10 Tips for Wide-Angle Landscape Photography
Wide-angle shots are by far the most popular type in landscape photography, and it is for obvious reasons. One can get a lot of the landscape in a single frame and a lot more out of wide-angle lenses.
Wide-angle shots are by far the most popular type in landscape photography, and it is for obvious reasons. One can get a lot of the landscape in a single frame and a lot more out of wide-angle lenses.
Composition in landscape photography is of utmost importance for creating amazing photos. It is basically the way we put the objects in our frame to carve out meaningful images.
When I started my journey in photography, one aspect that fascinated me the most -- and this extends even to today -- was photo editing. I remember my first edits. I was so delighted to see how my images changed drastically by just moving a few sliders in Lightroom or Photoshop.
You've likely heard it said that golden hour is by far the best time for photographing landscapes. We have a lot of colors and dramatic light and atmosphere during that time.
I create my landscape photography with film and digital technical cameras and received a request to share how I compose in the landscape with the gear I use.
While landscape photography is a lot about composition and on-location practices, one can never dismiss the importance of post-processing (or editing) the images. One question I am always asked is: "Why is editing necessary?"
In this article, I'll share 10 of the most important things that a landscape photographer needs to keep in mind while preparing and while on a shoot. We tend to forget the most common things and end up getting messed up during shoots, so I'll be sharing some pre-shoot tips and some on-location ideas to help you get better with your landscape photos.
In photography, many aspects can make an image successful, and in my opinion, what defines the bones of a great photo is a good composition. Instead of thinking composition like a series of canonical rules, I much prefer to use principles like connection, tone, colors, shape, relationship, light gestures, and so on.
Of all the effects that photographers tend to add to their landscape and travel photos, probably the most popular one is called the Orton Effect. When correctly applied, the Orton Effect can add a rich, dreamlike glow to your photos that will enhance them beyond what you can do in editors like Adobe Lightroom.
In October 2020, the family trip to the local zoo was interrupted by an unexpected telephone call – I had won the 2020 Landscape Photographer of the Year competition, a feat I had never imagined in my wildest dreams. This is the story of that image.
Photographer Zoe Wetherall has captured a series of images from the perspective of a hot air balloon, creating abstract landscape images with a top-down perspective. Called "Lines of Nature," her series juxtaposes the lines of man, nature, and where they come together.
I can't begin to tell you how many times I've lost a shot because I didn't think through the basics well enough. I would of course have my composition and exposure settings dialed in and with that determined, you would think that I have what I needed to get the shot. But, in some cases, that just isn’t enough.
A new study produced by Zenfolio delves into the current state of the photography industry from the perspective of active photographers. While addressing the decline of business in the last year, it also highlights 2021 and what segments are already seeing a recovery.
I'm photographer Jay P. Morgan from The Slanted Lens. In this video and article we’re going to take a look at why a 50mm lens is the only lens you need for landscape photography.
The Horizon 202 is an analog panoramic camera from a company out of Russia, and for those who couldn't afford a Hasselblad XPan or Fujifilm GX617, it was the next best thing. Photographer Jay P. Morgan decided to take the camera out to enjoy it today, nearly 50 years after it originally debuted.
One of the unavoidable truths about being an artistic creator is that you’ll undoubtedly and inevitably hit a rut. As is the case with landscape photography, that wall hit me after I realized that all of my photos started to look the same, even when the locations varied.
Photographer Michael Shainblum is known for some truly impressive landscape images and in previous videos has strongly advocated for the use of telephoto lenses. In this 10-minute video, he shows how he captured two days worth of images with mainly a Sigma 100-400mm.
Due to the pioneering adventures of a few, the Lofoten Islands have become a winter magnet for landscape photographers. Light has begotten this new pilgrimage. And February is the high season.
You missed out on that big first wave of Instagram stardom, you jumped on YouTube too late and now your Facebook page’s dwindling audience lives exclusively in Murmansk.
I have to say that I absolutely love when Fujifilm gives me a project. I tend to make some of my best work when I am under a deadline. And of course, I’m incredibly honored that I am one of the few that they trusted with this beast pre-launch.
Photographing trees and forests sounds simple, but making a good image of a forest can be surprisingly challenging. In this pair of videos, Michael Shainblum explains how he wrangles the chaotic nature of trees into a beautiful photograph.
Figuring out the line between "good" and "too much" is one of the big challenges in photography, whether it's making adjustments in post-processing or figuring out what to include in a composition. In this 14-minute video, photographer Mark Denney shares 5 things to look for to figure out if your landscape photos are too busy.
A common misconception among beginning landscape photographers is that when using a tripod, one should stay at ISO 100 for the best resulting photos. Photographer Mark Denney made this 10-minute video dispelling the myth and showing examples of when that's not true.
While looking over images from earlier in his career, photographer Mark Denny made note of six flagrant signs that he over-developed his photos and shares them in this 15-minute video.
Becoming a successful landscape photographer is a complicated, challenging journey that is impossible to distill into a few words. But in this 9-minute video, Michael Shainblum at least tries to point out five mistakes he knows keeps you from growing as a photographer.
Evan Anderman is a pilot and photographer who uses his combination of skills to capture some impressive aerial landscape photos. Anderman has been dutifully uploading multiple videos a month documenting his process since earlier this year.
Photographer Reuben Wu has made a name for himself by pioneering the use of drones in illuminating landscape photos. For his latest project Light Storm, Wu's goal was to capture often-seen landscapes in a way people have never seen before.
Successful landscape photographers usually mix interesting skies and compelling foregrounds. But what if the sky is totally clear and the sun is harsh and unflattering? In this 13-minute video, Michael Shainblum shows how he makes the best of this kind of situation.
The seventh annual International Landscape Photographer of the Year competition has recently concluded and some of the applications are truly incredible in quality – These images are the kind that can move you to tears.
For those paying attention, the HDR video landscape is incredibly convoluted. But before we get into that, it's important to recognize that HDR video is not the same as HDR photography, and it certainly is not related to the over-sharpened, oversaturated images popular five to ten years ago.