Ever wondered why the expensive cinema cameras cost what they do? In this featherweight vs. heavyweight comparison, Sam and Niko put a $50 Sony HDR-CX405 camcorder to the test against a RED Epic Dragon 6K cinema camera worth about $50,000.
8K is the future... at least that's what Matt Granger believes. And so he recorded this educational video at the YouTube studio in NYC to prove his point, explain some of the benefits and pitfalls of ultra-high res footage, and convince you to adopt 8K just as soon as you can.
More and more still photography cameras are getting advanced video features, so it only makes sense that cinema cameras are moving more into the world of still photos as well. Last week, RED launched a new version 6.0 firmware for its cameras, which brings a number of powerful new features for shooting photographs alongside video.
Custom-built 20-GoPro array and Red Epic camera in tow, Marc Donahue of PermaGrin Films recently spent some time at San Diego UNITED Training Center to capture breakdancers, parkour athletes and gymnasts performing complex acrobatics in slow motion and bullet time.
The day after the last lunar eclipse we shared a time-lapse with you to help ease the pain if you hadn't had a chance to capture the first of this tetrad of eclipses yourself. The time-lapse was put together by NASA and, while it was better than nothing, it left something to be desired.
Fortunately, photographer Andrew Walker of 599 Productions is here to show NASA how it's done so they can maybe put something better together next time.
Using two Black Armored Hexacopters, a RED Epic and an LED lighting rig, aerial video specialist Simon Sjörén and his team took to the mountains of Åre, Sweden to create a unique nighttime ski video.
Until today, the Nikon D800E stood at the top of the DxOMark totem pole with an amazing sensor score of 96. But the champion has been unseated, and not by some Canon or Nikon full-frame camera or one of the impressive new APS-C shooters we've seen recently. No, the D800E has been decidedly put out of first place by the RED Epic Dragon video camera.
Certain indie filmmakers may be all in love with shaky-cam production values, but for the rest of us, nausea still isn't terribly valued as a special effect. So huzzah to the ShadowCam S-5, an upcoming stabilizer for DSLRs and pro series cinema cameras (Red Epic, Canon C models, etc.) that promises to dampen motion like no other stabilizer.
Update: The video has been taken down by the uploader.
The harmful effects of concert lasers when exposed to your camera's image sensor are well documented. In the past we've shared several videos (here and here) that showed three different Canon 5D Mark IIs rendered unusable after a concert laser passed over them for only a second.
And if it can happen to a 5D Mark II, you better believe it can happen to a sensor much more expensive than that. The video above shows what happens when a $20K RED EPIC's image sensor goes head to head with a similar laser. Gear lovers might want to look away ...
When tasked with making the music video for the song HAVOC by While You Slept, Frokost films decided to get a little creative. In addition to shooting the whole thing in slow motion, they managed to shoot the entire music video using just one 18-second continuous shot.
There's some pretty big news over in the cinema camera world today. RED founder Jim Jannard announced that massive price cuts have been made to the prices of his company's high-end cinema cameras (which are also used for still photography).
Video technology is advancing at an alarming rate, and the question that seems to be on many a photographer's mind is: "will video ever render still photography obsolete?" In the future, will shooting a sunset simply involve going out and recording 30 minutes to an hour of video and then pulling your favorite frames into Photoshop or Lightroom? Well, that's the question that this video from Fstoppers is trying to answer.
Photographer Vincent Laforet recently attached a Canon 600mm f/4 lens with a 2X …