Chris Niccolls

This time around, my review process went a little differently. Instead of doing a full deep-dive into one lens, I decided to compare two brand new ones against each other.

I had never before traveled to the largest Canadian city, and de facto capital, Toronto. However, a opportunity to visit this historic city provided an interesting challenge for me. Could I shoot a large and modern city with only one wide-angle lens and be happy with the results?

KEH is one of the largest pre-owned camera sales operations in the world, and the headquarters can be found in the Peach State. KEH is also the biggest and longest-standing supporter of the PetaPixel YouTube show, so we were excited to finally had an opportunity to visit the warehouse and see the operation for ourselves.

Amongst the plethora of different versions of the Leica M 35mm f/1.4 Summilux lenses, the “11873” model has garnered special attention. This double-aspherical design is famous for its lens character and classic glow at wider apertures. Of course, lens aficionados have driven the price of this original lens to astronomical values, which is where Light Lens Lab has stepped in.

Having previously used both the Thypoch Simera 28mm f/1.4 and Simera 75mm f/1.4, I was expecting great things from the 50mm f/1.4. I've come to find that the Thypoch Simera series is characterized by clean, crisp optics and affordable prices. At $749, the Simera 50mm f/1.4 for M-mount is certainly far more attainable than the equivalent Leica lenses, but can it still deliver high-quality optical performance?

Even now in 2026, autofocusing lens design out of the Chinese manufacturers is still in its relative infancy. We have seen some excellent autofocus-equipped prime lenses from companies like Sirui and Viltrox, but who knew that a manufacturer known for making boutique manual-focusing M-mount lenses would be the first to market with a zoom?

Sony photographers have a lot of great choices available when it comes to the serious telephoto lens. Whether you are into sports or wildlife, the Sony E-mount has you covered. However, many of these excellent lenses come with big physical dimensions and even higher prices.

One of my favorite zoom lenses of all time is the Sony 20-70mm f/4. Just the fact that a versatile range can be coupled with an ultra-wide-angle field-of-view brings a lot of convenience to the camera bag. I don’t mind the moderate f/4 aperture either, and the size and weight are kept to a minimum because of it. So when Canon released a 20-50mm f/4 L PZ lens alongside the R6 V, I was excited to try it out.

Panasonic is celebrating 25 years in the camera game under its illustrious Lumix brand name. Jaron Schneider and I were invited to attend this celebration in Osaka, Japan, and there was an incredible surprise in store for us: the Lumix L10.

The Nikon Z system needed a new kit lens. The 24-120mm f/4 is one of the best lenses I’ve ever used, but it isn't exactly affordable and is understandably beyond the budget of many beginner photographers. The 24-50mm is a decent optic, but it has a slow aperture range and a limited focal range for general-purpose photography. Even the Nikon 24-200mm and Tamron 25-200mm is a bit too expensive for a beginner.

The Reto company, which is behind the insanely popular Charmera camera, are at it again with a charming 35mm analog camera. They clearly took a design cue from the Ricoh GR series of cameras while heaping on a generous pile of Kodak nostalgia, but the end result promises to be a stylish and simple analog experience for potential buyers.

I think most of us have a strange fascination with 40mm lenses. It seems like a relatively uncommon focal length, and of course, it is overshadowed by the ubiquitous 35mm lenses. In truth, both lenses can do pretty much the same thing, but that doesn’t take away from the fact that the 40mm focal length always feels a little exotic.

It started with an offhand question during a casual conversation: Can the Sigma BF autofocus keep up with the demands of wildlife and sports photography?

It was eight years ago that I reviewed the Panasonic ZS200, and I was immediately impressed by the compact size of the camera, along with a massive 15x optical zoom range. Most importantly, the ZS200 didn’t make any compromises when it came to handling and manual control, and the EVF was imminently useful.

There has long been a grand concept in the digital camera world to have a device that takes great photos and is constantly connected to the internet. This would allow for powerful on-device editing and the convenience of sharing your content immediately. Many attempts have been made to bring the creativity that a larger sensor and interchangeable lenses offer, but have it connected to your favorite apps and social media outlets. These have all failed.

Zeiss is nothing if not consistent. The Otus ML lenses bearing the illustrious blue Zeiss badge have always unapologetically strived to make optical lenses the old-fashioned way.

In all my time reviewing cameras, I've come across some hidden gems, but also some real dogs. Today we are going to be talking about the latter. I want to give some dishonorable mentions to some of the worst-designed cameras throughout history.

An ultra-wide lens is not something I often reach for. They can be useful as interior architecture lenses, for capturing dramatic vistas, and even for the occasional shot on the street, however, I usually find the propensity of the lenses to capture so much in the frame a tricky proposition.

