Researchers at the streaming powerhouse Netflix have discovered an innovative way to quickly, easily, and potentially more accurately remove green screens from a scene by turning their actors a bright magenta using red and blue foreground lights.
In my last article, I wrote in depth about my emotional connection to the subjects that I photograph and my artistic process in creating imagery. As I said before, to me photography is much more than capturing a single moment in time. I want to portray the sensory experiences that I have when I am immersed in nature or wilderness and pour that into an image that tells a story related to those experiences.
In this video, I’ll show you a simple Photoshop compositing technique to remove light stands from your images in less than two minutes. Then, we’ll do a complete rundown of how the image was shot, lit, and processed.
Want to learn how to create a "flying food" photo without actually making food travel through the air? Food photographer Skyler Burt of We Eat Together made this 5.5-minute tutorial on one way to freeze time and space.
One of the most common difficulties with compositing photos is having the color tones of the different parts of the image match. This can be tricky to achieve, but this 10-minute tutorial by Photoshop expert Antti Karppinen shows a powerful way you can do it using a Selective Color adjustment mask.
This composition started as a practice (practice and playing) like most of my composites. I think that's the key of growing and good execution on art: do not think about doing things right but instead focus on having fun with creating.
I had been itching to do a composite photo series for quite some time. It’s something I had never actually done up to this point, but I was and currently am a huge admirer of the art form. I’ve been following the great composite photographers like Dave Hill and Drew Lundquist for the past several years.
Visual effects artist Roy Perker is tired of people saying that VFX and digital compositing "looks fake." So he created this fun little video to show off his own compositing skill, and educate people on what it takes to seamlessly blend real footage and computer generated imagery on screen.
Max Asabin is a Russian hobbyist photo retoucher and digital artist who has been wowing the Internet as of late with his Photoshop skills. Many of his creations involve combining various photos together into seamless composite portraits of people.
Photographer Clint Davis recently did a photo shoot with top-tier 2016 IndyCar racing drivers and their cars. He also created a series of behind-the-scenes animated GIFs showing how the composites were created.
Photographer Dave Cross has been a well-known Photoshop educator since 1990. Today, he just launched a new stock photo service called CompositingStock, which uses a collapsible safety cone in order to help photographers figure out how big subjects should be on backgrounds.
Want to see a super early example of a photo being faked through compositing? Look no further than this circa 1902 photo, titled "General Grant at City Point." It appears to show General Ulysses S. Grant posing on a horse with a large number of soldiers in the background, but it's actually the combination of three different photos.
Before the days of digital magic, people had to rely on clever film techniques and chemical processes for "green screen" (or chroma key) compositing. Tom Scott created the short video above that provides a quick overview of the techniques that were used.
Ashot Gevorkyan is a professional photographer and retoucher based in Kaliningrad, Russia. He recently created a series of animated GIFs that offer a look into how commercial images are composited and retouched from the original photograph to the final delivered image.
When it comes to masking out and/or selecting hair in an image, be it to remove a background or selectively style it, it’s never an easy task. Even with the most tamed of manes, it can be a pain, but thanks to this "Advance Hair Selection Tutorial" by the Photoshop Training Channel, your life is going to get a lot easier.
Check out this portrait of the hip hop duo Insane Clown Posse by photographer Paul Mobley and digital artist Mike Campau. Can you tell how it was created?
Now here's a creative idea that we've never seen before... For this short film titled New York: Night and Day, New York City-based filmmaker and animator Philip Stockton blended daytime and nighttime images of his city into single shots. He explains,
New York: Night and Day is a combination of non-traditional video time-lapse and animation. I filmed day and night scenes from around New York City and combined them back into single sequences using rotoscoping techniques. The piece explores the relationships between night and day, by compositing together scenes shot in the same location over a time period ranging from 4 - 8 hours. I hope you enjoy it.
Here’s a brief video in which Los Angeles-based photographer Mike Kelley shares his …