Now, I've always loved the usability of these cameras, but this one is a pretty substantial upgrade over the Pocket 3.
Now, I've always loved the usability of these cameras, but this one is a pretty substantial upgrade over the Pocket 3.
I really enjoy using this camera, but it is more complicated when you're trying to recommend a camera like this because it doesn't.
I would say that the Q343 definitely passed or exceeded my expectations with this experiment of a camera that can do everything in the studio.
Now, if you're interested in the Hasselblad X2D II 100C for the experience and for all the unique features that it offers, like this is where I can be more confident in my recommendation to you because this camera is special.
This is the kind of holy grail lens for portrait photographers that that is actually attainable, right?
On paper, in real life, 50 megapixels at 30 frames per second with no rolling shutter, 1400 flash flashing speed, there's still nothing that can compete with that.
[I]t was just a missed opportunity from Sony not using that partially stacked sensor for video.
This was extremely interesting because I've never seen a zoom lens compete this highly to the best of the best primes that Sony have to offer.
I'm going to tell you that I loved it.
[T]he new Sony FE 28-70mm f/2 GM is incredible. Not only is it much smaller and lighter than Canon's legendary 28-70mm f/2, but the image quality rivals the Sony 24-70mm f/2.8 G Master version 2.
The Canon EOS R1 can do almost everything a little better than the R3, but by today's standards and how camera tech overall has hit a plateau, like I can't sit here and say that it feels like this is a huge leap in performance.
I give Nikon massive props for delivering a product that seems to have answered everyone's questions and deliver on what most Nikon users wanted.
It's a very unique experience; there's nothing else out there that gives you this kind of experience shooting with a little box here.
[T]he X2D now having face detection, it just really does, it really does improve the usability of the camera for portraiture, which I mainly do.
For people that that understand that when there is a moment that's not going to happen again and you absolutely want to nail that shot, the perfect moment you need to nail it, a camera like this does make sense even at 24 megapixels.
Look, as a content creator, having that four-way tilt screen adds so much value to this camera for someone like me specifically, then I'm willing to give all that up.
This is like what the A7 III was a couple years ago at $2000; that was like the gold standard for a hybrid camera. This is now like the gold standard for a more entry level camera at 1500 and what for what it offers.
At the end of the day, using it like I would any other lens, I was very pleased, very happy with the resolution that I got paired up with the A7R V.
I still recommend it, but we just need those third-party lenses.
Because again that one millimeter goes a long way, especially if you want to film yourself or you're shooting in tight spaces.
Two months with the Nikon Z7 II, I like almost every single thing about this camera and there is very little to dislike, but you got to remember this is coming from someone that uses all cameras.
The Canon EOS R5, it's catching some flack on the internet for video, but this has to be one of the best photography cameras that I have ever used.
I think that this camera is for the hardcore street photographer because you can get the XT3 for cheaper with more features yet more video but HDMI 10-bit yeah and but I feel the experience is slightly different with this camera.
So I'm telling you, this lens is so all-around beast.
