Panasonic Lumix GH5 II

Announced May 25, 2021

Compare Panasonic Lumix GH5 II
85

PixelMeter The PixelMeter is our 1–100 aggregate of reviewer scores from trusted publications and creators. Weighted by source tier — not a raw average, and not PetaPixel’s own review.

Reviewer Consensus

Strong

The Panasonic LUMIX GH5 II functions as a reliable, incremental refresh of a classic video workhorse, offering useful additions like wireless live streaming and improved image stabilization. Although it lacks the transformative leap some users desired, it remains a strong, competitively priced option for new content creators and videographers.

Weighted from 28 reviewer scores

Pros

  • Improved battery life and USB-C power delivery
  • Integrated wireless live streaming functionality
  • Versatile, high-quality video capabilities including 10-bit 4K recording and pre-installed V-Log L
  • Effective 6.5-stop in-body image stabilization
  • Durable, ergonomic, and weather-sealed build

Cons

  • Inconsistent contrast-based autofocus system
  • Minimal generational improvements for existing GH5 owners
  • Limited low-light performance and dynamic range compared to full-frame competitors
  • Operational quirks including smaller screen size and complex menu navigation
  • Lack of advanced features like RAW video output
  • Launch price $1,699 (USD)
  • Sensor 20.33MP Micro Four Thirds CMOS
  • Video 5.9K 29.97p UHD 59.94p
  • Stabilization In-body IS
  • Burst 12 fps electronic 12 fps mechanical

What the Reviewers Say

All 28 expert reviews, weighted into the PixelMeter score.

  • Cameralabs

    While it’s easy to feel disappointed by mild updates, the GH5 Mark II still builds upon what was already a very capable camera for videographers.

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  • Amateur Photographer

    The GH5 II doesn’t represent a huge generational leap in performance, but it introduces a set of meaningful enhancements that broadens its appeal, making it an even more reliable and versatile workhorse than its popular predecessor.

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  • The new Lumix GH5 II is a rather modest refresh of the original GH5 that's designed to keep the series relevant in 2021 and pique the interest of new users, rather than convince current GH5 owners to upgrade.

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  • Digital Camera World

    Many will be disappointed that the GH5 II is not a bigger leap forward from the GH5. In reality, it’s probably not meant to be an upgrade, but a ‘refresh’ that keeps the GH5 concept fresh and competitive for new buyers. And it certainly does that.

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  • PCMag

    The mirrorless Panasonic Lumix DC-GH5 II puts video features first, with more robust 4K recording than its predecessor and other sensible upgrades.

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  • Videomaker

    The image quality out of the GH5 II is fantastic, and the improved anamorphic shooting is an awesome addition. But finding and using the camera’s anamorphic controls are frustrating.

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  • Tony & Chelsea Northrup

    [I] wholeheartedly recommend the Panasonic LUMIX GH5 II to you if you don't need that thick bokeh, if you don't need super low light performance, and if you are okay with remembering to charge your microphone and you don't mind having that audio cable on there.

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  • The Art of Photography

    If they can get a better autofocus system in here for continuous autofocus, I think it's going to be game over, because I think these cameras in terms of video quality and I think to a large degree still quality, they're outstanding and they compete with everything else.

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  • Pocket-lint

    It's probably safe to say that if you've got a GH5 already, there's not much reason to consider buying the second-generation model. Unless you could really do with those extra bitrates or wireless livestreaming, there's otherwise not a huge evolution here.

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  • Stuff

    If you already own the original GH5, there are few reasons to swap it for the new Mark II. Image quality is virtually identical and the improvements are incremental rather than revolutionary.

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  • B&H

    The AF and color science improvements in particular make it easier to keep the Panasonic LUMIX GH5 II in your kit along with the newer LUMIX cameras, and the live streaming functionality is genuinely one of the easiest ways I've ever seen to live stream straight out of a camera.

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  • RedShark

    The GH5 II is for people in the market for a new camera rather than serial upgraders. With that in mind it is an excellent camera system that more than holds its own.

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  • Richard Wong

    So yeah, there are actually quite a big changes compared to the GH5, even though if you look at outside it looks like it's virtually the identical camera.

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  • Geeky Nerdy Techy

    This is just a great camera, and if you can live within its limitations of its low light performance, which I think it did pretty well up until sunset, then it's a fantastic camera.

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  • Wex Photo Video

    I think personally it's probably for most content creators, especially if you create videos for socials or anybody that Sees streaming as a large part of their workflow going forwards because it's so easy to do on this camera.

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  • Vistek

    I have to say that if you're into streaming or general video production, this is probably the best camera for you on the market right now and will set the stage for all the other cameras from all the other brands to follow, and that's really, really exciting.

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  • Pav SZ

    This is a perfect camera for social media content creators, vloggers and people who want an amazing video quality in a package that doesn’t cost arm and a leg and the system that has got large selection of lenses available for it.

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  • Focus Camera

    If you already own a LUMIX GH5, there's plenty to entice you to upgrade to GH5 II. Namely, the ability to internally record higher grade video, wireless live streaming, improved autofocus and image stabilization, longer battery life, and more color profiles.

