I love drones, but I don't love the stereotypes, stigmas, attention, and negativity that comes with them. I've been flying since the Phantom 4, so I got into it right as the wild west of drone flying was coming to an end, and restrictions and regulations were being rolled out.
A little over 2 years ago, I did some extensive testing of the Nikon D5, D750, D810 and the then-newly released D850. The comparison was to determine which was the best camera for night photography.
After teasing an “in development” announcement late last year, Tamron’s all new 70-180mm f/2.8 for Sony E-mount is finally about to hit store shelves. With the release of this lens, Tamron will complete their “holy trinity” for Sony mirrorless.
Every time Fuji releases a new camera I feel like this is the generation that will let me leave Canon behind. I had the same hopes and eventual disappointments with the XT2 and the XT3. Inevitably, I would realize full frame always beats out crop frame, that high ISOs and battery life can’t be matched, that Fuji was just not good enough to beat my Canons.
A bible for photographers. That is how Robert Capa described The Decisive Moment by Henri Cartier-Bresson. After almost 70 years it was first published, this book has still a lot to say to photographers and especially to street and documentary photographers.
As many of you know, I have been lucky enough to have a Canon EOS 1D X Mark III in my possession for more than a month now. People have been asking me to review this new top-of-the-line camera, but I really wanted to put it through its paces in order to do a fair review.
Though it might seem less popular than other systems (probably due to marketing), the L Mount Alliance is producing some of the best full-frame lenses currently available. In this case, Panasonic Lumix worked in tandem with their buddies at Leica to release their second 70-200mm lens for full-frame systems: the Panasonic Lumix S Pro 70-200mm f/2.8 OIS.
Over 8 years ago, we over at On Landscape performed a mammoth “Big Camera Comparison.” We compared medium format and large format film against various digital cameras including the then cutting edge Phase One IQ280, an 80MP CCD sensor which we used on a Linhof Techno, an Alpa, and a Cambo technical camera (we also tested a D800 and a 5D Mark II).
Every time I mention the merits of anything related to Leica, I catch flack from a contingent of readers here that seem to be angry that I would even talk about a product that has a reputation for being overpriced and out of reach. "He must be bragging about owning one" or "overpriced crap" tend to be the top two comment themes I receive.
My name is Tomer, and I've been a street photographer for the past 12 years. Over the years, I've done a lot of event photography, shooting weddings, couples, families, and more.
I didn't have a terribly long time with Fujifilm’s latest hybrid shooter before it was released—it was only about a week for what you see shot below—but thankfully, not too much has changed since the previous X-T3, and what has is obvious and easy to evaluate.
These days, it's probably more likely that you win the lottery than for Sony to make a bad lens. Their process over the last few years has been really dialed in, to the point where making a technically good piece of optics is their bread and butter.
Vintage glass shooter and photography YouTuber Mathieu Stern recently got the chance to try Lomography's special LomoMod No.1 cardboard film camera and special liquid-filled lens—an ostensibly "fun" combination that turned out to be a nightmare for Stern, who has dubbed it "the worst camera I ever tested."
Two years ago, Venus Optics sent macro photographer Thomas Shahan their Laowa 25mm f/2.8 2.5-5X Ultra Macro lens for testing. Now, after two continuous years of real-world use and testing, he's finally gotten around to sharing his thoughts in a thoughtful review that will be a huge help to any extreme macro photographers who are considering this lens.
I went into my hands-on with the Olympus OM-D E-M1 Mark III with no expectations. For me, it had been many years since I had used an Olympus (aside from an afternoon borrowing from a friend who had an older PEN camera about five years ago, the last time I shot with Olympus was with the E5 and E3).
Over three years ago, I tested out the Fuji X100F and was introduced to the pleasantries of carrying around a capable point and shoot. Today’s agenda is the fifth installment of Fujifilm’s X100 line of cameras: the Fuji X100V.
On my last shift at the film lab in Bondi, I picked up one of the last rolls of Fujifilm ACROS film. It seemed poignant -- as my job at the shop was finishing, so too was the production of this film stock.
Astrophotographer Ian Norman of Lonely Speck recently got his hands on a Google Pixel 4 XL for testing, so he took it out to Joshua Tree National Park to see how well the "Astrophotography Mode" on this smartphone compares to shooting with a "real" camera.
YouTuber Tyler Stalman recently got his hands on a review unit of both the Mac Pro and the Pro Display XDR, and while many tech YouTubers have reviewed these extreme (and extremely expensive) Apple products, he's the first we've seen who's evaluated them from the perspective of a professional photographer.
Indian wedding photographer Ankita Asthana recently traveled to Rome for a shoot and brought along the $8,000 Nikon NIKKOR Z 58mm f/0.95 S Noct lens to test out. She shares her thoughts and a behind-the-scenes look at the shoot in this 7-minute video.
I was lucky enough to attend the local launch event of the Fujifilm X-Pro3. After spending half a day with the camera, I was surprised to see myself enjoying it so much after being somewhat critical of the concept.
I’m not going to wax poetic about the Leica M6 TTL .85. I don’t need to.
Fancy Live View and Video features aside, the Canon 1D X Mark III is primarily a camera for sports photographers. So who better to review it than Peter Read Miller, a seasoned pro with decades of experience taking pictures for Sports Illustrated, AP Images, and the NFL?
Late last year, macro photographers rejoiced at the announcement of a worthy competitor to the Canon MP-E 65mm f/2.8 1x-5x macro lens, which has been heralded as the best high-magnification macro lens since its release in 1999. The Mitakon 85mm f/2.8 1x-5x lens held a lot of promise, but it was immediately apparent that something was wrong.
If you're shooting often, it can be pretty easy to fall into a rut. Maybe that's just me, but when I feel like I have to shoot, which is often, it can be a challenge to force creativity. I don't have access to a studio all of the time, and even when I do that space doesn't necessarily get my creative juices flowing anymore. It's too familiar; feels too safe.
Rechargeable AA batteries are essential for many photographers, but which brand delivers the best bang for your buck? Project Farm decided to find out by putting 10 different brands to the test through a year of use. The tests and results are in the 10-minute video above.
In early November, Panasonic announced that a 70-200mm f/2.8 for the L-mount was coming soon. The lens represents, which comes in at a hefty $2,597.99, is a major step closer to completing the holy-trinity lineup for their S series cameras.
In early November, Panasonic announced that they would be releasing a 16-35mm f/4. Ever since Panasonic released the S1 and S1R, people have been asking about a wide angle lens, especially with the availability of a high-res mode in both cameras (96MP in the S1, 187MP in the S1R) making them a great camera for landscape shooters.
It took a little while, but we finally have the "desert island" 24-70mm f/2.8 lens for every major full-frame mirrorless system on the market, with some lovely crossover as well thanks to the L-Mount Alliance and Sigma's continued support of E-mount. Though RF and Nikon Z are a bit on their own at present, E-Mount and L-Mount, which encompass a huge number of cameras, now have a lot of options.
Photographer Alastair Bird recently reviewed the Bronica RF645, a classic medium format rangefinder that he calls "one of the nicest little cameras you've never heard of."