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Movies That Can’t Shoot on Film Are Achieving the Analog Look Digitally
A third of the movies selected for the Cannes Film Festival this year were shot on film, but many more still tried to achieve the analog look digitally.
A third of the movies selected for the Cannes Film Festival this year were shot on film, but many more still tried to achieve the analog look digitally.
The cinematographer behind the Oscar-nominated film The Holdovers has revealed how he made the movie look, feel, and sound like it was actually made during the decade it is set in: the 1970s.
The One LUT is able to "seamlessly match" the iPhone 15 Pro's ProRes log video to the cinematic quality of the Arri Alexa K1S1 rec709 look.
Gene Nagata of Potato Jet, a self-described "professionally unprofessional potato with way too many cameras," traveled to Germany to visit Arri and learn more about the company's extremely professional cameras, lenses, and other cinema gear.
Blending past and present, Los Angeles-based production company Valkyr Productions shows how its team crafted an award-winning Western-style Rolls-Royce commercial.
A lot of words have been written and exchanged about the difference between -- and possible advantages or disadvantages of -- CCD (charged-couple device) and CMOS (metal oxide semiconductor + active-pixel sensor) camera sensors. What really is the difference between them?
The Canon 80D is a popular enthusiast-level video-capable DSLR. The Arri Alexa is a professional video camera that is commonplace on many Hollywood feature film sets. Here's a 7-minute shootout by Potato Jet that compares what you get from a $3,000 camera kit versus a $80,000 one.
A few months back, a viral video showed how the iPhone 7 could (in some respects) hold its own against a $50,000 RED Weapon. This side-by-side comparison of the iPhone 7 Plus against an $82,000 Arri Alexa is a bit more... what you expect.
If this video doesn't make you cringe, nothing will. In the middle of what looks to be a presentation at Cine Gear Expo, disaster struck. While testing out a powerful and pricey stabilizing rig, a $70K camera smashed to the ground.
Forget 4K, 4K is for babies. How about 6.5K coming out of a sensor that is three times bigger than Super 35 and considered, "the largest high-performance motion picture sensor available on the market"? If you have the need and, more importantly, the capital for it, ARRI has you covered with the new Alexa 65.
Here’s a humorous introduction to the Arri Alexa digital motion picture camera by …