dslrlens

Ricoh has announced two new 50mm f/1.4 lenses that look very similar on the outside but are designed to produce distinctively different image renditions.

TTArtisan has announced a new 11mm f/2.8 Fisheye lens for Canon EF and Nikon F-mount cameras. The lens brings DSLRs access to the same lens that has already been available for multiple mirrorless mounts.

Ricoh has announced a new HD Pentax-D FA Macro 100mm f/2.8ED AW lens for its Pentax DSLR cameras, the first all-weather (AW) dustproof, weather-resistant macro lens in its lineup.

Irix has announced a new 21mm f/1.4 lens for Canon, Nikon, and Pentax DSLRs. The lens is based on the 21mm T1.5 cinema lens the company announced in February.

Ricoh has announced the HD Pentax-D FA 21mm f/2.4ED Limited DC WR lens for K-Mount full-frame DSLRs. The company says that this ultra-wide prime is optimized for visual characteristics that can't be measured in numerical values alone.

Cosina has launched the Voigtlander APO-Skopar 90mm f/2.8 for Nikon's F-mount. Cosina says that the lens has been designed to bring the appearance of chromatic aberration to as close to zero as possible.

Irix has announced a new 30mm f/1.4 lens that it says uses the same optical design found in its 30mm cine model, but has been rehoused to work for still photographers. The new DSLR lens is available in Nikon F, Canon EF, and Pentax K mounts.

Venus Optics has announced a new Laowa 14mm f/4 Zero-D (zero distortion) wide-angle manual focus prime lens for Nikon and Canon DSLRs. The company says that it uses a completely different optical design from the mirrorless version of the lens.

Ricoh has announced a new wide-angle zoom lens that is classified under its "Star" series optics: the HD Pentax-DA 16-50mm f/2.8ED PLM AW lens. Ricoh says it promises the highest imaging performance available and is designed for use on K-mount DSLRs.

While originally launched in 2017, Fotodiox created a line of lens adapters for modern and vintage SLR lenses it calls Polar Throttle adapters that have a built-in polarizing filter. The design allows multiple lenses to be adapted to a single mirrorless camera without needing different sized filters.

Kenko Tokina has published an updated lens roadmap that extends through 2022 and includes several lenses for a variety of camera mounts. Notably, the company plans to launch a 500mm f/8 reflex lens as well as six APS-C primes for a mix of Fujifilm X- and Sony E-mount.

While some might not find this announcement as exciting as a new mirrorless lens, Tokina has unveiled the atx-i 17-35mm f/4 full-frame lens for Canon EF and Nikon F DSLRs.

Lensbaby is known for making unconventional lenses that create unusual defocused areas, and the Spark is no exception. The Spark 2.0 adds support for eight mounts, both DSLR and mirrorless, as well as 15 optics introduced since 2008.

Just two weeks after releasing a $360 50mm f/1.2 lens for Canon, Nikon, and Sony cameras, lens maker Meike has just unveiled its very first autofocus lens: the ultra-affordable 85mm f/1.8 AF for Nikon and Canon DSLRs.

Following hot on the heels of yesterday's leak, Tokina has officially revealed its redesigned full-frame 100mm f/2.8 macro lens for the Canon EF and Nikon F mounts: the Tokina ATX-i 100mm f/2.8 Macro FF.

The Zeiss Otus is easily the biggest DSLR 55mm currently available. I say currently, because I'm sure in some lab in the depths of upper Siberia a technician made a 50mm the size of a small child, just because. But the Otus shouldn't surprise us, Zeiss will never shy away from the pursuit of image quality at the expensive of "convenience."

The world of camera lenses can be a bit daunting when you first start out, and so a videographer and photographer have joined forces to put together a fun (and funny) introduction to all the basic lens options, what they do, and what situations you might use them in.

The people behind camera comparison and recommendation website snapsort have just launched …