Hong Kong-based lens adapter and accessory manufacturer Megadap has launched the world's first autofocus (automatic) adapter for Sony E-mount lenses to be used on the full line up of Nikon Z Mirrorless cameras, including both full-frame and APS-C versions. It's called the ETZ11.
In the past decade, Zeiss has launched a number of new lens lines for DSLR and mirrorless cameras with unusual-sounding names such as Batis, Otus, and Milvus. Perhaps you own one of these lenses, but did you know that each of those lens lines is named after a bird?
Sony appears to have underestimated the demand for one of its new products again, as the company has announced a shipping delay out of Japan due to a number of orders that "greatly exceeded" expectations despite initial statements to the contrary.
Zeiss has expanded its Supreme Prime Radiance lens line up with four full-frame optics: 18mm, 40mm, 65mm, and 135mm. All four new lenses have a maximum aperture value of T1.5 and are designed for high-end film production.
The global smartphone sensor market was not slowed down by the pandemic, as a new report states the segment saw a total revenue of $15 billion in 2020 which is up 13% year over year. Sony still dominates the field, but its once ironclad grip has slipped slightly.
Vivo is positioning its X60 series as “professional photography flagship smartphones,” making clear that it wants to be regarded as the best mobile shooter available. With its partnership with Zeiss, it might have the tools to actually meet that goal.
Skylum has today pushed "Update 2" to the Luminar AI editing platform that emphasizes an improvement to the sky replacement functionality. The company promises that this update offers a faster and more robust experience with its "next-generation" Sky AI tool.
Sony has announced its 60th E-mount lens -- the 50mm f/1.2 G-Master -- that it hopes will prove that not only can it continue to make compact, lightweight primes but also can also do so while competing with the fast aperture lenses of both Canon and Nikon.
OnePlus has announced that it has entered a three-year partnership with Hasselblad to "co-develop the next generation of smartphone camera systems" for OnePlus flagship devices. The first to benefit from this partnership, the OnePlus 9 Series, will launch on March 23.
One of the attractions of Sony mirrorless cameras is the availability of a wide assortment of lenses, from Sony and other manufacturers. But that can be hazardous to your wallet.
Full frame and medium format systems can produce images of greater quality than APS-C. But that greater quality is rarely perceived, even in very large prints. I call it "overkill" because we cannot perceive the advantage of this more expensive and heavier equipment.
Cosina-Voigtlander has announced what it is touting as the brightest lens for interchangeable lens photography on the market: the Super Nokton 29mm f/0.8 Aspherical designed specifically for micro four-thirds.
After a little over a year of owning the Sony FE 35mm f/1.8, I think it’s time to write a review. This will be no way a technical review but based more on actual usability and real-world use.
As a photographer, wishing for the departure or death of a camera company is like a musician getting excited to have one less guitar to choose from. In many ways, it is the most self-destructive thing that one can hope for their art.
The Leica SL2 replaces the SL typ 601 and represents the very best performance and image quality that Leica can produce. It’s the flagship. While maintaining iconic colours and shooting experience, this camera is one of the best pieces of equipment I have ever had the pleasure of using.
Tamron has been on a roll the last 2 years with E-Mount lenses. After introducing a holy trinity of fast zooms and 3 compact primes with 1:2 macro abilities, the company has announced its newest E-Mount lens: the 28-200mm f/2.8-5.6.
I managed to get Sony to lend me every single lens they have to loan and I shot the same model with all them. Many of these lenses are not made for portraits so the sample image may not be relevant to the lens. I just thought it would be interesting to see how the lenses looked when compared side by side.
Yesterday, Sony unveiled their latest Xperia smartphones. And while you don't typically see Sony's phones at the top of the smartphone photography heap with Google, Apple and Samsung, the new Xperia 1 Mark II might change all that.
Techart has pulled off something pretty cool with its latest lens adapter. The so-called "Canon EF to Nikon Z Autofocus Adapter" (TZC-01) lets you use Canon EF glass on Nikon's mirrorless Z-Series cameras without sacrificing autofocus, auto exposure, aperture control, or lens stabilization.
The most recent "APS-C vs Full-Frame" comparison comes from our friends at Sonder Creative, and it's a portrait photography lens shootout between the ZEISS Batis 85mm f/1.8 and the Fujifilm 56mm f/1.2.
Nikon introduced the Nikon D850 in 2017 with a 45.7-megapixel backside-illuminated (BSI) Nikon-specified/Sony-designed/TowerJazz manufactured sensor. The Nikon D850 is regarded as one of Nikon's best cameras and continues to range at the top of consumer DSLRs.
Photokina is still the world's leading imaging expo, but changes to its structure and a struggling industry may be pushing participants away. In a press release published to the expo's website, the trade show's organizer Koelnmesse revealed that Nikon, Leica and Olympus have all chosen to skip Photokina 2020.
Back in early July, Sigma announced the development of three new mirrorless lenses that were designed to be used with Sony and Panasonic full-frame mirrorless cameras from the start, unlike their previous E-mount Art Primes, which looked like they had an MC-11 grafted onto them.
Roger Cicala at LensRentals is on a quest. A quest to MTF everything that moves... or in this case zooms. After putting off zoom lens comparisons as long as possible, Roger finally bit the bullet and published his 70-200mm f/2.8 MTF chart comparison.
I switched to Sony from Canon on December 31, 2014. Since then, I’ve cranked through over 50,000 frames on my Sony cameras in the past 4+ years of shooting.
It’s time to confess. I’ve been converted to Sony! But there’s more. Somehow I converted my best friend, wedding photographer Charlotte Palazzo, at the same time.
Sony has unveiled the Cyber-shot RX0 II, a followup to the RX0 action camera announced back in August 2017.
Sony's new FE 135mm F1.8 GM lens will hit store shelves next month, but it's already dropping jaws with its sharpness. According to one new test, it may be the sharpest lens of its kind on the market today.
Photographer Mario Cipriano has started a new project titled "Light Sounds Light" using a technique he calls audiophotography. Cipriano is using a digital audio recorder to capture the sound context behind each of his film photos, resulting in a fascinating way of experiencing the photographer's work.
For some time now, my favourite portrait lens has been the Sigma 85mm f/1.4 art. This lens, as many of you may know, is simply incredible when it comes to performance. Even the price of this lens isn’t unreasonable when you compare it to some alternatives currently available.