The Canon EOS R8 Mark II addresses my two main complaints about the original R8 by adding in-body image stabilisation and a joystick.
The Canon EOS R8 Mark II addresses my two main complaints about the original R8 by adding in-body image stabilisation and a joystick.
The OM System Pen feels like a sensible return of the Pen name.
It gives such a distinctive view of the world that you need to like the effect and be prepared to look for subjects that suit it.
The Sigma 85mm F1.2 DG | Art is the sort of lens that makes me want to photograph people. [...] It gives you another creative option without forcing you to compromise when you use it.
The DJI Osmo Pocket 4P is a thoughtful evolution of the Osmo Pocket concept. Instead of increasing specifications for the sake of it, DJI has added a second camera that genuinely changes how the device can be used.
The Lumix L10 feels like a camera that has been designed with photographers firmly in mind. In fact, at feels like a camera that you’d be able to take the lens off because it doesn’t have a compact-camera air.
The Canon EOS R6 V is Canon’s most advanced EOS V-series camera yet, bringing full-frame 7K recording, open-gate video, in-body stabilisation and active cooling into a body that feels designed for solo creators and handheld shooting.
The Sony A7R VI looks like one of Sony’s most ambitious high-resolution cameras to date. Instead of focusing solely on resolution, Sony appears to have created a camera that combines detail, speed and versatility in a much more balanced way.
The Sony FE 100-400mm F4.5 GM OSS looks like a very promising addition to Sony’s telephoto line-up. Rather than simply refreshing the original 100-400mm, Sony appears to have concentrated on the areas that matter most to wildlife and action photographers [...]
Sony’s G Master lenses are designed for photographers who expect a very high standard of performance, and with the FE 100mm F2.8 Macro GM OSS, macro photographers finally have a G Master option of their own.
At first glance, the Sony A7 V appears to be a significant step forward for the A7 line. It brings much of the speed and AI-driven functionality found in Sony’s top-tier cameras to a more accessible body.
The Canon RF 45mm F1.2 STM makes an exciting entry into the enthusiast end of the fast-prime market.
The new model adds greater resolution, deeper burst-shooting, better AF and significant video tools without fundamentally changing what made the R6 II so well-liked.
Nikon’s collaboration with its cinema camera subsidiary RED has produced a compact, capable and surprisingly affordable full-frame cinema camera that is designed to fit comfortably into professional workflows or solo filmmaker set-ups.
The OM System M.Zuiko ED 50-200mm F2.8 IS Pro isn’t just another telephoto zoom; it’s a lightweight and powerful tool for photographers who want reach, speed and versatility without the burden of a heavy setup.
The Viltrox AF 35mm F1.8 EVO II FE is proof that an affordable lens doesn’t have to feel like a compromise.
The Sony FE 16mm F1.8 G is an attractive ultra-wide-angle prime lens. It balances good sharpness across the frame at all but the smallest apertures, great handling, fast autofocus and strong video credentials in a compact and lightweight package.
The Fujifilm X-E5 is a well-thought-out, creative and capable addition to Fujifilm’s line-up. It’s a big step up from the X-E4, bringing a much-improved autofocus system, in-body stabilisation, increased resolution and better handling.
It’s small enough to slip into a pocket but has a selection of features designed to help you enjoy photography for its own sake.
It brings together a wide aperture, an unusual but versatile focal length range and the promise of top-tier optics.
The Nikon Z5II is a considerable step up from the original Z5. It brings high-end features in a relatively compact, affordable full-frame camera body and shares the same 24.5MP BSI CMOS sensor and Expeed 7 processor as the excellent Nikon Zf.
While the core imaging specs aren’t drastically different from the R50, the user experience is greatly improved for vloggers and streamers. It’s a strong entry point into the Canon EOS ecosystem for creators, and the bundled kits offer good value for those starting out.
Canon’s PowerShot V1 appears to be a well-considered camera that bridges the gap between smartphone shooting and larger, interchangeable-lens systems.
The Fujifilm GFX100RF is an exciting development for medium format photography. It seems set to retain the exceptional image quality of the GFX series but delivers it in a more compact and stylish body.
