You're going to want this lens whether you're doing real estate or street photography or shooting a whale tail statue fountain like I was doing. You're going to find that you open up the world of possibilities for creativity.
You're going to want this lens whether you're doing real estate or street photography or shooting a whale tail statue fountain like I was doing. You're going to find that you open up the world of possibilities for creativity.
They really addressed all of them and made an almost perfect lens.
[F]or me, I'm very happy I switched.
If you resonate with those things and you like what you heard about the autofocus and everything else, I think you're really going to love this lens.
[Y]ou get the fun of shooting in manual mode, but it's not so difficult that you're missing the shots you want.
I think most people who go out and have fun, who want to capture more vibe than megapixels, need need one of these.
I would recommend it at $470.
Like, if you're in love with this, if you love the 90s vibe, if you want to create those kinds of pictures, and you aren't stunned by paying $1,500 for what is technically a very mediocre camera, then get it.
I recommend this for just the general shooter, it could be a professional camera, I know that they're saying that this isn't aimed at professionals, but why not?
In day-to-day use, I found the Caira to be incredibly meaningful.
So all in all, I think that the image quality is really impressive on this lens for $900.
First of all, I think this is going to be the go-to macro lens if you're shooting Sony.
[I]f you're looking to get a wildlife and sports lens, I think this is a great option for you.
And it's that fear of missing out that is making me recommend the Sigma 20-200mm f/3.5-6.3 DG Contemporary to just about everybody.
This is like the perfect everyday carry.
[I]n summary, I've really loved using the Canon EOS R50 V here. A good litmus test for me is that I recorded and published a video using it instead of our usual like $5,000 video rig and nobody complained.
I think the biggest improvement is the AI subject detection in video and it's like a game changer.
You might have a camera that's the A1, the R8, something that sort of does it all, the workhorse, and then you get a second camera that you want, that makes you feel something. [...] And [...] that's what the Sigma BF is.
[T]he Sony 400-800mm is the best wildlife lens in the world right now, and we have tested them all.
So of the two of these, the design of the new one is clearly superior in use, and I prefer the black color because I always want to be discreet.
I think this is a perfect lens, especially for things like courtside sports.
[T]he ability to track subjects in video is fantastic, and wildlife video is so much more powerful and so much more effective than wildlife stills.
For events, professional events, absolutely, this is the one to get.
It sincerely is a letdown that makes me think Canon has lost their edge in a pretty big way [...]