Unless you’ve been living under a rock, you will have noticed that the internet is a-flood with time-lapses and hyper-lapses made using Instagram’s new (inventively named) Hyperlapse. You’ve probably even played with it yourself – below is my attempt to use it on a canal trip around Amsterdam (sadly before I found out about the secret 1080p setting).
Just 18 months ago, hyperlapse was so obscure the term didn’t even have a Wikipedia entry. Then, little more than one year after someone created the wiki, Hyperlapse racked up over 119k posts in its first week, and that’s just the Instagram posts were tagged with #hyperlapse.
An equally clear indicator of the phrase’s rapid adoption is the increase in search frequency on Google. Searches for time-lapse are also rising steadily. (The recent spikes correspond to Instagram’s release of the Hyperlapse app and (I’m guessing) the release of iPhone iOS 8 with its time-lapse feature.)
Hyperlapse and time-lapse are rapidly becoming a household terms, and anyone can now create and share fast-moving content.
Are professionals in danger?
As professional content creators, it’s easy to get nervous about the commodification of production technology. With each new rumour and release, the web prophets declare doom for the industry (“DSLR video is going to kill movie production!”) and horror stories of difficult clients go viral (“Why do you charge so much when I can do the same thing on my iPhone?”).
The fear is that in a market flooded with amateur material, the professionals will get squeezed out. But time-lapsers should not be scared of Instagram’s Hyperlapse; rather, we can and should be capitalising on it!
How to capitalise on the rising popularity of time-lapse
Instagram’s Hyperlapse, and other commodifications like the time-lapse feature in iOS 8, create a fantastic opportunity for the simple reason that clients are increasingly likely to know what time-lapse is. In my own sphere, I’ve noticed over the past twelve months a decline in needing to explain things when I tell people what I do for a living (“Have you ever seen footage of clouds moving really fast?”).
All the evidence suggests that time-lapse and hyperlapse are in that sweet spot – the concept is increasingly understood by consumers and yet it is still new and cool. Though time-lapse might not be new to those of us who shoot it, the mass consumer market are still catching on. This make right now the time to grab hold of Instagram’s coat-tails and push out high quality time-lapse to your clients.
Here are some practical suggestions:
- Cut your showreel and other time-lapses up into 15 second chunks and upload them to Instagram with the tag #hyperlapse. If your content is professionally edited (i.e. if it is what was called hyperlapse/time-lapse before Hyperlapse came along), it will stand out from all the app-created videos.
- Create and publish engaging content with the Hyperlapse app that shows ‘a camera does not a photographer make’. Anyone might be able to use the app, but that doesn’t mean they understand composition and storytelling. Prove yourself the creative professional.
- Even if time-lapse is just one service you offer, you should optimise your website for ‘hyperlapse’ and ‘time-lapse’ as more people are searching those terms than ever before.
- If you don’t already have one, create a time-lapse showreel and send it to current and potential clients. In your accompanying letter/email, refer to Instagram and the popularity of hyperlapse, and tell them you can help them capitalise on that popularity in their own marketing (by using you to film it, of course!).
- In personal interactions, ask clients if they’ve seen/heard of the ‘new hyperlapse craze’. Show them the app and then show them some of your (non-app) time-lapse work. This kills two birds with one stone: ‘Look how popular time-lapse is at the moment’ and ‘Look how much better it is when you get a professional to do it!’
Right now, time-lapse is riding a wave of consumer popularity. By capitalising on the current popularity, maybe it’s a wave you can ride too!
About the author: Matt Salter is the Communications Manager at photoSentinel, an Australian company who make long term time-lapse equipment used by pro photographers around the world. You can follow Matt’s tweets about all things time-lapse here, and download photoSentinel’s free ebook about growing a long term time-lapse business here. This article originally appeared here.