For me, it's such an incredibly versatile lens. And there's power in that versatility.
For me, it's such an incredibly versatile lens. And there's power in that versatility.
The Sigma FP2 to me feels like the full realization of an idea for a camera that Sigma has been circling around for a very long time.
The Z5 IIC isn't trying to make you a photographer. It's trying to make sure the good days actually get remembered right.
We have definitely put the R Mark II through a lot over the past few days and our main takeaway has been that this guy is an excellent jack-of-all-trades camera for anyone looking to upgrade from an older body or make the big leap from smartphones into full-frame mirrorless [...]
Having a fish eye lens might not always be something that you are going to reach for, but like I said, it really can add that unique perspective that might make your photo stand out from another photographer, and maybe will help you get that editorial gig that you're looking for.
In addition to it being really flexible and lightweight to use, it's also had a lot of thought put into the design, which makes it really easy to shoot with, really comfortable [...]
[T]he Sony RX10 V is officially Steve [Moore]-approved, and that is the highest honor it could possibly get.
At the end of the day, if you just want to know if this is the camera for you and you're a video shooter, I would say unless your aspirations are specifically cinema or you are also a real real photography purist, then the answer is probably yes.
[W]e were trying to see if in practice any cracks form, but honestly, we just found even more things that we liked about this lens.
The Leica 35mm Noctilux-M f/1.2 ASPH is the type of lens that will most likely stay on your camera and be with you for the rest of your life.
This isn't a camera for everyone, but I think if you enjoy slowing down, paying attention to light, and looking at your composition, I think the Ricoh GR IV Monochrome is the perfect camera for that.
[T]he Q3 Monochrom really is the perfect addition to this lineup.
In all honesty, this updated 16-50mm at a f/2.8 constant aperture, it's really going to be a nice option for pretty much any Nikon shooter who shoots on a crop sensor camera.
If you are looking for, once again, a street photography lens, just a nice casual travel lens, this is a really great option to have. It really kind of threads a lot of needles.
This is an incredibly fun lens to use.
It's small, it's light, it's f/2.8, and it is staying in my camera bag and literally never leaving.
For our purposes as an all-in-one camera for capturing all the photos, videos, open gate recording, slow-mo that we need to get for the types of videos that we produce here at B&H, the Canon EOS C50 absolutely slotted in perfectly.
It's no doubt you get an incredible result out of this camera.
For me, the Ricoh GR IV is going to become my new default daily carry camera.
[T]his lens really has the unique ability to play both fields with high performance sport shooting and impressive portraits with exceptional compression and bokeh.
This wide-angle zoom brings together speed, portability, and performance, making it an excellent choice for travel, landscape, architecture, photography, and video production as well.
This just might be the perfect adventure photography camera of the year.
[T]he Sony FX2 is definitely worth a serious look.
It definitely has some drawbacks, but what it does do perfectly is fit that gap in the market for both beginners and professionals.
