Posts Tagged ‘Interviews’

Interview with Action-Sport Photographer Tim Kemple

Tim Kemple is an action-sport and lifestyle photographer based out of Salt Lake City, Utah. Visit his website here.


PetaPixel: Can you tell us a little about yourself and your background?

Tim Kemple: Sure. I’m a photographer and film maker based in Utah. I grew up on the East Coast and spent my weekends as a kid climbing, skiing and wandering. I started carrying a camera to document my adventures.
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Interview with Rock & Roll Photographer Oliver Monroe

Oliver Monroe is a Los Angeles-based photographer who has photographed some of the world’s most famous bands and music artists in concert. Visit his website here.


PetaPixel: Can you tell us a little about yourself and your background?

Oliver Monroe: I grew up in the Washington, D.C. area, where my dad worked for the Department of Defense. In 1979, I moved to Los Angeles to further my career as a photographer. After nearly 10 years in the music/entertainment business, I hung up my camera bag and became a commercial film editor for the next 5 years. Wanting to see daylight again, I left editing and started a multimedia development company. I currently own a video encoding company, which caters to the entertainment industry.
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Interview with Thomas Hawk

Thomas Hawk is a San Francisco-based photographer and popular photography blogger. Visit his website here.


PetaPixel: Can you tell us a little about yourself and your background?

Thomas Hawk: I grew up down in Southern California. Went to college in Santa Barbara and then moved up to the San Francisco Bay Area in 1990 after college. I took a photography class in high school at Glendale Community College in Los Angeles, but other than that course am entirely self taught. I’m married and a father to four beautiful children.

I’ve been around photography pretty much my entire life. I was the editor-in-chief of my high school yearbook and editor-in-chief of my college yearbook and later college newspaper, so back in the film days I pretty much had constant access to the darkroom that came with these jobs. I’ve spent a lot of hours in the darkroom.
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Interview with Nick Ut, the Photojournalist Who Shot the Iconic “Napalm Girl” Photo

Nick Ut is the Pulitzer Prize-winning AP photojournalist who shot the iconic Vietnam War photo that most people refer to as “Napalm Girl”.


PetaPixel: Can you tell me a little about what your childhood was like?

Nick Ut: I had a big family in Vietnam. My father was a farmer. My mother was busy — there were ten brothers and one sister. Big family, but some of them died in the war. My brother was an AP photographer. He worked as a CBS cameraman in 1960. In 1964, he joined the AP, and worked there for almost two years. He was killed in 1965 doing an AP assignment.
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Interview with Tom Anderson, Co-founder of Myspace

Tom Anderson is a photography enthusiast and the former President of MySpace. You can find him online on Facebook, Google+ or Twitter. Check out his Burning Man photographs here.


PetaPixel: Can you tell us a little about yourself and your background?

Tom Anderson: Well most of you probably know me as the first friend from MySpace. I was a founder and President. It sold in 2005 and I left the company completely in early 2009. The MySpace first friend tends to overshadow all the things I was or will be…

I’ve lived many lives, so to speak. At one time I was in a band (both as a singer and guitar player) and that was all I did every day. If you knew me in college, you would have assumed I was going to be an egghead professor. I was a very serious scholar. I’ve always been attracted to creative things. Just before my photography obsession began I was having a lot of fun learning about architectural design, but photography has taken over and kind of pulled me away from that.
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Interview with Benjamin Von Wong

Benjamin Von Wong is a photographer based in Montreal, Canada. Visit his website here.


PetaPixel: Can you tell us a little bit about yourself and your background?

Benjamin Von Wong: Hah, where to begin. I’m a 25-year-old Chinese Canadian who’s been to thirteen different schools in three different countries, in three different languages. I grew up in a loving family that believed that experiencing the world was a must, had the opportunity to try all sorts of things, from playing violin for 10 years, to getting a black belt in taekwondo, to graduating from Mining Engineering in 2008. I pick up hobbies sporadically, from parkour to bartending, painting to paintball. Photography is one of the more recent hobbies that I picked up that happened to stick just a little longer!
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World-Class Photojournalists Share Their Thoughts on the Impact of Instagram

Love it or hate it, you have to admit that Instagram is making a huge impact on the world of photography, changing the way images are snapped and shared. Among the 80+ million users who have shared 4+ billion photos are many of the world’s most renowned photojournalists. Olivier Laurent over at the British Journal of Photography recently chatted with some of them, asking them about their thoughts on how Instagram is transforming photography as we know it:

Speaking with these photographers, it quickly becomes apparent that Instagram, more than any other social network in past years, has allowed them to form a deeper connection with the general public. For John Stanmeyer, another VII photographer that uses Instagram, it’s all about “communication, communication, communication,” he tells BJP. “In the decades – let’s hope far less – to come, the entire discussion of whether to use this thing called social media will be a moot – archaic – point of view, no different than it was centuries ago when previous commonly used means of information distribution where invented and debated – ‘Should I write on papyrus leaf or this new fangled material called paper, or a typewriter instead of block-type printing presses, etc.'”

[…] “We are no longer looking at content creation as the only means of income and creative expression,” say Peveto and Slaby. “How content is displayed and distributed are critical in reaching broader audiences, finding more creative ways to engage that audience and in inviting them to participate in the process.” And Instagram, they say, help them achieve these goals. “It helps us connect with our audience organically and offers different options for sharing such as creating parallel narratives with larger projects, sharing behind-the-scenes experiences, opening a dialogue with our audience, and cross-platform geo-tagging and mapping integration.”

The New Economics of Photojournalism: The rise of Instagram [BJP]

Just Plain Love: A Documentary Film About Henri Cartier-Bresson

If you’re a fan of hearing from photography greats and have some free time, check out his awesome documentary film about Henri Cartier-Bresson titled Henri Cartier-Bresson: L’amour Tout Court (“Just Plain Love”). It was directed by Raphaël O’Byrne back in 2001 when Cartier-Bresson was 92 years old, and features interviews with the legendary photojournalist as he talks about how various photographs were made.

(via Imaging Resource)

Facing The Future: Nine Perspectives on the Future of Photography

Late last year, during the Day of Photography in Amsterdam, PhotoQ interviewed nine photographers about the challenges facing them and photography as a whole from both an economic as well as social perspective. The resulting videos offer nine different perspectives on the business of photography, how it’s changed, where it’s headed, and how to adapt. Some viewpoints are more negative and others more positive, but in the end you can tell that each of these photogs love what they do, and just want to make sure they keep getting to do it for a long time to come. Read more…

Newspapers Chose Not to Run Pulitzer Prize-Winning Photo of Bombing

Afghan photographer Massoud Hossaini won the Putlizer Prize yesterday for his Breaking News photo showing a 12-year-old girl screaming after a suicide bombing in Kabul. His images of the mosque attack were so powerful that the New York Times, Washington Post, and Wall Street Journal all published them on their front pages on December 7, 2011. However, each one ran a different image captured at the scene, and only the New York Times ran the Pulitzer Prize-winning shot that showed the full extent of the carnage. Shortly afterward, The Washington Post interviewed the photo editors at each paper to discuss why they chose the images (and the crops) they did.

The Post, NYT and WSJ show same scene of Kabul carnage via different photos (via Poynter)