I've been fortunate enough to present portrait work to some of my favorite personalities. Initially, I figured it would just be a clever way to use my artwork to meet some of my heroes. A year later, it has turned into an on-going project that has resulted in unique encounters, constant hustle, and endless Photoshop.
The Hong Kong-based gear manufacturer Meike has unveiled its new 85mm f/1.8 lens for Sony full-frame E-mount cameras.
When I found out I had the opportunity to travel to Antarctica, I couldn't quite believe it. I should really start this story by thanking my mother: she's had the travel bug her entire life, and eventually created a career for herself selling her experiences and knowledge. The same bug has allowed me to see the world from a very young age, and I learned quite quickly how much of an impact travel can have on your perspective on life, among other things.
Want a camera stabilizer that's sure to attract (perhaps unwanted) attention? Just add a rifle-style stock to it. Alex over at I did a thing made this humorous 5-minute video showing how he built such a stabilizer for his own DSLR.
I am a fan of light (honestly what photographer isn’t?). Hard light; reflected light; dappled light; low-key light; colored light -- I love it all. Light makes or breaks not only my images but my mood. I’d venture to say that light is sandwiched between “belonging” and “safety” on my hierarchical pyramid of needs.
Yongnuo teased and revealed a smart mirrorless camera called the YN450 late last year, and the unusual device sparked a good deal of attention. The YN450 was just on display at the CP+ 2019 show in Japan, and cinema5D spoke to a rep for this 4.5-minute video that provides us with a better idea of what this camera is.
At its a6400 announcement event back in January, Sony also gathered press together for a presentation in which it aimed to debunk some of the things being said about its E mount in recent days. One of the interesting facts shared is that the E-mount supports a maximum aperture of f/0.63.
