Last month we featured A Day In the Life of Roadtrippers time-lapse photographer Joel Schat — a wonderful, jealousy-inducing BTS look at Schat’s travels. And today we have for you the product of those many days spent traveling across the country, cameras in tow. No surprise: it’s a beauty. Read more…
Posts Tagged ‘usa’
Brian DeFrees spent two months between August and October of this year driving a giant loop around the United States on a 12,225-mile-long road trip. He captured a photo every 5 seconds using an intervalometer with his Canon 60D while in his car, and by creating individual time-lapse videos when parked or exploring an area. The result is this epic 5-minute long time-lapse.
A banner on Andrew Romanoff’s Senate campaign website provoked a bit of an outrage from a minority group when people realized that it was digitally manipulated.
The original photo shows Romanoff, the Democratic candidate from Colorado, at a campaign kickoff.
The photo for the banner was tinted blue, and then had several people from other images spliced into it, presumably in order to make Romanoff look like he was surrounded by more followers. Some of the added people include an African American woman to the right of Romanoff, as well as a Latino American man towards the center of the banner. The photo changes caused some minorities to believe Romanoff was trying to appear like his supporters were more diverse.
The Photoshopped African American woman, Andrea Mosby, told reporters that she has no problem with the photo-tweak, since she supports Romanoff and was at the same rally.
Others disagree on principle. According to the Denver Post, Colorado minority leaders wrote to Romanoff’s campaign, expressing that they were “shocked, disturbed and outraged” that the campaign felt the need to manipulate an image to appear like he had more minority supporters. Some 25 people signed the letter that called the candidate’s integrity into question, saying:
“We are NOT random people to be moved around for aesthetic reasons…We are NOT political pawns to be used when convenient nor do we accept being manipulated and repositioned when it serves one’s political motives…The Photoshopping in of minorities is not acceptable and falls far short of the integrity we expect of candidates running for the US Senate.”
Romanoff’s campaign said that the banner was intended as a photo collage or montage of the event, designed by a volunteer to reflect the overall attendance at the campaign event.
Romanoff later removed the image from the site and issued an apology:
This decision and a description of it have caused offense. I regret that and have removed the montage from our website. I take offense at any suggestion that our campaign attempted to deceive anyone. That’s outrageous and false. I bring a lifetime of commitment to equality and opportunity, and I reject these attacks on my character. I am very proud of the diverse support we’ve already received and continue to earn every day.
(via Denver Post)
Dean Blotto Gray of BLOTTO PHOTTO is the Burton Snowboards Principal Photographer.
If there’s one small joy in life that I look forward to every year, it’s probably the Burton product catalog, which always features an eye-catching mix of creative product photography, cutting-edge board and page design, and breathtaking location photos.
If you’ve snagged a copy of this year’s catalog, The Good Book, Blotto’s shots are featured in some of the spreads.
With so many riders on the mountain, snowboarding photography is also an integral part for individual riders to stand out from the crowd and get mainstream exposure and street cred.
Snowboard and ski photography are perhaps the most physically demanding types of sports photography, oftentimes set in the dangerous and extreme weather locations. At the same time, it’s got a youthful style and high energy culture that is very apparent in Blotto’s work.
PetaPixel: Can you give us some background about yourself; what you do, where you’re based, and how you became a photographer?
Blotto: I grew up in Arizona and Texas during my younger years, but Phoenix became my home starting in Grade 6. By this time I was consumed with riding BMX bikes, which led to racing at the local tracks until my mid-teens. Around this time I found skateboarding and that took over until this day. Once college entered my life, snowboarding did to. After the very first run I ever took on a snowboard, I knew this was what I wanted to do because it was like skateboarding on the mountains, total freedom to adventure.
I eventually moved to Colorado, Utah and Oregon to pursue a life in the snowboarding industry, but not as a professional rider. My friends and I started a small snowboarding company selling t-shirts, hats and bindings, so out of necessity I picked up the camera because we needed to produce our own images for our marketing materials. In 1999, I took a position at Burton Snowboards, which eventually led to this Principal Photographer role. My home base is Burlington, Vermont, which happens to be the world headquarters for Burton.
My official job title is Burton Snowboards Principal Photographer. It’s a year round position that keeps me on the road documenting their professional snowboarding team as they compete, film and tour. The photographic materials are used for Burton’s advertisements, catalogs, editorial purposes plus my website, photo shows and books.
PP: How do you get around the mountain/locations while you shoot? Do you ride, too?
B: A snowboarding background is ideal to document the life and times of the athletes because you’re in the mountains about seventy-five percent of the time. Everything we do is one-hundred percent team work based…picking locations, traveling, building the features out of snow, accessing alpine zones, getting home safe at the end of the day and being able to relate to your subjects around you.
When shooting in the alpine environment, we access mountain areas via chairlifts, hiking, snowmobiles and helicopters. Your mode of transportation is dependent on where you are in the world and what your snowboarding goals ultimately are. I prefer hiking to snowmobiling, but I also spend as much time as possible shooting from the helicopter so I can document the snowboarder’s action from above…it makes for a very unique perspective not always seen in action sports. We also spend a great deal of time in any given city that has seen significant snowfall. Using cement, metal and architecture is a treat because it differs so much from the alpine regions.
PP: Which did you start first: riding or photography?