Is there room for a new full-frame 35mm film camera? When the Pentax 17 half-frame camera came out, it represented a serious risk to see if beginner photographers would be willing to buy a new camera. When you consider the saturated used camera market with all of the options that are still available, it’s hard to imagine much demand for a camera that will cost substantially more.

The passage of time has not been kind to the Nikon F4. At the time of its release, it was a modern superstar, highly sought after, and bristling with modern advancements. It truly bridged the gap between classic manual-focus SLRs and modern autofocusing and advanced metering, flagship cameras.

I’ve reviewed my fair share of Fujfilm Instax cameras. Most recently, I played with the creatively powerful Instax Mini 99 and the entry-level Instax 400 Wide for those who want bigger pictures. However, it has been a long time since I’ve tested the most basic of Fujfilm Instax cameras. The latest iteration is the new Instax Mini 13, and I felt that I could test it with a fresh perspective.

While browsing online shopping, I have often come across unusual and unheard-of 35mm film stocks. My curiosity won out because black and white photography is artistic alchemy, and the film plays a big role in how the final images turn out. So, was this Temu film any good?

Sigma created an art form out of its Art series of lenses. They are beautiful, professional, and often chosen over OEM options. But there is always room for improvement, and the Art series has been on the market for a minute, so new technology inevitably leads to new updates. It could be argued that the Sigma 35mm F/1.4 Art is one of the most popular primes in the Sigma arsenal, and now we have a successor.

A wet and rainy San Francisco was the venue for this year’s Galaxy Unpacked launch event and the testing ground for shooting the new Samsung Galaxy S26 Ultra. The Ultra model is priced at $1,299, which is the same as last year’s model. I’m going into this review with the usual intention of testing this phone more as a camera and seeing how it stacks up as a creative tool.

The Chinese tech industry is a colossus, but there is a distinct lack of access to many of the more interesting options in North America. While Chinese lens designs are fairly common in North America, we are largely ignorant of the mobile phone options, as they are so rarely available.

If you own an APS-C E-mount, RF-mount, or X-mount camera, Sigma has a brand new prime lens that provides wide-angle coverage and plenty of light. This new $579 Contemporary lens makes a lot of sense for darker interior shots, so I headed to the Contemporary Calgary art museum to see what I could find. You just have to shoot with a Contemporary lens at Contemporary Calgary.

The Yamnuska Wolfdog Sanctuary is located just outside of Calgary, and does amazing work housing and rehabilitating these amazing wolf hybrids that often prove too much for owners to handle. We took the $3,199 pre-production Nikkor 70-200mm f/2.8 VR S II lens out to see how it handles this dynamic location.

Photography is an art form of trade-offs. When the shutter speed goes up, the aperture must come down. Higher ISO raises the exposure but hurts the image quality. A brighter maximum aperture means more cost and more weight. Everything is based on a give-and-take relationship, and balancing these factors is key to success.

Tamron consistently creates zoom lenses that break the norm when it comes to focal length, offering alternatives to the classic patterns that most other manufacturers pursue. Even the more conventional Tamron 28-75mm f/2.8 and 70-180mm f/2.8 refuse to match the more common 24-70mm and 70-200mm formulae. However, the standout lens from Tamron in recent memory is the oddly effective 35-150mm f/2-2.8 lens, which proves to be an ideal event lens for almost any situation. If it could be faulted in any way, it would be due to its rather heavy weight and bulky size.

Canon has created, in a very short time, a complete line of L-series prime lenses that cater to the hybrid photo and video shooter. It is quite an achievement to build a whole line of professional prime lenses that are all similar in size, weight, and form factor, while still maintaining the quality expected of an L-series optic. The latest addition to the family is the 14mm f/1.4L VMC, a first for Canon in its RF-mount. I took this $2,600 lens for a spin, appreciating its compact nature, but with serious trepidation that Canon may have pushed the envelope a little too far this time.

Learning to love the rangefinder was a long process for me. I could appreciate the simpler and sometimes slower approach to photography that a rangefinder represents. There is more demand on the photographer to focus, compose, and pre-visualize the image.

Ultra-fast 35mm lenses are not a new thing. Leica users have had access to the excellent Voigtlander 35mm f/1.2 Nokton across multiple versions for many years. The Noctilux title isn't new either. Leica has multiple insanely fast 50mm lenses, going down to as bright as f/0.95, on the market.

The Leica M-mount is a dynamic arena for third-party lens manufacturers, even though the brand is considered quite exclusive. These prestigious cameras come with huge price tags and the easy assumption would be that Leica users would only stick to Leica lenses. However, as one of the oldest camera manufacturers around, third-party lens makers have been creating for this illustrious mount for almost a century, and I got to play with a piece of history for my latest review. Well, sort of.

