Picking the right light modifier is often crucial to the success of the image. With hundreds of different modifiers to choose from, there is really nothing you can’t do. However, a wide choice often ends up confusing or possibly scaring photographers.
Nikon has been aggressively marketing the internal diameter of the Z mount as being 17% larger than the Nikon F mount, and the larger mount allows more flexibility in the optical design of the Z lenses like their newest 58mm f/0.95 lens.
We've seen tons of "expensive camera vs cheap camera" challenges and "pro photographer cheap camera challenges," but what happens when a newbie and a pro swap gear and go head-to-head? That's what YouTuber Henbu wanted to find out.
The Godox V1 round-head flash is coming to market despite the loud protests and legal threats of Profoto, which claims its A1 design was stolen (something Godox denies). If you're wondering how the $259 V1 compares to the $995 A1, photographer Robert Hall has a sneak peek for you.
When it comes to photography, it can be easy to blame our bad images on our gear (or lack of it). The truth is, while gear can make your job easier, there is no substitute for the time and effort spent on learning to perfect your craft.
Portrait photographers Manny Ortiz and Jessica Kobeissi just did a shootout that pitted flash against natural light. The two each shot portraits of the same model in a studio, except Ortiz used an off-camera flash as his main light while Kobeissi only used the sunlight bouncing around in the space.
Canon currently offers three different 85mm lenses: the $370 85mm f/1.8, the $1,600 85mm f/1.4L IS, and the $1,900 85mm f/1.2L II. If you're wondering how they stack up, check out this 9-minute video by self-proclaimed photography nerd Kai Wong, who recently went hands-on by comparing the trio in a shootout.
Is it worth upgrading to the latest fully loaded iMac Pro, which will cost you $14,000? Filmmaker Parker Walbeck recently went hands-on to find out. Here's his interesting 4-minute video review that looks at the speed comparisons between a fully loaded iMac Pro and a fully loaded $6,000 iMac.
How does Apple's top-of-the-line computers for creatives stack up against a formidable gaming desktop? In this 12-minute video, photoshopCAFE pits a $6,400 iMac Pro, Mac Pro, and MacBook Pro against an Alienware Aurora R6 PC.
How does the image quality of a top-of-the-line smartphone camera stack up against a top-of-the-line professional camera these days? Photographer Tyler Stalman decided to find out by pitting a Google Pixel 2 smartphone against a $20,000 Hasselblad medium format camera in the 8-minute video above.
In recent years, the number of new ND filter manufacturers has risen quite dramatically and this, of course, is great for competition. This competition has helped push companies to create even better filters that are sharper with better color rendition.
The new iPhone X has a number of Portrait Lighting looks that allow users to "fake" professional lighting styles. Here's a 4-minute video by photographer Daniel DeArco that compares the iPhone X's Portrait Lighting with the real studio lighting setups they're designed to mimic.
Here's a new 13-minute video showing a shootout recently done between four popular NYC-based photographers: Joey L, Dani Diamond, Brandon Woelfel, and Jessica Kobeissi. All four are extremely popular online, with hundreds of thousands of followers each just on Instagram (Woelfel has around 1.3 million).
After early camera tests of the new Canon 6D Mark II were published, photographers balked at the fact that the dynamic range of the camera performed so poorly against other modern cameras. Now yet another review is showing that if you often shoot at high ISOs, you may be better off sticking with the original 6D from 2012.
Ever wondered why the expensive cinema cameras cost what they do? In this featherweight vs. heavyweight comparison, Sam and Niko put a $50 Sony HDR-CX405 camcorder to the test against a RED Epic Dragon 6K cinema camera worth about $50,000.
My name is Chris Harrison, and I'm a photographer based in Hilperton, Wiltshire, England. In this post, I'll share a head to head comparison of the Nikon D750 DSLR and Fujifilm X-T2 mirrorless camera in shooting motorsport.
Sony’s flagship a9 camera is the first full-frame mirrorless that can really compete with DSLRs when it comes to overall speed. This 30-minute comparison from Max Yuryev and pro sports photographer Paul Nelson pits Sony’s camera against the Nikon D5 under a variety of conditions.
