highlights

How to Create White, Black, and Gradient Backgrounds in Photos

Creating an evenly lit background can be trickier than one would think, but is a skill that every photographer should master. But with the right equipment and knowledge, it gets much easier to capture a pure white, black, or colored gradient background in-camera without the need for heavy Photoshop cleanup in post.

How and Why You SHOULD Blow Out Your Highlights Sometimes

Our friend Pye Jirsa over at SLR Lounge has put together a great portrait photography tutorial that explains when and why you SHOULD blow out your highlights sometimes. It might seem obvious to seasoned shooters, but a balanced exposure is not always the right choice.

Tweak Your Curves for Another Way to Save Your Highlights

Lightroom has many adjustments and in general, they work reasonably well. I bet the most widely used sliders are the Highlights and the Shadows sliders. There seems to be a general tendency to make sure that the highlights are not blown and the shadows are not blocked.

How to Fix Blown Out Areas Around the Sun

Shooting directly into the Sun, whether it is sunrise or sunset, often results in some areas around the Sun getting clipped, and we get these rather harsh edges in our sky. Even when shooting bracketed or underexposing for the highlights, we may not achieve a pleasing result around the strongest light in a scene.

‘Stormlapse’ Photographer Ryan McGinnis Shares His Most Epic Shots of 2014

Ryan McGinnis is a photographer and storm chaser whom we interviewed and featured back in 2011. After years of pointing his camera at newsworthy storms, McGinnis switched things up a bit in 2014 by introducing time-lapses into his repertoire. Although he was still learning, he did manage to capture quite a few amazing sequences showing powerful weather events.

The 4.5-minute video above, titled "2014 Stormlapses," is a highlight reel McGinnis put together to share his best time-lapse sequences.

To Hell with Blown Highlights

Here is a good example why it is so important to work the scene to get the best results from …

How to Add Dynamic Clipping Warnings to Photoshop

There are two types of clipping you probably try to avoid introducing into your images during post-production: luminosity clipping (when the brightest areas of an image become white, or when the darkest areas become black), and channel clipping (when the data within an individual channel becomes compromised). Both forms – unless you've made a deliberate decision to clip your data – are something to avoid.