It's become a pattern with musicians lately. In an attempt to force people to actually experience the concert they're attending, many musicians are banning photography at their shows outright. In the past, we shared messages put up by the bands She & Him, The Yeah Yeah Yeahs and The Savages, all of whom are kindly asking concert goers to put away their darn cell phones.
The crowd surfing blow up ball at a concert isn't a new idea, but late last year HP and Almap BBDO took it in a new direction. As part of HPs "Making Memories Last" campaign, the company fit one of the massive concert beach balls with a high-definition camera and WiFi antenna.
I got a chance to photograph for Warped Tour this year, and wanted to share about my experiences and takeaways with you. I was actually quite lucky to get the job. It started off with an email to the media director of Warped Tour, followed by having to fill out this media request form. From there, I just had to wait a few days for them to verify everything, check out my portfolio, and get a confirmation email literally 12 hours before the show started.
Musician Beyoncé has a love/hate relationship with the camera; or maybe it's a hate/hate relationship. Regardless, her views on the subject came out at a recent show in Atlanta where the singer -- who has gone so far as to ban pro photography entirely -- told a fan to "Put that D**n Camera Down."
Zooey Deschanel is the latest performer to weigh in on concert etiquette, with signs posted at concerts by the actress/singer's indie pop act She & Him asking fans to ditch their cameraphones and refrain from snapping photos.
Mystery solved: Beyonce is so riled up about restricting photographer access because she's hell-bent on projecting an image somewhere between "Photoshopped" and "impossible."
That's the impression from the the pop star's latest ad campaign, in which she sports body proportions that make her look like she stepped straight from a U.N. refugee camp into a Paris couture salon.
Want to experience what it's like to shoot a live concert? Montreal, Canada-based concert photographer Pierre Bourgault wants to show you. When he recently had the opportunity to photograph a performance by the band Dead To Me, Bourgault decided to strap a Gopro camera to the top of his DSLR. The video above is what resulted.
How do you solve the problem of professional concert photographers snapping unflattering photos of you during your live shows? One way is to ban them completely, and that's exactly what Beyonce is doing with her latest concert tour. Policies like hers may be growing in popularity among artists who want to control their image, but the policy is still causing quite a hoopla.
In 1965, amateur photographer Marc Weinstein used a fake press pass to get police to escort him stage-side at the historic Beatles concert in Shea Stadium. Now, almost 50 years later, he has sold all 61 of the images he captured there for a whopping £30,000 (or about $45,500). The story involves a little bit of bravery, a little bit of trickery, and a lot of luck.
It's an unfortunate truth in the world of concert photography that some bands refuse to issue press passes to "small time" local music photographers. The Killers are one such band.
Redditor bottleface was watching the live stream of Jay-Z's first annual "Budweiser Made in America" festival this past weekend, when something caught his eye. One of the concert goers standing in the front rows had made a pretty unique camera choice: a Macbook Air. While the fans around him held up smartphones to snap photos and record videos, the Macbookographer was proudly holding up his laptop with the FaceTime camera pointed at the performance.
Early in 2011, there was a brouhaha after newspaper photographer Jay Westcott …
Renowned rock photographer Baron Wolman, the first photo editor at Rolling Stone magazine, …
Here’s an inspiring and educational video in which Marc Silber sits down to …
Here’s yet another painful-to-watch example of what the powerful lasers used at concerts can do to your …
Television network TBD recently sent photographer Jay Westcott to cover a Lady Gaga concert in Washington D.C. Upon arriving at the Verizon Center, Westcott was given a release form, on which the fourth paragraph read,
Photographer hereby acknowledges and agrees that all right, title and interest (including copyright) in and to the Photograph(s) shall be owned by Lady Gaga and Photographer hereby transfers and assigns any such rights to Lady Gaga.
After making a call to his editor, Westcott was told to not sign the release and to not shoot the concert.