If you're an S9 shooter looking for a budget prime, obviously this is a great choice. I would recommend it.
If you're an S9 shooter looking for a budget prime, obviously this is a great choice. I would recommend it.
The Sony FX 30 feels like a brand new camera to me in 2026. This has been changed so much through firmware over the last few years since I didn't own one that coming back to it in 2026 feels like a whole different animal.
It's a really great pairing for the S9. Or if you want to keep the size and weight down on a larger full-frame camera, it will do that also.
The landscape picture profile looks nice, and the overall image quality out of this lens is okay.
I can kind of see now why Fuji has a bit of a cult-like following. It's a really impressive camera.
It's a great camera in some ways for the right type of person and it's not the right camera for a lot of other people.
At the end of the day, this is a lens I plan on holding on to longterm. It's been a whole lot of fun and its performance really speaks for itself.
[I]'m very impressed with this lens.
At the end of the day, the Panasonic LUMIX S1 II is right up my alley as a video-first shooter. And I think if you're in that kind of situation, you're going to get a kick out of this camera.
So I think the 12-35mms right now will be the lenses I keep glued onto either camera.
The 85mm look is really impressive, and if you want a pro studio look, if you need a tight headshot for an interview, or if you're going to be doing portraits, this is the lens to buy.
The Panasonic Lumix G100 (Lumix G110) is a great little travel camera. I would absolutely use this for travel purposes if I was mostly just shooting photos. I would have no complaints using this; the end result looks great and the image quality out of this is excellent.
This autofocus lens offers STM stepping motor, so you get very fast and snappy autofocus performance, and much like the other Viltrox lenses I've recently reviewed on the channel, it feels like a far more expensive lens when it comes to its autofocus performance [...]
This lens is incredible considering its price. It's an absolute bargain, and if you're on a budget and you want to get this particular focal length, 40mm for full-frame, it's a no-brainer.
If you're looking for a great A and B camera for client work or YouTube in a situation like this, these cameras represent excellent value.
It's by far the most powerful Micro Four Thirds camera ever.
So this is extremely versatile. I don't really have any complaints with this, other than the zoom ring feels a little bit stiff when you first take it out of the box.
Lens I'm really impressed with the optical performance of this lens and also just how it feels to use, especially with the manual focus ring.
So it's an absolute beast, but it's by far the best built Viltrox lens I've had my hands on, and it also rivals far more expensive lenses.
For $159, this Viltrox AF 20mm f/2.8 FE lens is insane value. While it doesn't have a manual focus/autofocus switch or aperture ring, it excels in terms of form factor, handling, sharpness, and optical quality.
If you're a Sony shooter looking for a great 24mm f/1.4 fast prime lens for full-frame, this is a great lens.
I love the fact that Panasonic has moved Micro Four Thirds forward with a release that will no doubt appeal evenly to videographers, content creators, and photographers.
At the end of the day, the S5 II is an absolute beast of a mirrorless camera. If you've been waiting for the day for Panasonic to finally get the act together and put a phase hybrid autofocus system in, I don't think you'll be disappointed.
[O]verall, I was pleasantly surprised with the results I got from this 18mm.
