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How Scratch-Proof is a Camera Sensor?

Photographer and YouTuber Arthur R recently received several comments from viewers about how he didn't use a body cap to protect his camera sensor from dust. In response, he decided to do some tests to find out how durable and scratch-proof sensors actually are.

Review: The New 13-Inch MacBook Pro is Surprisingly Powerful

The new 13-inch MacBook Pro is a confusing proposition from Apple. We called it a "half update" in our first impressions, and I stand by that. But it's also an important update that gives photographers and video editors a lot more performance bang for their buck—as long as they're willing to spend $1,800 or more. Let's dive in.

Profoto B10 vs Godox AD300 Pro: How Does Godox Stack Up?

LA wedding photographer and educator Michael Anthony has released a detailed side-by-side comparison of the recently announced Godox AD300 Pro (Flashpoint XPLOR 300 Pro) and the much more expensive Profoto B10. The two lights share similar power output and a similar footprint, but vastly different price points. Is the Profoto simply overpriced, or does the Godox fall short?

Tamron 70-180mm f/2.8 Hands On: The Ideal Fast Zoom For Sony?

After teasing an “in development” announcement late last year, Tamron’s all new 70-180mm f/2.8 for Sony E-mount is finally about to hit store shelves. With the release of this lens, Tamron will complete their “holy trinity” for Sony mirrorless.

Do Professional Photographers Need a Mac Pro? No… Not Really

YouTuber Tyler Stalman recently got his hands on a review unit of both the Mac Pro and the Pro Display XDR, and while many tech YouTubers have reviewed these extreme (and extremely expensive) Apple products, he's the first we've seen who's evaluated them from the perspective of a professional photographer.

Deep Fusion Demo: Trying Out Apple’s Computational Photography Tech

Apple has released iOS 13.2, debuting the 'Deep Fusion' computational photography tech that it showed off during the iPhone 11 keynote, and we decided to take it for a quick spin to see what all the fuss is about. Spoiler Alert: If you care about photography and own an iPhone 11, iPhone 11 Pro, or iPhone 11 Pro Max, update your phone ASAP.

The Medium Format Experience: High ISO and the Milky Way

For several years I had believed that shooting a medium format camera at high ISO would yield terrible results. Most likely there would be no point in trying, I thought. However, a few days ago I nevertheless brought the Pentax 645Z and the Pentax 25mm f/4 out into the darkness where the zoombies reign — in my imagination anyway.

Will It Blend? Torture Testing Sony’s TOUGH SD Cards

Sony's TOUGH SD cards are extremely popular among photographers. But just how tough are they? Photographer and writer Steve Huff decided to put the latest iteration of these TOUGH cards through the ultimate battery of tests: freezer, washer, dryer, pool, and... just for fun... blender.

Three Months with the Panasonic S1R

If you’re wondering why someone who loves Sigma cameras and gets called the ‘Foveon Wizard’ by his peers is writing about the Panasonic Lumix S1R, I need to take you back to 2007.

Nikon Z6 and Z7 Eye Autofocus Tests Reveal Struggles with Front-Focus

Chris Niccolls and Jordan Drake of DPReviewTV recently took the new Nikon Eye Autofocus firmware for a spin to see how it performs in the real world. But rather than comparing it directly to Sony and Canon, they wanted to put the firmware through its paces all on its own using both the more affordable Nikon Z6 and the high-res Nikon Z7.

Less Than 1% of People Can Ace This Color Test

How do you think your perception of color stacks up against the general public? If you're a photographer, have your eyes been trained to perceive color better than the average person? Here's a short and sweet test that can help you find out.

Canon vs Sony: Skin Tones in Portraits and How to Correct Them

After years of shooting portraits with Canon cameras, photographer Sean Tucker recently switched over to Sony gear. After many people warned him that his portraits would suffer from Sony's "terrible" skin tones, Tucker decided to put the cameras to the test himself in the 20-minute video above.

Bokeh is Overrated: Blurry Isn’t Best

When I read or watch reviews of lenses by folks in the photographic community, it often seems like one of the most important qualities to them is how the lens renders bokeh. It’s often made me wonder, do we sometimes forget that bokeh is just background? And is this fixation healthy? Or most importantly, how much does it matter to an average person who has never heard the term “bokeh”?

Shooting Portraits with Sony’s $12,000 400mm f/2.8 G Master Lens

Photographer Miguel Quiles recently got his hands on one of the few Sony FE 400mm f/2.8 GM OSS lenses currently in existence (the $12,000 lens won't hit store shelves until late September). In the 6-minute video above, Quiles shares about his tests in using the super-telephoto lens for portraits.

Metabones Degrades the Edge Image Quality of Wide-Angle Lenses

With the popularity of mirrorless cameras from Sony, Fuji, Panasonic among others, more and more Canon users are either changing systems or wanting to try these new cameras. That in turn, is making adapting lenses more popular than ever, especially as autofocus performance continues to improve and includes many native features like Continous Eye AF (in the case of Sony cameras).

Why That $699 MacBook eGPU May Be a Waste for Photographers

Last week, Apple and Blackmagic unveiled a new $699 external GPU (eGPU) that brings "desktop-class" graphics performance to MacBook Pros. But if you were hoping that it would be a godsend for speeding up your sluggish Photoshop or Lightroom for post-processing photos, you may want to check out this new 16-minute review by photoshopCAFE.

Is Lens Compression Fact or Fiction?

Photography can be confusing. I get it. I am not the sharpest knife in the drawer. Because of this, at times it helps us to actually put some of these theories and myths to the test. One of these myths is the concept of compression and, with it, parallax.

Why You Don’t Put a Cheap Filter on an Expensive Lens

I recently took my Sony A7 III and a rented $2,500 Sony FE 100-400mm f/4.5-5.6 GM OSS lens to the 2018 Montreal GP. A friend of mine had recommended that I use a polarizer. I remembered that I had a pack of 77mm Vivitar Series 1 filters that came with my 24-105mm, so I threw that onto the 100-400mm and started shooting, completely zoomed at 400mm.

Nikon 180-400mm Review: A First Test and Sharpness Comparison

So, here’s the story: Nikon announced its new 180-400mm f/4 lens, and I’ve been more than a little curious about it. However, I’m not 100% sold on it just yet, so I decided to rent one and give it a whirl for a few days and share what I’ve discovered with you.

Canon 6D vs 6D Mark II: A Real-Life Noise Comparison

Canon released its 6D Mark II in 2017, and the Internet has been abuzz ever since then discussing its high ISO performance. There have been reports that the Mark II creates more noise at high ISOs than the original 6D.