as stills and printing - if you want an Instax product that can uniquely do it all, this is the one for you.
All of the things that were true of Leica's previous black and white cameras still apply to the new Q3 Monochrom.
[T]he S1 II is the most capable Lumix full-frame model to date for shooting wildlife, sports and action, whether you're shooting stills or recording video, and it's also a great all-round camera too.
For most people who crave the 35mm focal length, the f/1.8 or f/1.4 version will likely suffice for most scenarios. However, if you want the best of the best, the sharpest results and the best bokeh - then the Nikon Z 35mm f/1.2 S lens is simply superb.
Canon have once again sensibly chosen to refine, rather than overhaul, what was already a very capable camera.
[I]f you can buy into the amount of digital correction that Canon is automatically applying in-camera and you don't mind the near $£2000 price-tag, then we can highly recommend the RF 20mm F1.4L VCM as a superlative ultra wide-angle prime lens for both stills and video shooters.
The RF 85mm F1.4L VCM is one of Canon's fastest professional prime lenses in the RF mirrorless lineup, and is the one to get for portraiture if money is no object.
The Viltrox AF 35mm F1.2 Lab is a full-featured, compellingly affordable fast 35mm prime lens for Nikon full-frame mirrorless cameras that provides excellent image quality.
The Canon RF 45mm F1.2 STM is an incredibly cheap, very cheerful and insanely fast standard prime lens that should definitely be on your short-list of lenses. It produces satisfyingly sharp image quality, quick and reliable auto-focusing and surprisingly good build quality [...]
[...] Nikon have certainly come out swinging with the new ZR Z Cinema camera, in our view hitting a home run that is hopefully just the first of many such models.
It feels entirely natural swapping back and forth between the two lenses and, like the 85mm, the newer 50mm delivers superb image quality and all-round performance, along with truly pro-grade build quality and handling. It’s an absolute bargain at the price.
The Sony FE 16mm f/1.8 G is an outstanding ultra-wide-angle prime lens with a fast maximum aperture at a very attractive price-point.
The M EV1 is an audacious attempt to expand the appeal of the Leica M-System to a wider audience, but ultimately it takes more away from the overall experience than it adds to it.
Nikon have taken their already excellent pro-level standard zoom lens and given it a major revamp, with almost every aspect of its design and performance surpassing the 7-year-old original.
[I]t's great to see the venerable TZ-series still continuing in Pansonic's Lumix range.
The 100-500mm F5-7.1 O.I.S. is the longest Lumix S series zoom lens released to date, filling a rather large void in Panasonic's full-frame range.
