The Canon RF 7-14mm f/2.8-3.5L STM is an extreme lens. It's the world's widest-angle zoom lens and has a staggering 190-degree field of view; looking into the viewfinder is like taking a step backward.

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It was eight years ago that I reviewed the Panasonic ZS200, and I was immediately impressed by the compact size of the camera, along with a massive 15x optical zoom range. Most importantly, the ZS200 didn’t make any compromises when it came to handling and manual control, and the EVF was imminently useful.

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I've seen storage manufacturers try all sorts of ways to mitigate heat, with the most popular option being a design that facilitates passive cooling. Sharge went a different route, though, and packed a tiny fan into the wallet-sized DiskPro. It's different, but is it better?

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There has long been a grand concept in the digital camera world to have a device that takes great photos and is constantly connected to the internet. This would allow for powerful on-device editing and the convenience of sharing your content immediately. Many attempts have been made to bring the creativity that a larger sensor and interchangeable lenses offer, but have it connected to your favorite apps and social media outlets. These have all failed.

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Zeiss is nothing if not consistent. The Otus ML lenses bearing the illustrious blue Zeiss badge have always unapologetically strived to make optical lenses the old-fashioned way.

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An ultra-wide lens is not something I often reach for. They can be useful as interior architecture lenses, for capturing dramatic vistas, and even for the occasional shot on the street, however, I usually find the propensity of the lenses to capture so much in the frame a tricky proposition.

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Is there room for a new full-frame 35mm film camera? When the Pentax 17 half-frame camera came out, it represented a serious risk to see if beginner photographers would be willing to buy a new camera. When you consider the saturated used camera market with all of the options that are still available, it’s hard to imagine much demand for a camera that will cost substantially more.

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Like its flagships, Vivo focuses on mobile photography with its mid-range V Series, and the V70 aims to carry that torch. While not a dramatic shift, key moves with the user experience make this a likeable device for several reasons.

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If you ask me, some of the worst smartphone photos are those people take with front-facing cameras. Smaller sensors, smaller lenses, and fewer resources are big reasons why, and as rear cameras continue to evolve (some more than others, anyway), products are released to encourage users to turn their phones around and use the rear lenses instead.

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Tamron lenses have some very cool capabilities you may not be aware of -- like the ability to pull focus during a time lapse -- and it’s all thanks to its Lens Utility App. I want to talk about what of these abilities are, but I also want to take this opportunity to shame other lens manufacturers for not offering these same features.

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I’ve reviewed my fair share of Fujfilm Instax cameras. Most recently, I played with the creatively powerful Instax Mini 99 and the entry-level Instax 400 Wide for those who want bigger pictures. However, it has been a long time since I’ve tested the most basic of Fujfilm Instax cameras. The latest iteration is the new Instax Mini 13, and I felt that I could test it with a fresh perspective.

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I had no idea what to expect with the Oppo Reno 15 Pro once I unboxed it and started setting it up. Billed as an “all-in-one creative partner,” the general premise is to impress with the images it captures, and using it as much as I have, I’m surprised at what it delivers considering the specs.

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Since it introduced its own silicon, it feels like every time we review an Apple computer, we make some grandiose statement about how much better it is than before, or how it's the best. That much praise can make it hard to express the meaning of this achievement, as it can just feel like listening to a broken record.

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Should Google have even bothered to make the Pixel 10a? I asked myself this question multiple times while using it because I couldn’t always tell where the distinctions lay with its predecessor.

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While browsing online shopping, I have often come across unusual and unheard-of 35mm film stocks. My curiosity won out because black and white photography is artistic alchemy, and the film plays a big role in how the final images turn out. So, was this Temu film any good?

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It has been seven years since Apple released its last XDR Display and in that time, monitors and what to expect from them have changed a lot. Now that we finally have a new option in the Studio Display XDR, was that wait and new $3,299 price worth it?

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Sigma created an art form out of its Art series of lenses. They are beautiful, professional, and often chosen over OEM options. But there is always room for improvement, and the Art series has been on the market for a minute, so new technology inevitably leads to new updates. It could be argued that the Sigma 35mm F/1.4 Art is one of the most popular primes in the Sigma arsenal, and now we have a successor.

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A wet and rainy San Francisco was the venue for this year’s Galaxy Unpacked launch event and the testing ground for shooting the new Samsung Galaxy S26 Ultra. The Ultra model is priced at $1,299, which is the same as last year’s model. I’m going into this review with the usual intention of testing this phone more as a camera and seeing how it stacks up as a creative tool.

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In 2018, I reviewed the Peak Design Travel Backpack for Imaging Resource and while that review has since disappeared from the Internet, I can still recall my feelings in extreme detail: I hated it.

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It seems fitting that on the centenary of the Leica I Model A, the German brand takes its iconic legacy and applies it to the Leica Leitzphone powered by Xiaomi. One hundred years after the first 35mm camera came to market, this device tries to mix modern and retro in ways other handsets don’t.

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