rgb

A person using a smartphone to photograph a haunted house scene with two eerie figures in a dimly lit, blue-toned room. the photo features a prominent "petapixel showcase" watermark.

ProMaster’s Light Attendant App Takes the Guesswork Out of Lighting

Lighting on cinematic photo or video production sets can sometimes be an overwhelming experience. While lighting companies continue to improve both the ease of use and quality of the light lights, mastering and adjusting the setups can take a lot of time, effectively slowing production to a halt when changes need to be made. Thankfully, creatives that leverage the power and simplicity of the ProMaster Light Attendant App can quickly and easily master all of their on-set lighting needs.

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Lume Cube Tube Light Mini Review: Little Light, Big Potential

Lume Cube has been producing some interesting and creative lighting solutions for both photographers and videographers over the last few years that add an impressive amount of versatility to their users toolkits including the Tube Light Mini. That being said, the question remains that given the number of competing RGB lights on the market, are they good enough, and are they worth it?

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Rotolight AEOS 2 LED Review: A Colorful and Easy to Use Hybrid Light

Rotolight, an award-winning LED lighting company based in the UK, has recently released the $1,399 AEOS 2, a circular LED that can be used as a constant video light as well as a strobe for still work and has zero recycle time. As an added bonus, the light features a series of built-in filters and gels that allow users to create nearly any look and mood imaginable and a mobile app for controlling and changing settings when the lights are in awkward and precarious positions.

Three Ways to Use RGB Lights in Your Portrait Work

RGB LEDs are a relatively new piece of technology, and a wonderful addition that photographers should be taking advantage of. Before this technology existed, we were forced to resort to adding gels to our strobes in order to add a pop of color into our images. This worked well (and still does) but having the ability to change the hue and saturation of your lights with the flip of a switch or turn of a dial is incredibly useful.

This is How Scientists Colorize Hubble Photos of Deep Space

Every mind-blowing deep space photograph captured by the Hubble space telescope that you've ever seen started out black-and-white. So how do we get those amazing technicolor images of the Pillars of Creation or the Bubble Nebula? This short video explains how scientists manage this feat.

Using LAB Color in Photoshop to Add Color and Punch to Photos

The LAB color space is particularly useful for boosting colors and definition in images due to the way it handles colors when compared to RGB and CMYK. Rather than describing how colors should appear on a screen or in print, LAB is designed to approximate human vision. Colin Smith of photoshopCAFE shows in this video how this color space can be utilized in Photoshop to easily improve your images.

How to Use an Ancient Photo Trick to Create Surreal Digital Photos

I recently rediscovered an old photography technique that allows you to add surreal color to photos that show movement in the frame. The technique seems to be new in the digital domain, but the technique itself has been known since the early era of digital photography.

Creating a Color Street Photo Using Only Black-and-White Film

My name is Marius Hanzak, and I'm an experimental photography student currently studying at the Cleveland College of Art and Design in the UK. For one of my recent projects, titled RGB Church Street, I experimented with making color photos using black and white film.

A Brief History of Color Photography

When photographing the world around us, the property of color is likely something most people tend to take for granted. We expect our cameras to portray the visible light spectrum accurately. However, in a world so engrossed with color, we sometimes forget how long it took to get to this point in time and how many photographers and scientists viewed the concept of color photography as a pipe dream.

Video: A Primer on Color Spaces and Having a Color-Managed Photo Workflow

For some photographers, no term strikes more fear into one’s heart than "Color Spaces." The idea that different devices, along with our eyes, perceive light differently can seem confusing. Anyone that has gone to print one of their photographs probably knows that it can take some know-how to ensure your images are correctly represented on paper.

If you're new to the world of color theory, photographer Forrest Tanaka wants to help: in the 13-minute video above, he explains color spaces in an easy-to-understand way.

New Parabolic Umbrella Claims to ‘Bring Lighting Into the 21st Century’

David Hobby over at Strobist uncovered an intriguing new type of parabolic umbrella by B2Pro Lighting last week that has some people intrigued, even as many others are calling BS. The umbrella sports a patent pending pattern of RGB photo sites that, according to B2Pro, will "bring lighting for digital photography and motion picture into the 21st century."

Weekend Project: Use the Harris Shutter Effect for Colorful Photos

Looking for a photo project to play around with this weekend? Try exploring a technique known as the Harris Shutter. Invented in the days of film photography by Robert Harris of Kodak, it involves capturing three sequential exposures of a scene through red, green, and blue filters, and then stacking the images into a single frame. This causes all the static elements within the scene to appear as they ordinarily would in a color photo, while all the moving elements in the shot show up in one of the three RGB colors.