[T]he Olympus OM-D E-M10 Mark IV is an easier to use, higher resolution version of an entry-level camera that we've always had a lot of love for. It might not be the most revolutionary new camera in the world, but thankfully it's still a joy to own and use.
The new Fujifilm X-S10 is an intriguingly different proposition to the X-T and X-H series cameras in terms of its size and design, yet one that offers the same image quality and a lot of the core features at a much lower price-point.
Nikon has introduced a good variety of lenses for its mirrorless full-frame cameras in the two-and-a-bit years since they were first introduced to the market.
We were big fans of the original Z6 when it first came out, and Nikon has done a good job of adding just enough upgrades for the Z6 II to also make it a very good all-round camera, especially at the price point.
If you don't already own the Sony FE 90mm f/2.8 Macro G OSS, then we'd definitely recommend purchasing the simply superb Sigma 105mm F2.8 Art if you're even remotely interested in macro photography.
With a full retail price of $599.99, the Canon RF 85mm F2 Macro IS STM is something of a no-brainer in the value for money department.
[F]or those for whom the Canon EOS-1DX Mark III fits like a glove, it is, as expected, a supremely capable tool that should last you years of usage.
The Fujifilm XF 50mm F1.0 R WR is big, heavy and expensive, but crucially it delivers image quality that no other Fujifilm XF lens is capable of.
The Canon RF 100-500mm F4.5-7.1L IS USM is a incredibly capable but also incredibly expensive telephoto zoom lens.
As an entry-level DSLR, the Canon EOS 850D is a very capable and comfortable shooter.
The new Lumix S5 may be the cheapest camera in Panasonic's full-frame lineup, but in many ways it's also the most appealing, especially if you regularly shoot a mix of stills and video.
Lenses like the Z 70-200mm f/2.8 VR S might not be the big mass-market sellers of some of the others in Nikon’s arsenal, but they show that the company is taking the Z (mirrorless) line very seriously, and hoping to tempt more professionals into it.
[...] though, just like it bigger brother, the Canon RF 600mm F11 IS STM is a refreshingly brave attempt to think out of the box and offer something genuinely new and useful.
It weighs in at 1,260g and measures 281.8mm in length when set to its "stored" retracted position, making it much lighter and much more compact than a comparable DSLR lens.
[T]he Sony A7S III is the most capable hybrid 4K video camera available today.
The new Sony A7C combines the full-frame A7 III with the APS-C A6600 to create the world's smallest, lightest 35mm full-frame camera.
It also focuses quickly and quietly and produces good image quality for this kind of lens.
[T]he new 85mm F1.4 DG DN Art is really the lens that Sigma should have released [...] it's smaller, lighter, sharper, producing better bokeh effects, focuses more quickly and quietly, and has more features, all at the same price-point.
The new Tamron 28-200mm F2.8-5.6 Di III RXD is everything that its main rival, the Sony FE 24-240mm f/3.5-6.3 OSS, should have been, offering a compellingly versatile, high-performing package that makes it the best all-round lens that we've ever tested.
The new EOS R5 is the most full-featured Canon camera to date, with its combination of a 45 megapixel sensor and 8K video recording along with cutting-edge mirrorless technology resulting in one of the most powerful cameras on the market.
[W]ill have appeal to long-term photo hobbyists who have resisted going mirrorless until now.
Bird, wildlife and sports photographers looking for a big zoom lens that doesn't have a massive price-tag will love the new Olympus 100-400mm F5.0-6.3 lens.
The new EOS R6 is the best full-frame mirrorless Canon camera to date, and unless you really need 8K video, the camera that mid-range DSLR owners should buy if they're looking to switch to mirrorless.
If you're looking for a highly versatile travel or everyday lens, then you will likely be prepared to make some compromises.