B: Started snowboarding in 1992, picked up a Canon 35mm SLR in 1997.
PP: How do you bring your gear on a photo shoot? Do you have a special photo bag you prefer?
B: Burton Snowboards is very flexible and enthusiastic when it comes to research and developing travel bags and camera packs. I’ve been using the Burton F-Stop Camera Pack and Double Deck Travel Bags since the year 2000. It’s the ultimate combination for checking in luggage during airline travel and the most reliable and comfortable bag to have on your back while shooting. Burton has listened to our needs as traveling snowboarders and photographers and produced reliable, smart luggage.
PP: What gear do you usually bring on a shoot?
B: Canon 1Ds, assortment of Canon lenses, Pocket Wizard remotes, ProFoto Strobes, SunPak Flashes and a point and shoot camera. There’s an assortment of safety equipment, proper outdoor clothing and of course a laptop and hard drives.
PP: Can you tell us about the most extreme or difficult weather or mountain conditions you’ve shot in?
B: Shooting in the alpine environment has the inherit risk of snow avalanches. It’s something you always have to think about, prepare for and be ready. If you plan your route and personnel properly, most situations will never get out of hand. My equipment of choice has never let me down during any winter condition. It’s comforting to know your equipment will perform right along side you, so you don’t have to focus any energy worrying about camera failure.
PP: How do you protect your gear from the elements and the cold?
B: I’ve found that the equipment I use has been weather sealed enough to stay protected in any snowy condition, no matter how wet or dry the snow is. I don’t use any aftermarket covers for the body or lenses, they only inhibit the use of the device.
The key to equipment longevity and reliability is a proper dry out and cleaning every time after shooting. It’s a big no-no in snowboarding to show up to a shoot with gear that doesn’t function properly. Athletes are risking their lives to progress and document snowboarding, so you need to be on point as the photographer.
PP: Have you ever broken equipment while riding/shooting?
B: I’ve dropped my share of lenses and cameras, there’s no doubt about that. If this situation occurs in the field, you must do what it takes to continue shooting and not hinder the flow of the session.
PP: How did you land a job as the Principal Photographer for Burton?
B: I was brought into Burton as a Team Manager with specialized skills in photography, cinematography, photo editing, marketing and travel. I was always taking photos during my team management days, so it was natural for me to graduate to the role of photographer.
PP: Your bio on your site says you travel 290 days out of the year. Where do you travel most often?
B: My travel schedule of 290 days per year is a result of Burton’s endless photographic needs from their riders. Our shoot locations are dependent on the latest snowfall reports, so when an assignment comes up, it could be New Zealand in August or Newfoundland in January. During the springtime, we set up man-made snow features at ski resorts (with the proper manpower in place) to create our vision.
Over the last couple of North American summers, I’ve found some time to document the track bike revolution in various cities. It’s a dream come true to photograph where it all started for me…bicycles.
PP: Do you have a favorite location to shoot at?
B: If I had to pick three locations I would never give up shooting it would definitely be Japan, Alaska and Central Europe. Each place offers such a unique vibe and backdrop for snowboarding and photography…from the type of riding that happens to the images you’ll capture.
PP: How would you say snowboarding photography is different from general sports photography?
B: The biggest difference between snowboarding and general sports is location, but more specifically dealing with the threat of avalanches in the alpine. A common thread is most of snowboarding’s photographers and cinematographers are snowboarders themselves, many of which are former professional riders.
Image Credits: Blotto portrait by Laura Austin, Blotto 1 and 2 by Jeremy Jones, Blotto by Gabe L’Heureux, all other images by Dean Blotto Gray
Just as the Winter Olympics are heating up international competition in Vancouver this week, the U.S. has suffered a bit of a statistical loss to non-American companies on home turf: American-owned companies have captured far fewer U.S. patents from the U.S. Patent and Trademark Office in 2009. U.S. corporations hold about 49% of all U.S. utility patents in 2009, while non-U.S. firms hold the majority.
In a repeat of last year’s trend, major Asian companies, such as South Korea’s Samsung, Japan’s Canon, Panasonic, Toshiba, Sony and Seiko Epson have snagged a spot in the top ten in number of patents issued in 2009, according to the IFI Claims Patent Services ranking.
An interesting note: out of the top 10 on the list, many, such as Canon (viewfinder patent sketch featured above), Panasonic, are diverse companies whose products include printers and televisions, but have a notable stake in the consumer camera industry. Fujifilm, a Japanese-owned company dedicated to consumer camera products alone, placed 19th on the top 50 list as well.
Though the sheer number of patents does imply an accelerated growth and company innovation with an intent to bring the products to a consumer market, the press release notes that America has held its own considering the recession climate that still lingers:
Although the margin of patent dominance between U.S. and non-U.S. firms is slight and has been for several years, there is no uncertainty that foreign firms are adding patents at a frenetic pace. “Interest in protecting corporate intellectual property has become intense both in the U.S. and abroad, and as a result we’re seeing an increased level of patent activity,” continued [general manager of IFI Patent Intelligence Darlene] Slaughter. “The silver lining may be that the high priority foreign firms place on U.S. patents is a confirmation of the value and importance that the U.S. market represents.”
U.S. companies, IBM, Microsoft, Intel, and Hewlett-Packard held top spots on the rank as well, at 1st, 3rd, 8th, and 10th, respectively.