The Canon RF 85mm F1.2 L USM lens snaps shots with a razor-thin depth of focus and is ideal for use in extremely dim light, but we think it's worth getting the premium DS variation instead.
The Canon RF 85mm F1.2 L USM lens snaps shots with a razor-thin depth of focus and is ideal for use in extremely dim light, but we think it's worth getting the premium DS variation instead.
The Canon RF 24-70mm F2.8 L IS USM is the lens that pros and serious shutterbugs will want for their full-frame camera.
It's more of a niche lens than a wide zoom, but if you're in that niche you'll enjoy excellent performance all around.
The Sony FE 35mm F1.4 GM lives up to its premium billing with absolutely exquisite optics and a sturdy, professional build.
The Sigma fp L pushes the limits of tech with a 60MP full-frame sensor and an extensible design concept, but its electronic shutter readout makes it unsuitable for handheld photography.
The Fujifilm Fujinon XF 70-300mm F4-5.6 R LM OIS WR is the telephoto lens to get for an X system camera.
The Fujifilm XF 50mm F1.0 R WR has the widest f-stop of any modern, autofocus lens, but it's heavy to carry and slow to focus.
The Fujifilm X-S10 puts a proven image sensor into a camera body with a big grip that's better for telephoto lenses, and in-body stabilization for blur-free photos and video.
The Sigma 28-70mm F2.8 DG DN Contemporary is an appealing lens for pros and enthusiasts who want to take advantage of the creative possibilities of an F2.8 aperture without carrying a bulky lens.
The Sony FE 50mm F1.2 GM is the best standard prime lens available for the system, and the one to get if you use a top-end camera.
Sony's FE 12-24mm F2.8 GM lens capture wide views with stunning detail, even on high-resolution cameras.
The Sony a7S III has one of the best 4K video feature sets you'll find in a full-frame mirrorless camera, including 120fps capture for slow-motion playback.
[T]he larger camera sensor and 5.4K recording are worthwhile upgrades for professional photographers and videographers alike, though we think most pilots starting out with a drone will be just as happy with the Mavic Air 2 [...]
Canon's affordable RF 50mm F1.8 STM mirrorless prime is a fine choice for photographers just starting out, but hobbyists may want a bit more from an everyday lens.
The diminutive Sony FE 24mm F2.8 G lens captures a wide angle view and doesn't cut any corners when it comes to construction.
It's easily our favorite affordable 50mm for the Sony system, and while it costs more than twice that of the budget-friendly FE 50mm F1.8, the 50mm F2.5 G is a much better lens [...]
The Sony FE 40mm F2.5 G is a moderately wide prime that nets great photos without cutting corners in construction, placing it among our favorite small lenses for the Sony system.
It's a good choice if you'll use it in low light, such as for architectural interiors and astrophotography, but many photographers will be perfectly happy with the Nikkor Z 14-30mm F4 S.
Pro photographers using the Nikon Z mirrorless system will be happy with the Nikkor Z 70-200mm F2.8 VR S lens, but will pay a premium for the privilege.
The Nikon Nikkor Z 50mm F1.2 S gathers more light than most lenses, netting shots with exceptionally shallow depth of field.
The full-frame mirrorless Nikon Z7 II is a bit faster than its predecessor and supports dual memory cards, both important for pros. Its autofocus isn't quite as futuristic as its rivals, but it undercuts them on price, and its 45MP image sensor is still one of the best around.
Otherwise, the Snapdragon 888 doesn't make a noticeable difference in performance, and the improved network features aren't available yet.
The Sigma 35mm F2 DG DN Contemporary lens sets itself apart from others with aluminum construction, an aperture ring, and a light, slim build.
The mirrorless Nikon Z6 II offers small yet tangible updates to its predecessor, but it doesn't match the improvements in autofocus we've seen from competing systems.
