The Panasonic GH series has always been some of the best hybrid cameras ever made, and the new Lumix GH7 brings the best features of the GH6 and last year's G9 II together in a single body. It's basically a perfect camera for me as the sensor size is the only thing I consider a compromise.
After Netflix CEO Ted Sarandos claimed that both Barbie and Oppenheimer would have done just as well on Netflix last summer and boasted his son watched Lawrence of Arabia on his phone, cinematographer Hoyte van Hoytema clapped back at him.
The cinematographer behind Netflix's Baby Reindeer has revealed how he made the hit TV show feel so intense and unsettling.
The cinematographer behind the hit TV series Fallout has revealed how he created the epic visual style of the video game adaptation with lighting, color, and leaning into the Western genre.
Oscar-winning movies are associated with huge crews and intense sets but that is definitely not the case with The Zone of Interest.
As if getting your hands on a Fujifilm X100VI wasn't hard enough, this past week was even more challenging for those who tried to nab one of just 300 available Limited Edition cameras.
The cinematographer behind Dune: Part Two has revealed how he was able to make everything look so big in the highest-grossing movie of 2024 so far.
Sigma may be best known for its photographic lenses, but the company's video-specific Cine lenses are very well regarded in the industry. So much so, in fact, that the Giant Screen Cinema Association (GSCA) has selected Sigma Cine lenses as its new standardized test lens.
Oppenheimer cinematographer Hoyte van Hoytema urged aspiring filmmakers to shoot with old-school film formats in his Oscars acceptance speech.
Christopher Nolan's love affair with IMAX cameras is no secret and the director's enthusiasm for them caused new lenses to be created.
There's something magical about the moment the ground falls away as we soar into the air. The helicopter's engines start to whir, and everything begins to shake. Cameras are ready, everything taped down, lens hoods removed.
The cinematographer behind the Oscar-nominated film The Holdovers has revealed how he made the movie look, feel, and sound like it was actually made during the decade it is set in: the 1970s.
Among the many things you couldn't possibly forget about Emerald Fennell's hit movie Saltburn, one of them surely was the film's highly unusual 4:3 aspect ratio.
The cinematographer behind Poor Things has revealed how he filmed the movie's iconic dance scene between Emma Stone and Mark Ruffalo.
Sir Roger A. Deakins is widely considered to be one of the greatest cinematographers of all time. He has won two Academy Awards and sixteen nominations for his cinematography of over 70 feature films.
Apple appears to be getting more confident with the imaging capability of its mobile devices as it just published a 30-minute long, epic Bollywood film shot entirely on iPhone.
The 2023 Chinese New Year Celebration film titled "Through the Five Passes" was shot entirely through the lens of an iPhone 14 Pro and shows the incredible heights that can be reached with a camera that fits in a pocket.
Filmmaker Antoine Frioux is known for smooth, tracking shots of freestyle skiers. He usually uses gimbals to capture his footage but was given the opportunity to try replicating the footage with the DJI Ronin 4D.
Intelligent robot technology has expanded beyond cinematography and has found its place in photography now, too, as shared by a photo and video production company that has started to use one to achieve shots and angles that would be hard to replicate manually.
How do filmmakers and photographers fake rain for the cameras? A team of creatives has shared a behind-the-scenes look at ways to add fake rain to scenes and how to combine it with lighting for a natural but atmospheric look.
NiSi Optics USA has announced the the Circular Black Mist Filter that it says is ideal for cinematographers as well as street, portrait, and wedding photographers.
ZY Optics has annoucned four new ultra-fast Mitakon Speedmaster T/1.0 cinema lenses for filmmakers, covering a variety of focal lengths and lens mount compatibility encompassing Micro Four Thirds, Super 35, and Full-Frame.
Photographers can learn a lot about composition and color theory from great cinematography. Case in point: in this video, filmmaker Sareesh Sudhakaran of Wolfcrow explains how great movies will often use the 'Three Color Rule' to capture and keep a viewer's attention.
Cinematography and photo nerds rejoice: One Perfect Shot—the popular Twitter account that distills movies down into a single 'perfect' frame—is being adapted into a docuseries for the streaming service HBO Max that promises to be something pretty special.
So you’re about to shoot someone’s wedding. That’s amazing -- it’s an incredible opportunity to be part of one of the most intimate and beautiful experiences in human love. But between photography and videography, which medium gets the job done?
As the name of the filter alludes to, these lens filters do indeed lower the overall contrast of a shot. To clarify what that means in relation to photography: these filters will reduce the darkness of the shadows by allowing light to bleed into them from surrounding highlights.
The 2019 Oscars are just a day away now. If you'd like a dose of visual inspiration, check out this 10-minute video by Burger Fiction. It steps through every single film that won the "Best Cinematography" Oscar over the past 90 years, from 1929 to 2018 (and 2019 nominees as well).
DJI just announced the DJI Zenmuse X7, the world's first Super 35mm camera optimized for aerial cinematography. It's designed primarily for the DJI Inspire 2 drone and features interchangeable lenses as well as a new DJI Cinema Color system for greater creative freedom in cinematography.
Here's a 2-minute video that offers a look at how the HBO series 'Insecure' makes its black actors look so good on camera. What is it that makes everyone "pop" so much on screen?
Sometimes people ask me why I started shooting videos on a phone and the answer is not that easy. I believe the best camera is the one we always have with us, in our pocket. Maybe it's not the most powerful of course, but at least we can bring it with us all the time.