The DJI Action 2 reimagines the action camera in a modular form factor with support for magnetic mounts. It's innovative, but falls a little shy of dethroning GoPro.
The DJI Action 2 reimagines the action camera in a modular form factor with support for magnetic mounts. It's innovative, but falls a little shy of dethroning GoPro.
The Sony a1 is a true do-it-all camera, one that is equally adept at high-speed sports imaging, slow-working landscape photography, and professional video. It's priced to match, but it delivers.
The Nikon Nikkor Z MC 105mm F2.8 VR S is an exceptionally sharp macro lens, with the added benefit of optical stabilization for better handheld results.
Apple's iPhone 13 Pro Max is the ultimate mobile content creation machine, with the best camera and longest battery life of any iPhone.
We recommend the standard iPhone 13 to most people, as it offers the most potent blend of performance and battery for the price, but if you're willing to trade a bit of battery life for size, the iPhone 13 mini is the most powerful small phone you can buy today.
The mirrorless Panasonic Lumix DC-GH5 II puts video features first, with more robust 4K recording than its predecessor and other sensible upgrades.
It's our favorite telezoom for Sony and L-mount cameras, and our Editors' Choice winner.
The Sigma 35mm F1.4 DG DN Art's bright optics are perfect for blurred background and available light photos. It's a strong value, offering weather protection and excellent results for under $1,000.
The OnePlus 9 Pro holds its own against other flagships with a spectacular ultra-wide camera, smooth performance, and impressively fast wireless charging.
The Sigma 90mm F2.8 DG DN Contemporary looks and feels like a vintage lens, but inside you'll find a modern, superb optic. We love its images and close-up focus, but action photographers will want a short telephoto prime with faster focus.
The Fujifilm Fujinon XF 27mm F2.8 R WR uses the same optics as an earlier edition of the lens, but adds weather protection and aperture control for $50 less.
The Fujifilm X-E4's throwback style and dial-based control is sure to please fans of rangefinder cameras and is an especially good match with XF prime lenses.
The Canon EOS M50 Mark II offers some minor updates from original. It's still a very good digital camera for photographers, but one to skip if 4K video is a priority.
The Olympus M.Zuiko ED 100-400mm F5.0-6.3 IS has many of the hallmarks of a serious lens for enthusiasts. But while we love how well the lens is made, it struggles to get sharp results at maximum zoom.
The Olympus OM-D E-M10 Mark IV is a solid starter camera, with support for swappable lenses, a stabilized Micro Four Thirds sensor, and a big lens catalog backing it up.
The Leica SL2-S's striking design comes with high-end pricing to match, but it's a lovely mirrorless camera for those who can afford it.
The Leica Vario-Elmarit-SL 24-70mm F2.8 ASPH. captures detailed photos and opens up to F2.8 to blur backgrounds.
Sony's ZV-E10 camera appeals to vloggers with a quality mic and support for swappable lenses, but is held back by a weak battery and a so-so touch interface.
The Canon RF 600mm F11 IS STM has a long focal length to bring distant subjects into close view, and is priced low enough for hobbyists to afford.
The Canon RF 800mm F11 IS STM delivers extreme telephoto optics at a down-to-earth price, but even with a retractable design it's a big one to carry around.
The Canon RF 100-500mm F4.5-7.1 L IS USM brings big zoom power for sports and nature photographers in the RF system, but does its best work in brighter light.
The Nikon Nikkor Z 20mm F1.8 S lens is a bright prime with an extra-wide view, making it a good fit for astro, landscape, and architectural specialists.
The Nikkor Z 24-200mm F4-6.3 VR is built well, covers a wide range of angles, and nets sharp photos.
The Pentax K-3 Mark III includes the company's best-yet autofocus system and a sturdy, all-weather build. It's a worthwhile upgrade for devoted Pentax users, but others should look elsewhere.
