Number one on the list, Jeremy Cowart shares this sentiment. “Just like everyone else, I now shoot and share as soon as I can. Before social media, we photographed our lives to remember. Now we photograph our lives to remember and share.”
Since 2003 astronauts have been snapping up photographs of our beautiful planet from the International Space Station. All of these photographs have been archived together into a resource called The Gateway to Astronaut Photography of Earth. It’s through the utilization of this resource, as well as a database compiled by Spanish Astrophysicists that a little project called Cities at Night exists.
This short inspirational video by the folks at video production company Fidelity Format needs, and will therefore get, very little introduction. It’s called “The Cameras We Bring,” and will speak to every photographer who feels that deep connection with their small (or large…) collection of cameras.
“The photos we take are an expression what we’re looking for not necessarily what we’re looking at,” writes FF in the poignant video’s description. “Every camera we use, we use as an extension of who we are.”
Once you’ve been shooting for a while (and becoming good at it) someone will inevitably ask you if you are interested in shooting something for a fee, either for a commercial or editorial job (but for the sake of discussion I am labeling any paid shoot as a commercial shoot).
Your first paid assignment will certainly be very exciting, but there are a few things you should know before saying yes. Read more…
In the world of analogue photography, the larger you go in format, the more time, discipline and resources it typically takes to capture and develop your photographs. And while the age-old technique of developing film takes due diligence no matter the format, large format photography in particular has a certain quality to the process that makes it stand out from the rest.
Let me ask you a question. Why aren’t you creating right now? I don’t mean right now. I mean now in a general sense. The general-now. The now that’s touching us on all sides.
How come you haven’t posted anything on your 500px or Flickr feed in three months? How come there’s undisturbed dust on the latches of your camera bag? How come you left your camera at home when you went on the hike last weekend? How come you haven’t edited those photos of your new dog? How come, even though you brought your gear camping, you didn’t try taking photos of elk, like you planned? How come a million other things?
Danube Revisited —The New Yorker
Inge Morath, an Austrian photographer, became the second woman to join Magnum Photos, in 1955. Morath was admired for the way she immersed herself in the location and subject of her shoots; a linguistics major in college, she could speak six languages fluently.
Starting in 1958, she dedicated years of her career to photographing daily life along the Danube River, which flows from Southern Germany to the edge of the Black Sea in Eastern Romania. In the mid-nineteen-nineties, after the fall of the Iron Curtain, Morath returned to the region to complete the project.
This week, eight female photographers set out to follow Morath’s path along the Danube for five weeks.
Despite the early sunrises, late sunsets and harsh daytime sunlight of summer it’s still one of our favorite times for photography. Being outside with your camera in the warmer months just feels so good.
If you’re struggling to come up with creative ideas during summer, however, we’ve got a few tips that might help. Read more…
If you enjoy strange and experimental photography, Nathaniel Stern‘s work should delight you.
For the past ten years, Stern has been creating experimental image-capturing devices using a conglomeration of hacked-together desktop scanners, battery packs and other various computer components. Once created, he straps these machines to his body and takes them from location to location capturing images unlike any other camera out there. Read more…