Equipment

Photographers use all kinds of equipment to craft their art, from cameras and lenses to lights and accessories. We cover the latest news and information on the tools of the trade in the photography industry.
Two digital cameras shown from the back, each featuring a large LCD screen, control buttons, and dials. The camera on the left has an electronic viewfinder in the top left corner; the one on the right does not.

Panasonic, Please Stop Removing Viewfinders

Earlier this week, Panasonic unveiled the Lumix ZS300, also known as the TZ300 in some markets. The new compact camera is nearly identical to its predecessor, released in early 2018, except for one big thing: the ZS200's electronic viewfinder has been removed, replaced with nothing but more plastic. There are logical explanations for this, but they do little to stop me from disliking the change.

Close-up of a black Nikkor S camera lens, showing detailed texture, focal length markings (135, 200), and two customizable L-Fn buttons on the lens barrel against a dark background.

Nikon Explains How It Makes Lenses Smaller While Somehow Making Them Better

Nikon's original Nikkor Z 24-70mm f/2.8 S and Nikkor Z 70-200mm f/2.8 VR S lenses were already superb when they were released in 2019 and 2020, delivering great optical performance and dependable autofocus inside a well-designed chassis. However, much has changed in lens design in the years since, and Nikon's even better, significantly lighter 24-70mm f/2.8 S II and 70-200mm f/2.8 VR S II zooms reflect multifaceted technological advancements.

Six people stand behind a table covered with a white cloth featuring the blue ZEISS logo, displaying cameras and gear, in a modern indoor event space with exhibition panels in the background.

I Flew to Atlanta for a Zeiss Lens Event but Found Something More

I flew to Atlanta expecting to cover a lens launch and came away with something far more meaningful. The debut of the Zeiss Otus ML 35mm f/1.4 was framed as a first look, but what Zeiss created was not a traditional showcase. Instead, it became an evening centered on artists, storytelling, and a sense of community that rarely takes the spotlight in this industry.

A close-up of a black Lomo LC-A analog camera with a lens and textured grip. The PetaPixel Reviews logo appears in the bottom left corner. The background is softly blurred.

Lomo MC-A Review: The Standard for New Film Cameras

Is there room for a new full-frame 35mm film camera? When the Pentax 17 half-frame camera came out, it represented a serious risk to see if beginner photographers would be willing to buy a new camera. When you consider the saturated used camera market with all of the options that are still available, it’s hard to imagine much demand for a camera that will cost substantially more.

A Sony digital camera with a 35mm f/1.8 lens attached is shown from the front, highlighting the lens and the camera’s top controls, including the power switch and shutter button.

Samyang Brings Yet Another 35mm f/1.8 Prime to E-Mount

LK Samyang kicked off its "Prima" series of lightweight, affordable prime lenses in late 2024 with the AF 35mm f/1.4 P. After launching the Prima AF 16mm f/2.8 and AF 85mm f/1.8 lenses last year, LK Samyang is revisiting the 35mm focal length with a smaller, lighter, and more affordable AF 35mm f/1.8 Prima prime for full-frame Sony E-mount mirrorless cameras.

Two retro-styled, brown and silver devices with dials and screens sit among pieces of wood and swirling mist, illuminated warmly. They resemble vintage cameras but function as modern electronic gadgets.

Harlowe’s Newest Studio Light Ups the Power and Keeps the Style

Harlowe has introduced an expanded lineup of Max Bi-Color LED monolight kits, built around a 120W fixture with Bluetooth-based wireless control, an included Fresnel zoom lens, and a magnetic accessory mounting system. The range includes Creator and Master kits with both AC-powered and battery-powered options, addressing different production needs from studio setups to on-location production.

A Canon EOS R1 camera body without a lens is shown against a blue background with interconnected digital network lines and circles.

How AI Changes Canon’s Approach to Camera Tech and Performance

Photographers often feel like certain camera technology has plateaued. Sure, sensors get a little better, autofocus improves with each generation, and cameras are faster than ever. However, camera tech rarely improves by leaps and bounds like it once did. Canon believes AI may fuel many of the biggest camera tech breakthroughs in the coming years.

A black Panasonic Lumix digital camera with a Leica lens extended, shown against a plain white background. The camera has a textured grip on the left and the brand name "Lumix" visible on the upper right.

