If you're looking for the "best" ultra-wide-angle lens for your Sony A7R V, equally new A7C R or similar high-res body, this is the lens to go for.
If you're looking for the "best" ultra-wide-angle lens for your Sony A7R V, equally new A7C R or similar high-res body, this is the lens to go for.
If you can justify the cost, though, the RF 100-300mm F2.8L IS USM is undoubtedly the best telephoto zoom lens for Canon's full-frame mirrorless camera range, and one that we really don't want to send back...
If you only ever use the wide end of ultra-wide-angle zooms, then the new XF 8mm F3.5 R WR prime lens makes a lot of sense - it's much smaller, lighter and crucially a lot cheaper than the comparable XF 8-16mm F2.8 R LM WR or XF 10-24mm F4 R OIS WR optics [...]
The Sony FE 70-200mm F4 G OSS II is the latest telephoto lens that Sony have decided to refresh, and while the original version from 2014 was itself no slouch, it's clear that this new Mark II edition is a step above its predecessor in almost every regard.
With lots of features trickling down from higher up the range, the A6700 really does come across like the full-frame A7 IV camera in a smaller, lighter format, which for many enthusiasts will be music to their ears.
The Sony A7R V is a fantastic full-frame camera that's especially suited to stills but which doesn't forget videographers, offering a multitude of improvements that make it both a massive upgrade from its predecessor and a serious alternative to the more expensive flagship [...]
If you're looking for one professional-level camera that really can do it all for both stills and video and you can afford the still not inconsiderable £3,999 / $3,999 body only asking price, the new Nikon Z8 should be right at the top of your shopping list.
Ultimately, though, the X-S20 builds on the success of its innovative predecessor, continuing to offer most of the core features of the X-T5 in a smaller, lighter and simpler package at a still cheaper price point.
The new Canon EOS R8 is a successful fusion of the smaller, lighter body and simplified control layout of the entry-level EOS RP with the sensor, processor and auto-focus system of the prosumer EOS R6 II.
Ultimately we'd probably splash the extra cash and buy the new S5 II, though, simply because of the break-through phase-detection auto-focus.
If you've always wanted a standard zoom lens which offers a uniquely wider angle of view that's perfect for both landscapes and vlogging, then you need look no further than the excellent new Sony FE 20-70mm F4 G.
If you can live with the extra weight, bulk and cost, the ability to zoom anywhere from 60 to 600mm with a single lens is really compelling and hard to ignore once you've tried it for yourself.
The new Canon EOS R6 II is a solid rather than spectacular upgrade of the 2-year-old original R6, but considering that the 2020 model was already so good, that's certainly no bad thing.
Tamron have thought outside the box to create a truly unique lens that offers something genuinely fresh and most importantly of all useful, crucially backed up by excellent image quality, impeccable performance, solid build quality, just enough features and an attractive [...]
[T]he Fujifilm X-T5 certainly succeeds in combining the much-loved design of its predecessors with the cutting-edge specification of the X-H2 at a more competitive price-point, and is therefore worthy of our coveted Essential award.
The OM System OM-5 is a magnificent midrange camera that offers flagship features and all-purpose performance in a compact, affordable package.
The new Nikon Z 17-28mm f/2.8 is a fantastic lens in its own right and also makes a great partner to the equally quick Nikon Z 28-75mm F2.8.
Tamron are back with another truly innovative lens that transcends the literal boundaries of what has gone before.
The Z 400mm f/4.5 VR S is a superb super-telephoto prime lens for Nikon full-frame mirrorless cameras, offering a compelling mix of low weight and compactness, a rich feature-set and impeccable image quality.
[T]he Panasonic Lumix S 18mm F1.8 is a fast, high quality yet still affordable ultra-wide-angle prime lens that all Panasonic S full-frame camera users should strongly consider adding to their camera bags.
The Canon EOS R10 is a versatile little powerhouse and one of the best cameras around for beginners. Thanks to its modern autofocus smarts and good handling, it's an affordable way into the EOS R system for new converts and an enjoyable second camera for existing Canon fans.
As a versatile all-in-one superzoom for travel and everyday photography, the compact and affordable RF-S 18-150mm F3.5-6.3 IS STM is a very good partner for both the EOS R7 and R10 cameras and definitely recommended if you don't already own any more suitable Canon lenses.
You can use Canon's adapter to mount their vast range of full-frame EF DSLR and RF mirrorless lenses on the R7, but that perhaps rather negates the point of buying a smaller sensor, physically smaller and financially smaller camera.
[T]his is a unique video-centric zoom lens that proved to be an excellent partner for the equally new X-H2S and X-H2 cameras, as they both offer in-body image stabilisation.