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  • Connor McCaskill

    It's a total workhorse camera that's just gonna perform. It's gonna be extremely reliable, and once you learn how to work within its limitations, I think you'll be pleased with the options it gives you as long as you don't need autofocus or low light.

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Specifications

General

Announcement date May 25, 2021
Launch MSRP $1,699
Medium Digital
Lens mount Micro Four Thirds
Body type Mirrorless

Sensor & Processing

Effective resolution 20.33MP
Sensor format Micro Four Thirds
Sensor technology CMOS
Sensor dimensions 17.3 x 13 mm
Native ISO range 200-25,600
Expanded ISO range 100-25,600
Aspect ratio options 1:1, 3:2, 4:3, 16:9

Still Capture

Burst speed (mechanical) 12fps
Burst speed (electronic) 12fps
RAW formats 14-bit RAW
Other still formats JPEG, RAW
Color spaces sRGB, AdobeRGB
Still bit depth 14-bit

Autofocus

AF architecture Contrast detect
AF points 225
Autofocus modes Automatic, Continuous-Servo AF, Flexible, Manual Focus, Single-Servo AF
AF coverage 225
AF low-light sensitivity -4EV

Shutter & Exposure

Shutter types Mechanical Focal Plane Shutter and Electronic Rolling Shutter
Shutter speed range 1/8000s to 60s, Bulb
Flash sync speed 1/250s
Maximum electronic shutter speed 1/16000s
Exposure compensation -5 to +5 EV in 1/3 steps
Metering modes Center-Weighted Average, Highlight Weighted, Multiple, Spot

Display & Viewfinder

EVF resolution 3.68M dots
EVF magnification 0.76x
Rear LCD size 3-inch
Rear LCD resolution 1.84M dots

Video

Internal Recording

H.265/MOV 4:2:0 10-Bit

  • 4992 x 3774 at 23.98/24.00/25/29.97 fps (200 Mb/s)
  • 3328 x 2496 at 50 fps (200 Mb/s)
  • 4096 x 2160 at 50 fps (200 Mb/s)
  • 3840 x 2160 at 50/59.94 fps (200 Mb/s)

H.264/MOV 4:2:2 10-Bit

  • 4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps (150 to 400 Mb/s)
  • 3328 x 2496 at 23.98/24.00/25/29.97 fps (150 to 400 Mb/s)
  • 3840 x 2160 at 23.98/24.00/25/29.97 fps (150 to 400 Mb/s)
  • 1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps (100 to 200 Mb/s)

H.264/MOV 4:2:0 8-Bit

  • 4096 x 2160 at 23.98/24.00/25/29.97 fps (100 to 150 Mb/s)
  • 3328 x 2496 at 23.98/24.00/29.97/50/59.94 fps (100 to 150 Mb/s)
  • 3840 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps (100 to 150 Mb/s)
  • 1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps (100 Mb/s)

H.264/MP4 4:2:0 8-Bit

  • 3840 x 2160 at 23.98/25/29.97 fps (100 Mb/s)
  • 1920 x 1080p at 23.98/25/29.97/50/59.94 fps (28 to 100 Mb/s)

H.265/MP4 4:2:0 10-Bit

  • 3840 x 2160 at 23.98/25/29.97/50/59.94 fps (72 to 100 Mb/s)
External Recording
  • 4:2:2 8/10-Bit via HDMI
  • 4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
  • 3840 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
  • 1920 x 1080i at 50/59.94 fps
  • 1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps
Max video resolution 5.9K
Max frame rate at max resolution 29.97p
Max frame rate at UHD 59.94p
Codecs H.265/MOV 4:2:0 10-Bit, H.264/MOV 4:2:2 10-Bit, H.264/MOV 4:2:0 8-Bit, H.264/MP4 4:2:0 8-Bit, H.265/MP4 4:2:0 10-Bit
Max frame rate at DCI 4K 59.94p
Bit depth and chroma 10-bit 4:2:2 internal
Recording limit No
Audio recording 24-bit 48 kHz LPCM
Anamorphic desqueeze ratios 2.0x, 1.8x, 1.5x, 1.33x, 1.30x

Storage

Card slots 2
Card types 2x SD UHS-II
Internal storage No

Stabilization

In-body stabilization (IBIS) Yes

Connectivity

USB USB-C 3.1 Gen 1
Wi-Fi 802.11ac, 2.4 and 5 GHz
Bluetooth Bluetooth 4.2
3.5mm mic input Yes
3.5mm headphone output Yes
Flash sync terminal Yes
Hot shoe Hot shoe

Power

Battery DMW-BLK22
CIPA battery life (LCD) 400 shots
USB charging Yes
USB power delivery Yes
Compatible battery grip DMW-BGGH5

Body

Weight (body only) 647g (1 lb 6.8 oz)
Dimensions 138.5 x 98.1 x 87.4 mm (5.45 x 3.86 x 3.44 in)
Weight (with battery and recording media) 727g (1 lb 9.6 oz)
Weather sealing None
Chassis material Magnesium alloy
Tripod thread 1/4"-20