“Do you like selling?”

I saw this question in a recent video for a Photo Cloud system and thought it was a brilliantly clever line. The company asking the question uses a communal Woodstock approach in the hopes of obtaining new clients. (And by Woodstock, I mean the 1969 Free Love Fest in Max Yasgur’s farm in Bethel, NY, filled with sex, drugs and rock and roll, not the little yellow best friend of Snoopy. Although that could probably work, too.)
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The Sun-Times business is changing rapidly and our audiences are consistently seeking more video content with their news. We have made great progress in meeting this demand and are focused on bolstering our reporting capabilities with video and other multimedia elements. The Chicago Sun-Times continues to evolve with our digitally savvy customers, and as a result, we have had to restructure the way we manage multimedia, including photography, across the network.

The Chicago Sun-Times laid off its entire photography staff today (including Pulitzer Prize Winner John White) as a part of what is being described as a shift in consumption towards video content. I suppose there could be a kernel of truth in this statement, but it doesn’t really speak to the whole truth about how photojournalism has suffered because of the Internet.
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Let’s take a moment to reflect on mirrors. Mirrorless interchangeable lens cameras, like the Olympus Pen E-P5 or Samsung  NX300, have enjoyed increasing popularity over the past few years, and it’s become clear that they are more than a passing fad.

This motley collection of high-tech cameras filled the gap that existed between bulky DSLRs and compact cameras, but manufacturers are now starting to expand their mirrorless lineups in hopes of attracting a wider cross-section of photographers, including professionals.
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I came into still photography by way of video. Throughout my younger years I was always playing with video cameras, and when I graduated college I set out to buy one of my own.

Like so many others, I turned to the Internet for guidance. I got lost in a whirlwind of blogs, forums and tutorials. As a recovering technophobe, it was overwhelming and scary. This was to be my first major post college purchase, and I wanted to research the subject diligently.
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This appears to be a big week for Yahoo! with their $1 billion Tumblr acquisition announcement followed by a number of changes to their Flickr service. Exciting stuff in the tech world. However, amid the Yahoo! hoopla, CEO Marissa Mayer managed to insult the entire professional photography community with her comments, being widely interpreted as “there’s no such thing as professional photographers” anymore.
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After two years of testing, renting, buying and selling just about every level of Nikon and Canon lenses and cameras, I have learned quite a bit about what works and what doesn’t. Pretty much you can’t go wrong with Canon or Nikon, and just about everything they make is top notch.
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I have been shooting photographs regularly for over 7 years now. I spent the first year shooting with a 2-megapixel phone camera. Since then, however, I’ve almost always had RAW capable cameras and shot RAW compulsively. And why not? I get 16x or 64x more colour depth than JPEGs. I don’t have to bother about setting the right white balance, contrast or sharpness. I don’t have to choose between monochrome and colour at the time of shooting. I can figure all of that out on the computer during RAW conversion and even try out different settings for the same picture at my leisure. Why would I give up all this and shoot JPEG?
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Pictures like this drive me nuts. I call it Meanwhile, Back at the Supreme Court. It captures the boisterous scene outside that building as right and left wing demonstrators clashed after the contested election of 2000. While all this was happening, President George W. Bush was delivering his first inaugural address in the background over loudspeakers. It was an exciting and historic experience to witness and document, but until now, I’ve never shown this image to anyone. As a matter of fact, it didn’t even exist until last night.

The reason? It’s fake. The moment it depicts never happened.
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I’ve been watching with great interest over the past few weeks as the naysayers seem to have gone crazy overboard trying to bash Google Glass every chance they can. I’ve seen articles in Wired and on CNN and on blogs, etc., all stating how terrible Google Glass is. Oh no! Geeky white dudes are wearing Google Glass! This will never work! Oh no, someone wore a pair into the shower! Oh no, I will punch someone in the face if they try talk to me with them on — all sorts of gibberish.

There’s nothing like change to bring out the absolute haters.
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Last week was full of horror, disbelief and touching compassion. It was also a week driven by photographs and discussion about photography. From the iconic photo by Boston Globe’s John Tlumacki on the cover of Sports Illustrated, to the hundreds of citizen photos turned in to the FBI, the story and the events that followed were driven by photography.
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