Photographers Francisco Hernandez and Vanessa Tellez recently did an experiment: photographing the same model, Hernandez used an off camera flash and Tellez used natural light to see how their styles and results differ. You can watch the shootout in the 5-minute video above.
I am one of the lucky few to have grown up with Leica. It is weird to critically think about the irrational purchase of such an expensive camera as new digital models are released, but if you grew up with a Leica in your life it is very hard to let go of the brand.
Fujifilm made much of the speedier performance in the brand new Fuji X-T2. Burst mode (with the attached booster grip) is 11fps, EVF blackout had allegedly been improved "to the extreme," and AF-C had also seen substantial improvement. But how does the speedier new camera compare to a DSLR when shooting fast action?
The $6,500 Nikon D5 DSLR and $3,200 Sony a7R II mirrorless camera are two of the current leaders in low-light, high-ISO shooting, but how do they stack up against each other? This 1.5-minute comparison video will show you.
Want to see how two of the best smartphone cameras on the market stack up? The Verge posted this 9-minute camera shootout video pitting the iPhone 6S Plus camera against the new Samsung Galaxy S7 Edge's camera.
I personally own the Fujifilm X-T10, but I became curious recently: is the new X-Pro2 worth the upgrade, or is the X-T1 enough of an upgrade from the X-T10?
The Canon 70D DSLR and the new Samsung Galaxy S7 smartphone camera both feature "dual pixel" autofocus, which uses most or all of the sensor's pixels for phase detection AF. But how do the two devices compare head-to-head?
With today's unveiling of the Canon 1D X Mark II and the recent announcement of the Nikon D5, both major camera companies have now revealed their latest and greatest technologies in their flagship DSLRs.
Here's a look at how the two top tier cameras compare to one another... at least on paper.
Want to see how the great-grandfather of Canon DSLRs compares to the company's latest and greatest camera? Photographer Jim Goldstein got his hands on the "ancient" Canon D2000 from 1998 and decided to pit it against the new Canon 5DS R in a shootout. The 10-minute video is a look at how a 17-year-old 2-megapixel DSLR stacks up against a 5-month-old 50-megapixel DSLR.
I recently did a shootout to compare the image quality of the new $1,799 Canon 35mm f/1.4L II against the $899 Sigma 35mm f/1.4 ART. Unlike most comparisons out there, I would like for you to be the judge of what you think is a better image and leave comment about why you would choice one over the other.
This year, the Canon EF 50mm f/1.8 II, also called the "Nifty Fifty" celebrates its 25th birthday. Yes, that's right: this lens was released back in December 1990 and is the second oldest lens that's still in production. Yet it still dominates the list of the most popular Canon lenses, and for good reason: it's cheap, it's fast, it's small and lightweight, and it offers good performance for the price, which makes it the first prime lens for most Canon owners.
But of course, being such an old lens does have its downsides, so Canon has just released the successor to the old Nifty Fifty: the new Canon EF 50mm f/1.8 STM.
Every year at the Gulf Photo Plus photography festival in Dubai, attendees are treated to a special event called the GPP ShootOut. Called the "most exciting hour in the photography world" by David Hobby, the event pits famous photographers head-to-head in creating the best photo they can on the spot. It's a freestyle battle for imaging.
You can watch this year's GPP ShootOut 2015 in the 18-minute video above, which shows photographers Sara Lando, Ryan Brenizer and Joel Grimes battling each other with their eyes, minds, and camera gear.
Looking to buy a lens in the popular 70-200mm focal range for your Canon DSLR? If want the best money can buy, you're probably looking at a Canon 70-200mm f/2.8L IS II, which costs a hefty $2,200. If you'd like the same range, fixed f/2.8 aperture, and stabilization but at a more affordable price point, the $1,500 Tamron 70-200mm f/2.8 Di VC might be a product you've been eyeing. But how do these two lenses stack up against each other, and how big of a difference is there?
In the 10-minute video above, Kai Wong of DigitalRev pits the two options against each other on the streets of Hong Kong.