Opinion

Several CineStill 50D film boxes are arranged on a blue surface with various cameras, including wooden and black plastic models, in the background. The scene is set outdoors in bright sunlight.

CineStill 50D Is a Perfect Slow Speed Film for Bright Summer Days

Cinestill 50D is the less popular sibling to Cinestill’s 800T and 400D emulsions. Because 50D often gets passed over in favor of those other two, we figured it would be a great film to feature on Film Friday. It is a different and lovely film in its own right and deserves a bit more attention than it receives.

A black Sony digital camera with a wide lens hood is placed on a green cutting mat with grid lines. The background is solid black.

Why Other Reviewers Love the Sony RX10 V Even Though We Didn’t

Sony unveiled the long-awaited RX10 V this week, bringing out a new versatile bridge camera for the first time since the RX10 IV in 2017. You've already seen what we think, but we believe it's important to get a diverse assortment of opinions when considering something as important as a camera purchase. $2,299 is a lot of money, after all.

Split image: On the left, a black film camera, film rolls, and printed photos on a white surface. On the right, a hand holds a white camera with a blurred green background.

This New $20 35mm Film Camera Embraces a Classic East German Brand

Photographers in 2026 live in the age of reusable film cameras. There is the Pure35 that U.K. retailer Analogue Wonderland launched last month, Lomography's huge array of cameras, and Dubble Film's SHOW camera, to name just a few. Now there's another one on the scene, and it arrives with a legendary name, the Praktica VF212.

A black Fujifilm X100 camera is centered against a dramatic red and orange sky background, with large, semi-transparent "X100P" text behind it.

It’s Time for a Panoramic Fujifilm X100: It Would Be a Huge Hit

For the past year, I've been focusing mainly on panoramic photography. It started with the Hasselblad XPan, which led me to purchase the Fujifilm TX-1, and even made me go further into the 3D printed 120 format world with Sasquatch, CCB, and Exposing Engineering. But that's all analog, and digital photographers deserve an option, too.

Three handheld cameras with screens are displayed upright against a blurred colorful background, with the word "WHY?" in large white letters overlaid across the center of the image.

This Is All So Weird and, Frankly, Stupid

For the past several months, the photography community has been subjected to the strangest series of product launches that we've ever seen. I use the word "launches" very loosely, because two-thirds of those products have yet to actually "launch."

A man with short hair and a beard is holding a black camera up to his face, looking through the viewfinder as he takes a photo outdoors in bright daylight.

Photographers Are Tired of Big Cameras

We were sitting on a train between neighborhoods in Osaka, Japan, when Chris Niccolls turned to me. "I'm thinking of buying a new camera," he said. I was shocked. Chris, who has a different camera in hand every week because of his job as a reviewer, actually wanted to own one. "I want something small."

A pink vintage camera sits on a yellow surface with a pink background. Behind it, a mirror reflects the camera, but the reflection appears as a yellow camera instead of pink.

Lomo’s Sprocket Rocket Pano Film Camera Comes In an Ugly New Color

Lomography's latest release, a pair of new colorways for its popular Sprocket Rocket 35mm panoramic film camera, is a real Dr. Jekyll and Mr. Hyde situation. One of the new colorways is beautiful and understated, while the other is super ugly. The fun part is that some readers may not know which of the two colorways is the ugly one.

Two digital cameras are displayed on a white background: a larger black Phase One medium format camera on the left and a more compact black Sony Alpha mirrorless camera on the right, both with attached lenses.

Sony Is (Probably) Never Making a Medium Format Camera

There has been chatter about Sony making its own medium format camera system for about as long as Sony has made image sensors for other brands' medium format cameras. Sony's recent reveal of the 65mm-format Rialto 65 image sensor block for Venice 2 cinema cameras has only strengthened these rumors. However, the speculation is pipe dreaming, at best.

Aerial views of volcanic landscapes with green moss, dark mountains, winding rivers, and a circular rainbow-like halo in the left image, under a dramatic cloudy sky.

Iceland’s Targeted Drone Ban Is Nature Conservation Theater

For several summers, I have taught drone photography in Iceland’s highlands under permits issued by the country’s nature conservation agency. I applied on time, followed every condition, and never received a complaint from a ranger, another visitor, or the agency itself.

Black and white photo split in two: left side shows a man in a sunlit street holding a can, looking at the camera; right side shows an older man indoors hanging up a backpack, viewed in profile.

Twenty Years, One City: What Tokyo Taught Me About Patience and Glass

Most photographers I know are in constant motion. New cities, new continents, new visual problems to solve. There's truth in it. Unfamiliarity forces you to look. Familiarity gives you permission to stop. But there's another, less-discussed school of practice that works in the opposite direction: stay. Return. Go back to the same streets until the strangeness burns away and something else appears in its place.

A man in a dark coat smiles while holding a cat on a city street. In the background, pedestrians walk near classical buildings, including a domed structure. The scene appears to be in an urban European setting.

The Myth of Intent in Photography

The world of photography is currently navigating a crisis of authenticity. AI-generated images are now indistinguishable from photographs. Judges and audiences alike can’t tell the difference. Even experts are getting it wrong.

A person stands alone on the porch of a dimly lit house at night, partially silhouetted by the glow from the doorway, with a white car parked in the foreground.

The Incredible Photography of ‘Obsession’

Low-budget horror movies aren't for everyone. But it's difficult to ignore Obsession, which just raked in over $30 million in ticket sales over the Memorial Day weekend, taking it to $80 million worldwide. Not bad for a film that was made for just $1 million.

Two Sony Alpha cameras are shown side by side on an orange background, separated by a large "not equal to" symbol, indicating a comparison or difference between the two models.

No, the Sony a7R VI Doesn’t Make the a1 II Obsolete

As soon as I learned about the exciting and excellent new Sony a7R VI and got my hands on it a few weeks ago, I knew exactly what people would be asking once they learned about the camera's new, faster stacked sensor and 30 FPS burst shooting rates. Why would any photographer choose the Sony a1 II over the a7R VI? And I was right. I heard this question at least a dozen times at Sony's a7R VI event in New York City without any prompting whatsoever.

A collage with three panels: a person standing in tall dry grass outdoors, a close-up of a sandwich with lettuce, tomato, and ham on a croissant, and a single yellow flower in a brown glass vase on a wooden table.

Sony Xperia AI Camera Assistant Ads Are Getting Ripped Apart

Sony unveiled the Xperia VIII smartphone this week, boasting photographer-focused upgrades and improvements. American buyers, who are yet again missing out on the latest Xperia, may have felt a little left out. Looking at the phone's new AI Camera Assistant with Xperia Intelligence and its terrible results, perhaps U.S. buyers aren't missing out on much at all.

Side-by-side lunar landscape photos show astronauts' shadows and terrain. Each image has a zoomed-in inset highlighting a small, faint blue dot in the sky, outlined by a yellow box and lines.

No, Those ‘New’ Apollo UAP Photos Don’t Show Evidence of Aliens

Last week, President Donald Trump and the U.S. Department of War launched a new website to publish unsealed photos and videos related to unidentified flying objects (UFOs) and unidentified anomalous phenomena (UAP). Of the 161 files released so far, the most attention-grabbing ones are from NASA's Apollo missions in the late 1960s and early 1970s.