dynamicrange

William "Bill" Claff of Photons to Photos recently added numerous cameras to his fantastic and vast library of photographic dynamic range tests, including the Panasonic Lumix G9 II.

Last week, RED unveiled a pair of new large-format global shutter cinema cameras, the V-Raptor (X) and V-Raptor (X) XL. Tedious model names aside, these cameras have 40.96 x 21.6-millimeter image sensors and make lofty promises concerning dynamic range.

Last year, Sony said that it had developed a new type of sensor that was capable of gathering double the light of conventional sensors while also reducing noise. That sensor has finally made it into a consumer product, and the company has further explained how it works.

Panasonic has touted additional benefits of the organic CMOS sensor that it has been working on for nearly a decade, and while the developments still sound enticing, the company seems no closer to release.

No doubt most of us have found ourselves in the following situation... You’ve discovered a beautiful landscape scene that you’ve carefully composed in your camera’s viewfinder. Your camera is on a tripod and there’s no wind, so you’re feeling confident that you’ll be able to capture everything in one shot with both a small aperture and a slow shutter speed. Things are looking great!

We’ve all heard the term "dynamic range" when reading the latest and greatest offerings of camera manufacturers -- "this camera has the highest dynamic range in its category!" We understand that a greater dynamic range is generally a good thing to have.

Sony is set to provide Apple with a "state-of-the-art" image sensor for its next iPhone that will supposedly double the amount of light it can capture and give it the ability to clearly capture a face even with a strong backlight.

In December of 2021, Sony successfully developed the world’s first stacked CMOS image sensor technology with two-layer transistor pixels, doubling its light gathering capability. The company has now further detailed how this was achieved.

According to data on Photons to Photos, while the Panasonic GH5 Mark II uses the same sensor as the previous GH5, the company has somehow managed to squeeze even more dynamic range out of it and notably surpassing the original GH5.

On March 25, Sigma announced the 61-megapixel fp L camera that features a new autofocus system and much more resolution than the original fp. The company has provided a few images captured on the camera, and the quality looks impressive.

Portrait photographer and YouTuber Manny Ortiz recently set out to compare the new Canon EOS R5 against his go-to workhorse, the Sony a7R III. But in addition to doing a general side-by-side usability comparison, he was looking at one thing in particular: dynamic range.

Canon Japan recently announced a new "high-sensitivity CMOS Sensor" that can capture high-quality, color footage a 1080p and up to 60fps even in extremely low light. The sensor is meant for industrial use, but it shows what's possible, even when you're using relatively tiny pixels.

Given all of the overheating controversy and the intense focus on the camera's 8K and 4K video capabilities, you'd be forgiven for forgetting that the Canon EOS R5 is also a stills camera. But Gordon Laing at Cameralabs didn't forget, and he's reviewed this camera specifically for stills photographers.

"Compression" is a dirty word in the world of photography, but not all compressed files are created equal. That's exactly what photographer Alex Barrera discovered when he switched to using Canon's compressed RAW (cRAW) format exclusively—it's saved him a ton of space, with virtually no downsides.

Using a graduated neutral density (GND) filter is fairly easy and doesn’t require any advanced techniques in post-production, but the easiest option isn’t always the best choice; due to the filter’s transition being horizontal, anything above the distinction will be darkened and anything below will be left alone.

The Chinese smartphone manufacturer Vivo is trying to beat Google at the HDR game. It has unveiled a new AI-powered feature called "Super HDR," which claims to produce better high dynamic range photos with more natural results.

DPRSplit is a new utility by LibRaw (the makers of FastRawViewer and RawDigger) that lets you squeeze extra dynamic range out of Canon 5D Mark IV RAW files. It may sound like magic, but the program works by separating the data captured by the DSLR's Dual Pixel sensor.

Photons to Photos has updated its Photographic Dynamic Range versus ISO Setting test database with results from the new Sony a9, and it found that the a9 holds its own against the flagship Nikon D5 and Canon 1D X Mark II DSLRs.

As the saying goes, "There's no such thing as a free lunch." And it looks like this applies to camera tech as much as anything else. According to a new report, the Sony a9 had to sacrifice some dynamic range to reach the crazy 20fps speeds everyone is so excited about.

With the advent of better camera technology and clever processing software, do we really need neutral density filters any more? Can’t we just replicate the effect of filters in Photoshop or even in camera? Isn’t the dynamic range sufficient in my shiny new Sony camera? Well, yes and no…

Pentax fans have been waiting for the full-frame K1 with bated breath, and the first impressions coming out of the review community seem to indicate they haven't been holding their breath for nothing. In fact, a new test report claims the K1's dynamic range can compete with medium format!

Back in 2010, we reported that a California-based startup called InVisage was working on a new image sensor technology called QuantumFilm, which uses "quantum dots" to make sensors that are several times more sensitive to light than traditional sensors.

Now, 5 years later, the first short film shot with the technology has been released. You can see what the sensor can do in the 7.5-minute short above, titled "Prix."

In a world in which photographs are primarily taken with digital image sensors, there are a growing number of photographers who are newly interested in film formats of the past. But why would anyone in our age of technological convenience still choose to shoot with analog film?