So as usual, lots of fun with an interesting feature on a budget price, so hopefully this video helps you guys decide if it's a good choice for you.
So as usual, lots of fun with an interesting feature on a budget price, so hopefully this video helps you guys decide if it's a good choice for you.
So my final call on this lens is that it's pretty excellent.
The Sony a7 IV is the most expensive model in its series so far, but it’s also the most capable. There are few photo or video activities the a7 IV can’t turn its hand to, comfortably.
So it looks like we have another excellent Sigma prime lens in their contemporary series to look at.
In the end though, the Leica M11 Initial is just their most powerful rangefinder to date with all the new conveniences, honestly they're most enjoyable to use.
The 24-70mm F2.8 S is a fantastic lens that really delivers on the promise of mirrorless. Although it might focus just a smidgen slower than its SLR equivalent, the popular AF-S 24-70mm F2.8E ED VR.
DJI spent more than two years rethinking its place in the action camera market, and the Action 2’s design is truly innovative.
[O]ptically the performance on this lens is excellent. I like it wide open, the bokeh is quite nice, it focuses quick, it's solidly built. It really might actually be in the running for best lens of the year.
Yes, there are some limitations, but I can't get away from the fact this is the most innovative new video product that I've seen in maybe a decade.
It's decently sharp wide open, it only gets better as you stop down.
I think we finally have the 70-200mm f/2.8 Sony G Master that we always wanted. This thing improves so much; it is definitely lighter weight, very fast focusing, very sharp.
The Nikon Z 14-24mm F2.8 S is a worthy addition to the company’s lineup of high-end F2.8 zooms, offering great image quality in most every respect.
It addresses a lot of the complaints that I do have for this, and I love that camera, but I will end it on this note: this camera, there's just something about which makes it easy to covet and love, and that's an underappreciated factor in cameras nowadays.
The GH5 II adds a fewer feature enhancements to one of the strongest stills/video cameras on the market.
The Sigma 150-600mm F5-6.3 DG DN OS | Sports is a great option for Leica, Panasonic and Sigma L-mount shooters. It's sharp, controls chromatic aberrations well, and provides pleasing bokeh and subject isolation.
For now, my impression is that the R3 looks very capable and that Eye Control should be taken very seriously, even by those who think it sounds gimmicky.
[T]he way this lens renders the out-of-focus areas can be truly stunning and very unique, and so that might absolutely justify the extra price point and the uniqueness of this lens for you.
Once we stop down, you can see that from the center right to the edges we are getting beautiful sharpness right across the frame, which is very important if you're going to use this lens for landscape. It is a small, very sharp little landscape lens.
The GFX 50S II is the least expensive and most refined 50MP medium format camera yet from Fujifilm.
The Nikon Z fc is an APS-C mirrorless camera that successfully brings back the design of the company's film cameras. It offers plenty of hands-on controls, a vlogger-friendly fully articulating touchscreen, excellent still and video quality, and plenty of customizability.
I was actually very impressed by it and very surprised by how versatile it actually was.
I think this is a great choice for any photographer looking for an ultra wide for APS-C cameras.
[T]he ZV-E10 has quite a bit to offer: good quality oversampled and uncropped 4K/24p capture, headphone and microphones ports, a selfie touchscreen, a high-quality onboard vlogging microphone, industry-leading video AF performance [...]
The Fujifilm XF 50mm F1.0 R WR is a unique option for users of X-mount cameras, offering the widest aperture you can get while still featuring autofocus.