Panasonic ZS300 Compact Camera Is Nearly the Same but Ditches its EVF

Panasonic has unveiled the Lumix ZS300, a successor to the Lumix ZS200 announced back in early 2018. Like its predecessor, the ZS300, also known as the TZ300, combines a 15x optical zoom lens and a 20.1-megapixel Type 1 CMOS image sensor inside a compact, pocket-sized body. However, it also features a major downgrade in user experience.

A close-up view of multiple camera lenses arranged closely together, showing their glass elements and reflections, with various brand markings visible on the lens rims.

These Fujifilm Dream Lenses Are What Photographers Want the Most

Earlier this month, Fujifilm hosted a special "Focus on Glass" event, where the company highlighted some of its optical achievements in its APS-C X System, while also proposing 14 Fujifilm X lens concepts. The company asked its customers to vote for their three favorite ideas, and voting closed late last week. The results are fascinating and highlight just how much photographers value the versatility of zoom lenses.

Close-up of a digital camera body showing the lens mount and exposed image sensor, with textured grip and control buttons visible on the left side.

How Canon’s RF Mount Design Enables Innovative New Lens Designs

When Canon unveiled its first mirrorless full-frame camera, the EOS R, in 2018, the company touted its new EOS RF lens mount. While it has the same 54-millimeter diameter as the DSLR EF mount, the RF mount's flange distance is significantly shorter, shrinking from 44 millimeters to just 20. Canon promised that this would enable bold new lens designs, and the company's latest lenses show that as well as any of Canon's 60-plus RF lenses.

Close-up shot of a camera lens, focusing on a rectangular port cover labeled "TAMRON-LINK." The background is blurred, highlighting the lens details and branding.

Every Lens Maker Needs to Do What Tamron Is Doing

Tamron lenses have some very cool capabilities you may not be aware of -- like the ability to pull focus during a time lapse -- and it’s all thanks to its Lens Utility App. I want to talk about what of these abilities are, but I also want to take this opportunity to shame other lens manufacturers for not offering these same features.

A close-up of an Olympus E-1 camera body without a lens attached, showing the lens mount and electronic contacts. The camera is on a tripod outdoors, with a blurred green background.

Testing the Very First Four Thirds DSLR 23 Years After it Launched

Nearly every photographer is familiar with Micro Four Thirds, but what about Four Thirds? Developed by Olympus and Eastman Kodak five years before Micro Four Thirds, this DSLR format was short-lived, supplanted by the mirrorless Micro Four Thirds cameras and lenses. Gordon Laing of Cameralabs has taken a look at a pioneering Four Thirds DSLR, the Olympus E-1, 23 years after its debut.

A smiling man holds up a silver Fujifilm camera outdoors, with greenery and water blurred in the background.

Fujifilm Believes Fun Cameras Will Keep Photography Alive

Looking at Fujifilm's releases in 2025, the company did a little bit of everything, and released some very surprising, strange cameras. It is easy to think that Fujifilm is just a company keen to experiment and take risks, but the company tells PetaPixel that hard research data drives its product decisions. That said, fun matters, too.

Three cameras with small, glowing lanterns mounted on top are displayed on a wooden surface, surrounded by ferns and pieces of wood, against a wooden backdrop.

Harlowe Debuts New Light for 360° Content Creation

Harlowe, formerly known as Hobolite, has announced the Omni 360° 2W, a compact video fill light designed for creators working across vlogging, action cameras, and immersive 360° content. With a focus on portability and adaptability, the light aims to provide consistent, wraparound illumination in fast-moving shooting environments.

Two black camera flash units with buttons and indicator lights float against a yellow background with the word "Fold" in large, cursive text.

Viltrox Unveils the Vintage Z2, an Ultra-Compact $37 Folding Flash

Viltrox has announced the Vintage Z2 TTL on-camera flash, expanding its retro-inspired accessory lineup with a compact, foldable design aimed at portability and ease of use. Positioned as the third entry in the series, joining the Z1 and Z3 released last year, the Z2 builds on the concept of simple, lightweight lighting tools while introducing a more flexible physical design.

A Fujifilm digital camera with a black textured body and prominent lens is shown on a dark, reflective surface against a dark background.

How Fujifilm Will Fix its Video Autofocus Woes

Fujifilm's X Series cameras do a lot right. They are extremely capable, performant APS-C mirrorless cameras with many passionate supporters. However, for as good as they are, autofocus performance remains an oft-discussed shortcoming, especially for video applications. Fujifilm says it hears the complaints and is working hard to address the feedback.