Why buy a dedicated monochromatic camera when a regular camera can take black and white photos? It's more expensive, far less versatile, and made for a very small market of users. That's the question I hear a lot, and I get it. But I would argue that photography isn't always about the most efficient tool, or the easiest path to a final result.

By now, everyone knows about the dominance that Fujifilm holds over the instant photography market. Instax is a huge part of its business and has become the de facto photography gift for birthdays, parties, and at the holidays.

With all the budget lens manufacturers available to a prospective buyer, it’s hard to separate the wheat from the chaff. Sirui is a well-known manufacturer of tripod gear, and when I heard they were making lenses too, I was very skeptical.

If you're looking at picking up a drone, you probably are thinking of one made by DJI, or another DJI, or yet a third DJI option. Others have tried, but largely, all have failed to get a solid foothold. However, this only refers to the drone market that appeals to the creative videographers. When it comes to the first-person view (or FPV) market, there are many brands vying for attention.

It’s the holiday season, and Reto has come up with the perfect Christmas present for photographers. The new Kodak Charmera is a tiny keychain-sized camera that uses licensed Kodak designs and logos to incredibly popular effect. The Charmera is true to its name and is a marketing masterpiece that is almost impossible to get now. I wanted to find out if this toy camera is worth all the hype, and whether it is worth purchasing after the holiday season.

Your favorite holiday tradition is back! Yes, it is time for our annual Best and Worst camera gear roundup. Jordan and I get together to battle it out with some not-so-friendly challenges, drink more than we probably should, and reminisce about the last year’s gear releases.

Everyone wants a point-and-shoot digital camera. There is something to be said for having a compact, simple, fun, pocket camera that you can take photos with, just for the pure joy of it. Memories to be made, without having to know the exposure triangle, or shoot RAW photo formats and edit later. But not everyone wants a used hand-me-down that may or may not function properly, and Camp Snap is hedging its bets that some consumers out there want a fresh start.

We made a promise to our viewers: Show us your support for the Petapixel YouTube channel by helping us reach certain subscriber milestones, and we will carry out some "challenges" for your entertainment.

Canon recently made a huge stir with its excellent do-it-all R6 III and for a while, it looked like the year was going to end with a big win for Canon. But with the Sony a7 V coming seemingly out of nowhere, we have a serious contender for the best all-round camera on the market.

In a photo industry of ever-increasing prices, it's refreshing to see optics that supply exceptional value for the dollar. The new Canon RF 45mm f/1.2 STM made the entire industry double-take upon seeing an f/1.2 optic for only $479. Surely, there must be a catch, so I took the handy little 45mm to a local Christmas market to explore the myriad lights using an extremely shallow depth of field lens.

Leica is by far the leading company to create monochromatic versions of its most popular camera models, and that is because, love it or hate it, black and white exclusive cameras sell really well. Now the Leica Q3 gets the Monochrom treatment that we've seen in the recent Q2 and M11 models. It comes with a higher price at $7,790 and the limitation of only shooting monochromatic images, but it also comes with some image quality improvements.

Tamron has a long and illustrious history of making travel-zoom lenses with massive focal ranges. These lenses provide a maximum amount of convenience, but how much of a compromise needs to be sacrificed to make this all possible? The new $900 Tamron 25-200mm f/2.8-5.6 Di VXD G2 is set to make a mark on the travel-zoom industry.

I recently took a trip to Aizuwakamatsu, Japan and this represented an ideal situation to also test the Sigma Contemporary 20-200mm f/3.5-6.3 DG super zoom lens. The autumn colors were just staring to turn and the mountainous area around Mt. Bandai promised some excellent landscape and wildlife opportunities.

The "M" in the Leica M series stands for Messucher, which refers to a large and accurate rangefinder incorporated with a viewfinder. For decades, this Leica rangefinder system has been synonymous with its brand and is the basis for the charming shooting experience that Leica M cameras are famous for. But with the Leica M EV1, Leica has forged a new path, and it is sure to polarize its fans.

Fujifilm has a crowded lineup of cameras, which, from an optimistic viewpoint, offers photographers many choices. However, from a pessimistic viewpoint, the degree of choice can be intimidating to beginners. This is part of why it is so important to have a solid entry-level camera to welcome new photographers into the Fujifilm family. For many years, the X-T30 series has served this role well, and now a third version has arrived. Priced at $999, it keeps photography affordable.

Many of us started our photographic journeys with a fixed 50mm lens. Arguments abound about what the best focal length is, but none can deny that a 50mm is the crossover point from wide angles to telephotos. It is a versatile focal length that can accommodate so many different kinds of photography if one is simply willing to move their legs.

Zeiss is a famous and prestigious name in the world of optics, and it is very willing to partner with other brands to bring the weight of its name to the table. So often we see the Zeiss name attached to Sony products, Vivo smartphones, Contax cameras, and Cosina optics, to name a few brands, both past and present.