The FE 70-200mm F2.8 GM OSS is the first ever G-Master lens that Sony have decided to update, and while the original version was itself no slouch, it's clear that this new Mark II edition is a step above its predecssor in virtually every regard.
The FE 70-200mm F2.8 GM OSS is the first ever G-Master lens that Sony have decided to update, and while the original version was itself no slouch, it's clear that this new Mark II edition is a step above its predecssor in virtually every regard.
The Sony Xperia PRO-I is the most capable smartphone for photography that we've ever tested, but it's also by far the most expensive - only you can decide if it fits within your own personal workflow.
[T]he Nikon Z DX 50-250mm F4.5-6.3 VR is a very good telephoto zoom that is a clear step above most other similar kit lenses.
[T]he Nikon Z DX 18-140mm F3.5-6.3 VR is a surprisingly good all-in-one zoom that certainly fulfills the brief of one lens that can handle most situations, without too many compromises...
What Sony have succeeded in doing is pushing the boundaries of what we can expect from what they still consider to be their entry-level camera - the Sony A7 IV clearly out-performs its predecessor by some margin in virtually every regard [...]
The tiny Sigma 18-50mm F2.8 DC DN Contemporary is the new holder of "best all-round standard zoom lens" for Sony E-Mount APS-C cameras.
The new Tamron 28-75mm F2.8 Di III VXD G2 is a better lens than the 3-year-old original version that it replaces, offering improved image quality, faster autofocusing and more features, making it even more competitive with its main rivals.
The Nikon Z DX 16-50mm F3.5-6.3 VR is an incredibly tiny, lightweight standard zoom that is perfect for general everyday shooting, especially if you pick it up with the Nikon Z fc or Z50 cameras where it's sold as an economical kit lens option.
[T]he Nikon Z 40mm F2 is a brilliant little lens that doesn't cost the earth and is definitely worthy of earning the title of "nifty-forty"!
[T]he new Fujifilm XF 33mm F1.4 R LM WR may not be the natural replacement for the venerable XF 35mm F1.4 that everyone was expecting, but it is undoubtedly a great lens and ultimately a more than worthy addition to the Fuji X-system lens range.
The new RF 100-400mm F5.6-8 IS USM is the best super-telephoto lens for most Canon full-frame mirrorless shooters, delivering satisfyingly sharp results and being compact and lightweight enough to carry around all day, and it's also something of a bargain to boot.
[I]f you can buy into the amount of digital correction that Canon is automatically applying to in-camera JPEGs, or wants you to apply in post to Raw files, then we can highly recommend the RF 16mm F2.8 STM for your ultra-wide-angle and vlogging needs.
[W]e'd definitely recommend purchasing the outstanding Canon RF 100mm F2.8L Macro IS USM if you're even remotely interested in macro photography.
If you're in the market for an ultra wide angle zoom lens with a fast maximum aperture, then the new Tamron 11-20mm F2.8 Di III-A RXD lens should definitely be on your shopping list.
The Sigma 90mm F2.8 DG DN is a super-sharp, very well built, short-telephoto prime lens that is surprisingly small and surprisingly affordable.
Its main selling points are undoubtedly its superlative build quality, vintage feel and perfect balance between size and speed.
The ZV-E10 combines the best elements of the APS-C sensor A6xxx series cameras with last year's ZV-1 compact camera to create a large-sensor, vlogger friendly camera that won't break the bank.
[I]t certainly fits the bill as a fast, high quality standard prime lens for Panasonic S full-frame camera users that doesn't break the bank.
The Sigma 150-600mm f/5-6.3 DG DN OS Sports offers a unique and high-quality alternative to similar lenses from Sony and Tamron, and in our view it's currently the best all-round super-zoom telephoto lens for Sony Alpha shooters.
The new Lumix S 24mm F1.8 is one of the more affordable lenses available in the still relatively new Panasonic full-frame mirrorless system, but thankfully it out-performs its modest price-tag.
[T]here is a lot to like about this lens. It produces excellent results, impressive sharpness and is small and light enough to put in your kit bag and not think too much about it.
Ultimately if you prefer a modern-looking Nikon mirrorless then the Z50 is a great option – but if the vintage bells-and-whistles hold an extra appeal and such nostalgia tweaks those heartstrings, then the Z fc is the one.
If you're looking for a do-it-all super telephoto lens for your Sony camera, the new Tamron 150-500mm F5-6.7 Di III VC VXD should definitely be on your short-list.
The EP-7 is the first ever camera released by Olympus' new owners, OM Digital Solutions, and thankfully it's a very good one.
